Instruments:
McNally strumstick, Burke tin whistles, Gold Tone tenor guitar, Kentucky mandolin, tingsha bells, triangle, tambourine, sleigh bells, Meinl bell

The Opossum In The Rain

MAP: 
Music and Poetry 
to map all the universes
with all the non human voices.

 I am Wivresse, a french poetess exploring music and voice by her own feelings and self-taught.

MAP is a musical genre that comes from permaculture art in order to reconcile nature and culture, because there is no difference between the two, it's like saying that the horizon is a border.
I'm also developing a new project: 
MAB Music And Biophilia (Music including sounds of life to celebrate it).
And in this idea, I work on natural frequencies.

The musical genres I explore: World, electro, arty, traditional, care, experimental, ritual, jazzy.

Available for collaborations.

I also play in two duets, one with a Japanese musician for more than 10 years:

 ☆Kinsâme ☆
with Kyt de Kinsâme :

https://m.soundcloud.com/kiyotoyoshihara

( Electro, J-Pop, world, ambient, experimental, jazz)
-----------------------------------

 And the other with an American musician, 

 ᚎ Pythyrsus ᚎ
 with Mesmo :

https://m.soundcloud.com/mesmo1

(Alternative, experimental, ritual)

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WE ARE NATURE DEFENDING ITSELF



Other projects:

https://soundcloud.com/wivresse


Sorcière en Poétique quête contre les camps de civilisation.

Éco-poétique et art permaculturel.

https://instagram.com/wivresse
https://www.tiktok.com/@wivresse
www.youtube.com/@wivresse

https://progettosonoro.bandcamp.com/follow_me
progettosonoro è Marco Mascia, accumulatore seriale (e parallelo) di strumenti musicali e oggetti sonori e (non)musicista. Dal 2007 fa parte (con Manuel Lain) del duo Le Pecorecaramellate che ha all'attivo un Cd (Una botte e via! edito da Sesto Esercizio Records) e ha partecipato (Cagliari, 10 Ottobre 2015, Nuovo Panificio) al Multiversal EXP-OFF. 
Il 1 Maggio 2016, sempre al al Nuovo Panificio, ha partecipato, con la Roaring Pianolas Orchestra, alla perfomance live "pianoltre"

Original compositions played upon various acoustic instruments. 

At the moment, the majority of music I record is original folk tunes. Most of these tunes arise whilst out in natural ecosystems or shortly after visiting a natural ecosystem. The titles often reflect an aspect of the ecosystem I had noticed while the tune came about. Lately this is usually a species of bird.

Tin whistles and flutes appear the most often in my recordings; though mandolin, tenor guitar, lyre harp, jaw harp, dulcitar, and a handful of other instruments show up fairly often as well.

And here's some more music I've made along with my friend Dan Jones:
https://soundcloud.com/user-453898279

The Opossum In The Rain

Zach Schneider