Mezzo Soprano live recording by Dawn Walters piano accompaniment by Graziana Presicce. Sound recording Steve Brookfield in Howden Minster.

To Shallow Rivers, Mezzo Soprano solo

Thank You for 1500 plays! ❤️

When exercise in mixing bass changes into track ;) It's a kind of medieval/celtic triphop track. I've again returned to Irish Harp. Now there are 3 of them ;)

Imagine.... A medieval castle town stretching around the defensive walls. The girl around 18, with long hair getting out from home. She grabs basket and a shawl and runs outside. It's an early morning, the light is cold and it is a bit misty... she goes down the street close to the wall, she has the tight dress with more open bottom. She begin to dance... This is modern dance. Something between classical and jazz with modern additions of head and hands movement. When she dance more and more girls join her dance with simultaneous movements...

It's an anachronism like in "The Knight's Tale" dance scene:
https://www.youtube.com/watch?v=Sv_E86eJELE 

I've used
DAW Ableton Live Standard
Kontakt Player Irish Harp (free)
Soundpaint – 1928 Steinway Piano (free)
Ableton Live - Drift Synth - 808 Pure Bass
Spitfire Originals Epic Strings
Spitfire Originals Cinematic Percussion
Spitfire BBC Symphony Orchestra Discovery FREE - Trumpets and Oboes
Spitfire LABS Cello Moods (free)

Two MIDI percussive loops were used:
from "Mood Reel" - Bins and Barrels Kit - 105 bpm
from Core Library - Shaker Chance 128 bpm

Thanks for reviewing and lot of good advice go to:
Nynke @wichita-nynke, wejfi @wejfi and kavvka @grzegorzkawka.
Also special thanks go to °Roach @dj-roach-1 for a lot of technical advice.

Thank You for listening and I hope You like it at least a little bit 😊

Picture from Freepik by stockgiu

Dance of Lonely Maidens

Who can say where the road goes?
Where the day flows? Only time
And who can say if your love grows
As your heart chose? Only time

Who can say why your heart sighs
As your love flies? Only time
And who can say why your heart cries
When your love lies? Only time

Who can say when the roads meet?
That love might be in your heart?
And who can say when the day sleeps
If the night keeps all your heart?
Night keeps all your heart

Who can say if your love grows
As your heart chose? Only time
And who can say where the road goes?
Where the day flows? Only time

Who knows? Only time
Who knows? Only time

Only Time (Enya Cover)

I received the great honor and I am extremely grateful that the great soprano Mrs. Gabriele Weinfurter - Zwink recorded the solo of my Ave-Maria and that MyOpus (Gerhard Richter) mixed it so beautifully with the choir.

Ave Maria, gratia plena;
Dominus tecum;
benedicta tu in mulieribus,
et benedictus fructus ventris tui, Jesus.
Sancta Maria, Mater Dei,
ora pro nobis peccatoribus
nunc et in hora mortis nostrae. Amen.

Hail Mary, full of grace.
The Lord is with thee.
Blessed art thou amongst women,
and blessed is the fruit of thy womb, Jesus.
Holy Mary, Mother of God,
pray for us sinners,
now and at the hour of our death.
Amen.

Ave - Maria

Ave - Maria      (featuring Gabriele Weinfurter Zwink)

I created this track for a friend's YouTube channel. The channel is of course about watches ;-)

Music:  © Axel Menningen

Enjoy Your Watches

The Smoking Trout is back with a new chapter in the saga of the Holy Dumpling.  Was great to hear Uziel in front of the mic again as well as Tot laying the beats.   Jeff and Terry remain masters of their domain. 

* Stonerjazz @user-911083679 -- Vocals, Lyrics, Original Idea, Acoustic Guitar, and Artwork

* Uziel @user-455619833 -- Vocals

* TexMex Shaman @texmex-shaman -- Electric Guitar & Bridge

* Tot - @tot-beat -- Beat & Drums

* Tea R. Sea - @tea_are_sea -- Synths & Production

-------------
Catch up with the first 10 tracks of our work-in-progress concept album, Quest for the Holy Dumpling: on.soundcloud.com/FR63a

Listen to the Smoking Trout's first album, The Land of Zed (2021-2022): on.soundcloud.com/WB34q
-------------

Lyrics (by Stonerjazz):

We all chose it, we arrived here at this self-same place
he liked to think that he had earned it
but that simply not the case.
He just dreamed it up one sunday afternoon
while drowsing and lounging in the Ether
where the US resides
while living on a Proton Banished
to the outskirts of a single Atom
In a single Universe-
It was a wicked Curse, specifically designed for him
A scorcerer, Albert Rufus Smith
Stole a Rocket ship and he took it to Uriah
He was a rascal and scoundrel and a liar and a thief
But he had a magic knife that he had won in a game of dice
on a stormy night in a corner of some ruins
in the desert in december by the fire light with some other witches from Oaxaca
where he'd Spied Roberta picking magic mushrooms naked in the moonlight
with her brothers and her sisters and some others from the Bus-
It seems that Albert Rufus Smith Was Smitten

The eternal now is Wow
When we wonder why we wander
where we will
while walking walking walking to fulfill
the contemplated vacancy
Beyond the vast Horizen

Alberts knife was sliver with a handle made of Amber
when he held it high above his head
it gave off a blinding light
and on that night on the planet of Uriah
when Gus and all his jolly happy hopeful holograms arrived
on that Beat-up Bus
That formulated plan in Alberts wicked head
appeared to be on Track
had he not been messmerized by Roberta's perfect presence and physic
he might have pulled it off, that dirty rotten little sneak--

Sid and Larry caught him and his Cronies
trying to steal the bus and Abduct
Sally and Roberta too, Who
were sleeping on the bus in the back together as they always do,
And Gus was not Amused-
Albert seemed to be confused until he held his Magic knife up high
and blinded ever bodies eye
and in a frantic flight he escaped into the distant night--

Albert Rufus Smith (Smoking Trout's HOLY DUMPLING #11)

Recording sessions from 20/03/2024 - 14/04/2024.

presets, mixing, processing and editing: Pier WILL.
________________________________________________________________________
- Made with MOOG & Modular / Multi-tracks
- Composed, arranged, performed, produced by Pier WILL & Studio 4H09
- Artwork - Pier WILL
- Acknowledgements - Ableton, AKG, Arturia, Audacity, Cantabile, Focusrite,   Korg, M-Audio, MSI, Sony, SoundCloud, Teac, Techniks, Yamaha.
________________________________________________________________________
❤️🕊️🙏

202-3

202 - 3 - ❤️🕊️🙏

Music : Janne Hennie & Little Man Project
Vocals & lyrics : Janne Hennie

I had a love in my life
Strong feelings, nothing to hide
In time love started to fade
And a brand new love appeared

Why can't I love both of you
Why is it wrong to be in love with two
It is so painful to choose
If I choose one
Two of us will loose..

I put all emotions aside
Avoiding the choice I have to make
Inside I am thorn in two
Know I have to leave one of you

Why can't I love both of you
Why is it wrong to be in love with two
It is so painful to choose
If I choose one
Two of us will loose..

Made the choice I had to make
With the one I already had
My heart aches and grieves
For the one I had to leave

Why can't I love both of you
Why is it wrong to be in love with two
It is so painful to choose
If I choose one
Two of us will loose..

Two of us will loose...

Two Loves

Hello and welcome back! 🤗

I’ve created an updated version of my track “For Freddie”, and I couldn’t be more excited to share it with you all. This piece has been refined with new elements to better capture its essence and the emotions I wanted to convey. It’s a continuation of my journey through music, and I hope my listeners and fans will feel the energy, heart, and inspiration behind it. I look forward to hearing your thoughts and hope you enjoy what this music has to offer!



 



Yours 

Alex
#piano #pianist #tiger #lion #catsoftiktok #meem #italy #france #romanianartist #romania  #WorldNews  #worldwide #music #bucharest #charityfundraiser #charity #WFP #worldfoodprogramme #UnitedNations #classicalmusic #jazz #composition #music

For Freddie Version 1.1

2024 11 05

A song recorded the day after recording "The Sleeping Pig". And before recording this song, I visited the same large sleeping pig as it was waking up for dinner from a nap in a mud bath. 

The photo is of myself playing the adungu used in this song, and Bomba the cat.

Instruments:
Adungu, Tin Whistles, Synthesizer, Bell

The Waking Pig

Original compositions played upon various acoustic instruments. 

At the moment, the majority of music I record is original folk tunes. Most of these tunes arise whilst out in natural ecosystems or shortly after visiting a natural ecosystem. The titles often reflect an aspect of the ecosystem I had noticed while the tune came about. Lately this is usually a species of bird.

Tin whistles and flutes appear the most often in my recordings; though mandolin, tenor guitar, lyre harp, jaw harp, dulcitar, and a handful of other instruments show up fairly often as well.

And here's some more music I've made along with my friend Dan Jones:
https://soundcloud.com/user-453898279

The Waking Pig

Zach Schneider