Bandcamp: https://linakamura.bandcamp.com
Spotify: https://open.spotify.com/artist/5JJaCP2DNoIXagSqLAWfhF
Youtube: https://www.youtube.com/channel/UCR6BFKKOzolf_golYowvQ-g

linakamura is curated by a multi-genre composer and multi-instrumentalist from the UK.

Everything is their own work and is solely created/curated by them. No AI.

Phreeznix Wright Glacial Attorney: Justice For All - Selected Reworks (2002 OST)

Detention Center ~ Elegy of Surveillance Cameras

Neu - Morning On The Moon - 2019

Trumpet / Jahn Neu
Samples / Own, Blackhole

Morning On The Moon

Resurrection Sunday

Marco Lucchi : toy harp

22 ottobre 2020

The Ecstasy to guess,
Were a receipted Bliss
If Grace could talk -

Emily Dickinson

toy harp n°1

Original music by Marco Lucchi
soundcloud.com/marcolucchi/piano-patterns-no-4

Rework by Liquid House
Hadean Studio, November 2020

Marco Lucchi : piano
Victorien OD : moog & the galactic filters

Artwork by Victorien OD

Marco Lucchi & Liquid House - Bubble Chamber

Water Calls Pt. III

Enter a journey of nature recordings from the danish autumn rains, wintery ice lakes, Israeli streams, forest winds and Irish cave drops,
an ambient soul soothing world unfolds, performed live together with the African harp - the Ngoni and the North American traditional double flute.
It was the first series of Nature / Field Recording based electronic live sets I did.

This Set was recorded in 2019.
It's the final third of the Water Calls series, concluding into the depths of the ice.

Ishtadi - Water Calls pt. III (Live @ Thor & Samanthas Wedding)

Vanessa Pettendorfer: organ -
Bruno Gussoni: shakuhachi -
Mastering: King Imagine (Alexey Mikryukov)

Vanessa Pettendorfer & Bruno Gussoni - respirer

More on this 463rd weekly Disquiet Junto project, Making the Gradient (The Assignment: Make a piece of music inspired by the concept of a gradient), at:

https://disquiet.com/0463/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0463-making-the-gradient/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

fading lather

halF gradienT [disquiet0463]

Two worlds, photography and Sound Art mixed together.
/ latente / photo book by Claudio Rosa and music by SAN Ā T ANA.

Analog photography, used as a means of orientation within a new collective human condition, intimately reveals a vitality forced into domestic environments where presences and absences interpenetrate and coexist.

The Frames
Photographs taken using an analog point-and-shoot camera loaded with 400 ISO Kentmere black and white film. The entire process of shooting, developing the negatives and acquiring the images was performed by the artist in his own laboratory.

The Music
7 short compositions based on repetition were born as a function of the image. The geometries and the superimpositions of the different planes intersect and interpenetrate, showing a vitality not yet considered. The music therefore tries to tell what is hidden but which somehow re-emerges, generating a loop of different states of being.

Claudio Rosa, visual artist, originally from Sant’Antioco, carries on his double research on visual perception and on the reuse of objects of mass consumption characterized by a strong geometry. His art seeks the spontaneity of a child's play but does so through a methodical, and even obsessive, semantic processing, apparently cold but deeply linked to childhood.

SANĀTANA aka Marco Salaris is a musician born in Sardinia in 1988. His music has its roots in Noise and Drone Music, developing and finding new trajectories more akin to Electroacoustic and avant-garde music. His creative process is articulated around the improvisation, listening and sound processing practices, typical of Electronic Music. In 2019 he released his first solo album "SANATANA" for the SUPRANU Records label.

supranurecords.com  
credits
released January 11, 2021

Composition: Marco Salaris aka SANĀTANA
Percussion samples: Giacomo Salis L 01, L 02, L 04
Graphics and Handmade book: Claudio Rosa
Communication and management: SUPRANU Records
Master: TeraMastering di Marco Vincis

all rights reserved

/ latente /

L 06

A River In January (Naviarhaiku 368)

Instruments:
Burke tin whistle, organ effect on iPad

Tree Sparrow

Original compositions played upon various acoustic instruments. 

At the moment, the majority of music I record is original folk tunes. Most of these tunes arise whilst out in natural ecosystems or shortly after visiting a natural ecosystem. The titles often reflect an aspect of the ecosystem I had noticed while the tune came about. Lately this is usually a species of bird.

Tin whistles and flutes appear the most often in my recordings; though mandolin, tenor guitar, lyre harp, jaw harp, dulcitar, and a handful of other instruments show up fairly often as well.

And here's some more music I've made along with my friend Dan Jones:
https://soundcloud.com/user-453898279

Tree Sparrow

Zach Schneider

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