𖤐𖤐 𖤐   I  Am  The  V  o  i  d   𖤐 𖤐𖤐

A short improvised tune played by me with my old loyal companion Korg SGProX digital stage piano as a master keyboard, using an old lovely retro style Grand Piano sound from Keyscape (Yamaha C7, preset "Vinyl"). (Edited the track a little bit on Sunday, November 12, 2023; e.g. changed the last note:)

This song is dedicated to the one who knows it.

I know this is a short one but I'm not a trained jazzer and it has practically taken all my life to get to this point in playing (I'm still learning every day:). If I had to name a few sources of inspiration here, I would first name Mr. Erroll Garner; I would also name Mr. Robbie Buchanan, who's fantastic, memorable and genius playing, compositions and arrangements I have listened to (knowingly or unbeknownst) practically all my life and keep listening today. A song that especially inspired me to make this track is "Somebody in Your Life" by Diane Warren and Robbie Buchanan and the incredible complex chords and progressions present in that song. Later Mr. Luis Miguel made a spectacular version of that song ("Alguien Como Tú"). Third, I would also mention as a source of inspiration the memorable music of the late honorable composer and pianist, Mr. Juan Carlos Calderón. And of course, the music of Mr. Bill Evans is always inspiring me.

Peace (solo piano)

Afterlife

This song is a mix of #electronic #trance #tech trance #hands up #chiptune #dubstep #psy-trance #goa trance #techno #ambient #downtempo #drum n bass #hardstyle #hardcore #dub #progressive trance
#dubstep #dance-pop #electro house #synth-pop
k pop dance-pop disco polo, grime, electro house, k-pop, trap, electro house, euro house, shoegaze, house, electro, hands up, electroclash, j-pop, eurodance, chillwave, vaporwave, tropical house, juke, jumpstyle, bassline, experimental neo soul funk
vocal ballad glitch synthwave synthwave jungle reggaeton progressive breaks 
grime hardstyle trap gangsta thug rap
electro house dub hardstyle dubstep tropical house chunk field recording k-pop gothic metal hands up synth-pop electro house trance reggaeton trap
and electro

Blowing Up Your House

Electronic electro  tranc tech hands up Dub
psy-trance goa techno Ambient dance-pop tropical house progressive breaks  synthwave  Reggaeton  trap  glitch synth-p op   jumpstyle  Experimental  neo soul chillwave vaporwave disco polo grime  K-Pop  j-pop  Ballad Trance

Bass Light Dads

Dive deep into the abyss with Zemandan's new hard-hitting, atmospheric dubstep track. Unrelenting bass, eerie melodies, and intricate sound design blend together to create a dark, electrifying experience. Turn up the volume and let the darkness take over—this track will hit your soul as hard as it hits your speakers. 🔊⚡ #Dubstep #Bass #DarkVibes #Soundscapes

I Am The Void

A cover version of Cold Night – originally by Swedish band Eskobar.

Cold Night

I Don't Wannabe (Your 51st State) - Dance Version

Mr. President, a moment if you please
Let me say to USA as nicely as I can
To leave it along and let us just be friends
Talkin' 'bout my country, my true North, Strong & Free
And like the song says, baby, We Stand On Guard for Thee

I don't wannabe your 51st state, no
I stand on guard for thee, that's my fate now
I don't wannabe, your 51st state, no

Friends like us gotta find a way
To make things right for the USA
Friends and family across the border
It's elbows up when we get in the corner
Where we live is happy home
Reaching for something that ain't your own
We understand you want to grow
Our advice, just leave it alone

Mr. President, a moment if you please
We used to be like brothers now you're coming after me
Mm-hmm we fought together, died together too
And I can't believe this nightmare is all because of you
So let me say to USA as nicely as I can
To leave it along and let us just be friends
Talkin' 'bout my country, my true North, Strong & Free
And like the song says, baby, We Stand On Guard for Thee

I don't wannabe your 51st state, no
I stand on guard for thee, that's my fate now
I don't wannabe your 51st state, no

C'mon, I don't wannabe
Never wannabe
I really don't wanna be
I like you very much but I don't wanna be your 51st state

I don't wannabe your 51st state, no
I stand on guard for thee, that's my fate now
I don't wannabe your 51st state, no

Cover Art: Young King Henry, Todd J McLean

All rights reserved

I Don't Wannabe (Your 51st State) [Dance]

Costume décor - Prod Lietoofine (Almost Valentine's day)

Distant Drums

Verlassen In Der Welt

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Colonial Powers, The Legacy That Never Left The Building
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lyrics: fictionalive
music: mobygratis
written, produced, licensed, and provided
by mobygratis
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coVer ArT fictionalive DYI, wall shot 01.001.02
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fusion of it all - fictionalive with the popoems series and the hyper media reports
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dropped
Wednesday, August 6th, 2025
05:50 AM Central European
Hot Summer Time Zone
today, not so so much so
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*
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// keep shining, crazy little diamond

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What's it all about..
/

"Colonial Powers, The Legacy That Never Left The Building"

This title, poised on the cusp of irony and indictment, addresses its subject with the stylish precision of a rapier’s point. It evokes not a dusty treatise, but an invitation—a salon, a stage, a chamber in which the ghosts of history pace the parquet floors still.

First, observe the flourish: “Colonial Powers,” those familiar colossi, are not consigned to the tomb of history but linger on, uncannily present. The subtitle—“The Legacy That Never Left The Building”—is, for the feuilletonist, a masterstroke of sardonic wit. It both plays on the pop idiom (“Elvis has left the building”) and subverts it; here, the ‘star’ of colonialism remains stubbornly present, lingering in the architecture, policy, and psyche of postcolonial spaces.

A featherlight sarcasm hovers above the phrase, the kind that—with a knowing wink—invites the reader into a tacit complicity: of course the legacy never departed; did we ever truly believe otherwise? The construction conjures irony, a chief weapon of the feuilleton, and implies a skepticism learned by long acquaintance with the tricks of history and the repetition of power.

In the grand tradition of feuilleton writing, the title itself is both diagnosis and epigram. It distills a complex and ongoing wound—economic, cultural, and psychological—into a phrase brisk enough for any café table debate, yet sharp enough to lacerate complacency. The cadence, with its comma and deft repetition, creates a rhythm of announcement followed by wry afterthought: here is the topic, here is the verdict, subtle as a raised eyebrow.

Stylistically, it profits from the feuilleton’s hybrid nature: journalistic immediacy (this is happening now, everywhere); literary artistry (the phrase hits with double entendre); societal critique delivered with a velvet touch. It would not be misplaced, one suspects, at the bottom of a Sunday paper’s cultural page—nestled among witty rebukes, conversations with old Europe, portraits of vanished grandeur, and exposes of lingering injustice.

In sum: the title stands as a crisp, satirical banner—lucid, layered, and perfectly feuilleton. It raises its subject not with ponderous solemnity, but with the bracing, intimate skepticism that is the feuilleton’s signature. On guard, indeed: the building is filled with echoes, and this title leaves no doubt that someone—or something—has stayed behind.

Plaintext and ready for instant release, Captain!

Colonial Powers, The Legacy That Never Left The Building

El eco de tus pasos

exact from recent jam at sunshine studios, all my gratitude to Kurt Bricker for bringing the drums

hazy dayz jam (feat. Kurt Bricker) extract 1

Unforeseen Waltz

“Bird song'' is a song from my first album''Follow in my Eyes''
Original song is written ,played, sang by Chihiro MATSUMOTO. 
This version is arranged  by JEEM @phoenixz-1-299253742 
The original version is a simple acoustic song ( just only my guitar and vocal),but this version is much more spiritual and powerful by his arrangement
( especially rhythmic and ambient element)
I feel his sound colour is very clear blue. 
I and JEEM will be happy if you would comment how you feel .
Thank you so much for listening from us two!

lyrics
(I'm)feeling to remember always,  
standing now at the heaven's door all alone
( I )can't see....
No voices....
just another day in the dream

(I'm)feeling to remember always,  
standing now ,feeling your love
Life is good
In my life, just another day in the dream

Everything for me
You can do to stay with
The rain is coming for now
Cos' every fire
we can do to try''end''
let me know it's gone
Everything for me
And I know to say''I do''
I let you go  ... I let you go

Birdsong (collab. with JEEM)

SUPER CEREAL NOW ON SPOTIFY: https://open.spotify.com/album/4nnbYipcqMZMtP7Ld0AzSv?si=RzHWW8OhTJKgNidFcKNggw
Bacon Milkshakes on Spotify: https://open.spotify.com/album/1JODJyczhwcBxxPIl28ecG?si=ryE5EhCNT8ajnyf1v5y6rg
♥️🙏I'd Love For You To Follow-And please, cast a VOTE on https://distrokid.com/spotlight/zemandan1/vote/ (preferably on my track)
Blending progressive house, cinematic EDM anthems, bacon, techno, dubstep & hypnotism into glitchy grooves, distorted fat bass and euphoric darkness🔥

Bookings: zemandan@hotmail.com
(NO promoters-Really, try me)

Blowing Up Your House

•ZEMANDAN•

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