How could I not work on this week's Haiku challenge, when it was written by our glorious leader himself?
I tried to capture the feeling of emptiness after something big has finished, but then the urge to get moving again starts tickling...

Pre-dawn inertia
Where do I go
From here?

Haiku by Marco Sebastiano Alessi (founder of Naviar Records.)

Picture by Dameli Zhantas

Pre-Dawn Inertia (Naviarhaiku534)

two drum and bass drum loops hand cut and glitched. layers of distortion, feedback, electric guitar, sub drones, voices and multiple field recorded one shots.

[naviarhaiku534] dawn, pre-inertia

started from a few notes on home made string instrument- attempt to create the sound world of an often active brain awake at 4am but going nowhere! :) Thanks NaviarHaiku & ,Marco.

The noise of a busy mind in the silence of inertia(NaviarHaiku534)

Recorded in AUM with generative MIDI from ZOA feeding three synths.  Lightly post-processed in Audacity.

Pre-Dawn Inertia [ naviarhaiku534 ]

sound art for disquiet0639

More on the 639th weekly Disquiet Junto project, Path Ways (4 of 3) — The Assignment: Rework musical trios using the constituent parts — one of two ways — at https://disquiet.com/0639/

semantic soundscape [raincat remix] DeDe_euclidian_undermulden (disquiet0639remix)

Disquiet Junto Project 0639: Path Ways (4 of 3)
The Assignment: Rework musical trios using the constituent parts — one of two ways.

These instructions are fairly lengthy. Please read carefully. Originally this trios sequence of projects would have ended with the completion of the trios after three consecutive weeks. However, those went particularly well, so let’s see if we can push it a little further.

Please note: You needn’t have participated in any of the prior Junto projects to participate in this one.

Step 1: In the previous project, we completed musical trios. Project 0638 was the third of three consecutive projects. In the first one, 0636, musicians recorded solos. In the second, 0637, musicians took those 0636 tracks, nudged them to the left side of the stereo spectrum, and then added their own music to the right, forming duets with a hole in the middle. In project 0638, other musicians introduced a third track down the center of the 0637 recordings, completing the trios. You can revisit the music via the blog posts disquiet.com/0636 1, disquiet.com/0637 2, and disquiet.com/0638 2, and you can follow the forking paths through the related Google Drive spreadsheet 9.

Step 2: The goal of this project is to rework the material that accumulated over the course of the previous three projects. There are two main ways to go about this. One is to simply choose one or more tracks and remix, combine, mash-up, or otherwise transform them. The other is to move on to Step 3.

Step 3: Choose one 0636 track, a solo, that yielded more than one 0638 trio. (These are highlighted in light blue, or maybe it’s teal, in the leftmost column of the spreadsheet 9.) Trace the various routes that 0636 track took. Perhaps it also led to some 0637 tracks that never went any further. Perhaps there are various 0638 versions based on varied 0637 versions. In any case, record a piece of music that lets the listener experience the branching paths that the original 0636 track took over the course of the three phases of the trios project sequence. Clearly you will be using a linear form to represent variations, so how to achieve that will require some compositional ingenuity. But you’re up to the task.

Tasks Upon Completion:

Label: Include either “disquiet0639remix” (if you follow the loose rules of Step 2) or “disquiet0639paths” (if you follow the more specific rules of Step 3) in the name of your track.

Upload: Post your track to a public account (SoundCloud preferred but by no means required). It’s best to focus on one track (but if you post more than one, clarify which is the “main” rendition).

Share: Post your track and a description explanation at https://llllllll.co/t/disquiet-junto-project-0639-path-ways-4-of-3/

Discuss: Listen to and comment on the other tracks.

Full circle (ft @Raincat, @tristan_louth_robins, @xhg, @krakenkraft, @SinnySounds) disquiet0639paths

Created in Cubase 13 with Native Instruments and Slate + Ash instruments. 

Inspired by Naviar Haiku 534:
https://naviarlab.tumblr.com/post/746205559437557760/naviarhaiku534-pre-dawn-inertia

Photo by zenbytes (Normandy, France, 2018)

pre-dawn inertia - Naviarhaiku 534

This piece was 'composed' by Wotja, using the haiku text below as a seed to generate the melodic lines ...

Come outside!
we can almost touch
the spring moon

Haiku by Nakamura Teijo: https://en.wikipedia.org/wiki/Teijo_Nakamura

More information https://www.naviarrecords.com/haiku-music-challenge/

more halF unusuaL

halF touchinG [naviarhaiku535]

eternal sunshine

Archway of Light

Ambient Dreamscapes for you to enjoy. Relax, unwind, meditate and chillout

NECRONOMICON DREAMS No21 BECALMED

Traveller in sound and space.  Enjoying and creating ambient, drone and experimental music.