Track created using software on iPad:
AUM, BLEASS SampleWiz/Phase Mutant, GeoShred, Sugar Bytes Aparillo, iceWorks Lagrange, Rozeta LFO, Altispace2 by Igor Vasiliev, AudioDamage RoughRider 3/OtherDesertCities, rymdigare by Erik Sight, Bram Bos Kosmonaut, Imaginando DLYM, Pagefall Ioniarics, 
Mixed and mastered in Cubase 12 with Ozone 10
Photo by zenbytes (2020, Bretagne, France)

summer night transforms - Naviarhaiku 479

This is to share my creations and discover yours.

Those sounds we put together and call ''music'' mean everything to me.
Regardless of the style, genre, or cultural ethnicity, 
All these kinds of sounds have always occupied a huge part of my time, attention and listening.

''Music'' has followed me and been a companion in the happiest and through some of the absolute worst moments of my life.

I have been taught in a way, by every composer, conductor and otherwise musicians, bands and performers I have admired and spent so much time listening to over the years. 

My biggest influence is Karl Heinz Stockhausen, for his textures and sonorities the experimental concept from which his creations and sounds came to life, for his approach to performing and the thoroughness of detailing and documenting his works.
 
I began creating and recording my own ambient-experimental soundscapes 10 years ago with the discovery of software synthesizers and Digital Audio workshops. 
Thanks to Soundcloud, I can now share worldwide what I do and take a plunge into this vast network of ''music''. 

I use mostly orchestral instruments, but also a vast combination of ethnic and modern instruments, including synthesizers.

I use all kinds of sacred chants, ethnic voices, choirs. 
I routinely route instruments to sound processing, where the effect is an instrument.
I often use various sound sources.

Please feel free to share your track with me, I am always eager to discover:)
I am not big at reposting tracks, I find it a bit confusing, but necessary.
What I do is if you repost one of my tracks, I will repost you. 
When I repost you, I automatically tweet you also and share your track on other social media.
That way, we both contribute to the sharing of our works!

Traveller in sound and space.  Enjoying and creating ambient, drone and experimental music.

exploring many sides of electronic music as a producer and a listener

experimental musician/soundmaker from Apuliae
Born in 1978

Welcome here to everyone.

I hope what you'll hear inspires you.

For your growth or fall
Through the cathartic world of sounds 
that I try to propose. 

A test area 

A search for meaning 
Of this passage for ours.

Sound as a primordial frequency
Before any acquired significance

If what you hear resonates with your tuning fork
A like and a repost would be of great support.

May your journey be pleasant and constructive
in this sea of instants called life

The eternity of our days.



Please no offers for more followers, listeners or other advertising. I don't pay for advertising!

Quando eu morrer batam em latas,
Rompam aos saltos e aos pinotes,
Façam estalar no ar chicotes,
Chamem palhaços e acrobatas!

Que o meu caixão vá sobre um burro
Ajaezado à andaluza...
A um morto nada se recusa,
Eu quero por força ir de burro.

Mário de Sá-Carneiro

Counter Silence is Southend based composer/producer Colin Ventura.
Check out my Bandcamp here:
https://countersilence.bandcamp.com/

UK creatives should listen to this: https://www.youtube.com/watch?v=yK4wBWiozyM

You must hear this: https://vimeo.com/52766051

*****

Ed Brunsden was kind and patient enough to interview me for  his blog Desert... Mountain... Dust...  - you can read it at https://desertmountaindust.blogspot.com.au/2017/02/tuonela-primitive-progressive.html

After silence, that which comes nearest to expressing the inexpressible is music. ~ Aldous Huxley

All good music resembles something. Good music stirs by its mysterious resemblance to the objects and feelings which motivated it. ~ Jean Cocteau

All music is beautiful. ~ Billy Strayhorn
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

I've become addicted to drone. Again. I was the kid with his head on the piano, listening to the overtones die away, or pressing his ear to the steel hull of the ferry, enthralled by the sounds it created. I was the kid who formed wordless songs to accompany the sound of train wheels on a long journey, or hummed along with the fan on a hot day.

In the 60s I used to play my 45s on 16, or backwards, or by hand using razor blades as stylii.

I made cut-up tapes on a cheap cassette recorder in the 70s and experimented with reel-to-reel in the 80s. 

Thank you Subotnick, Lygeti, Coltrane, Jimi, Mimaroglu, Eno, Cluster, Tangerine Dream, Klaus Schulze, Frank Zappa, Pink Floyd, Kraftwerk, Throbbing Gristle...

I am not a musician. I am a scavenger of sounds. I use the most basic software to process those sounds, stretching and filtering until something emerges that makes a joyful noise. Or not...