Recorded Live at Home Studio.

Gear used: Shure SM58, Korg EMX-1, Mackie CR-1604, Tascam Portastudio 424 MK3.

Open for release proposals. More records on request.

August 2017.

Abiocoen — Waft

Jock Van Vliet: The Lake Within The Lake
In the world of flora, Stellaria Nemorum is the name for forest wall. 
However, the music that Joanna Pavelescu makes under this Latin alias is
certainly not for wallflowers. In fact, the basses and beats on her latest EP "The Lake Within The Lake" 
would blow any kind of vegetation out of the ground.

The titles of both the EP and the
tracks give a good indication of what the listener can expect: a pretty surreal, 
imaginative music trip through time and space. 
A dark journey full of disturbing creaks and moans and industrial 
sounds that occasionally start a surprise attack. With beats that evoke memories of the machine-experimental 
of Speedy J and sometimes relentlessly
grim, Scorn style distorted bass. 
However dark and heavy 
the ambiance is the addition of light with spatial sounds.
  As an accomplished alchemist, Stellaria Nemorum has managed to find an excellent balance in this.

The remixes also come from the Antiloungekamp,
The Hague quality label for electronic music. 
They are from Charly & Gallus (with whom it all started years ago), 
Olaf Wempe (Stellaria Nemorum's former partner in crime as the duo WG @ EET) 
and Foresense, who provides a surprising final chord with jungle beats. 
They all retain the bass-averse character, but are a 
little less heavy in terms of atmosphere.
Light at the end of the dark sonic tunnel. After which a listener with a cleansed soul and new energy can face 
everyday life again. 
After many years of musical pause, Stellaria Nemorum came back strongly with this extensive EP.

The Lake within the Lake

See You Through

https://www.youtube.com/watch?v=jW-qh4WP2Pg

Nachtmahr

This piece plays with the listener’s sonic expectations of what is familiar by fusing sounds, which a person can easily recognize, with new previously unheard sounds generated by algorithmic processing. By using various sounds and sonic artifacts that are common to the human experience, the work directs the listener to draw upon his inner visual associations with specific sounds and paint a mental soundscape of the acoustic experience. The introduction of other, unfamiliar processed sounds into the composition, invites the listener to break away from this familiar associative chain of acoustic phenomena and push the boundaries of his perception, in the process forming new sonic combinations and auditory experiences.
The musical piece was fully recorded and compiled in the Tonshoom Studio in April 2020. Some sounds were recorded using musical instruments, sound props, and speech; others were synthesized with SuperCollider. The final track was mixed down in Pro Tools and WFSCollider.

03. hybrid by Ivan Yerofeyev

Mastered By exm
Artwork & Design by Grid Pattern (www.gridpattern.co.uk)
Photo by Matthew Hampshire (www.matthewhampshire.com)
Music By Keiss

TR606 
released August 14, 2020
(c) Touched Revolutions

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O.V.
https://soundcloud.com/user-548572485-894907690/rhythm-1

Arçon  de Nièze - L'Ereucline CB·3 (Paral·lel "Radio" Rmx)

map 2

Stephan Micus, ‘Till The End of The Time’
Alice Coltrane, ‘Atomic Peace’
Andrée Burelli, ‘Natura Domina’
Arvo Pärt, ‘Sequentia for Percussion and Ocherstra’
Kara-Lis Coverdale, ‘Grafts’
Sarah Davachi, ‘Perfumes III’
Joanna Brouk, Maggi’s Flute Mary’s Watch, Pt.2
Vangelis, 'Love Theme' from Blade Runner
Christos Barbas, 'The Tree’
Bibio, '09:13'
Aphex Twin, 'Kesson Dalek'
Ustad Mohammad Reza Lofti, ابوعطا - کمانچه نوازی استاد لطفی

map 2

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