Bio:
A serious career in producing electronic music almost always starts in a club: everyone knows the story of his first night out at some legendary place, sometimes behind the turntables, more often than not in front of them. Everybody remembers how this sound hit him for the first time, how the doors to the paradise of the steady bassdrum opened. The hero of our story found its initiation at Aufschwung Ost, famous predecessor to the fabulous Stammheim Kassel, which may be defunct but still resides as referential limbo in the hearts of many. However, music hasn't been a stranger for the then 16 years old Martin: already the first portable radio was manipulated for the first steps towards sampling, the belt-driven turntables were scratched to death and the amiga 500 gobbed primal hip hop beats. Although nothing of this sounded like Public Enemy or A Tribe Called Quest it still sufficed to make the young apprentice's mouth water. Then Techno came along with its massive impact, followed by the first shaky dj gig in front of a real crowd at Aufschwung Ost, the first Akai sampler, the first Atari computer, the first field recording, the first loops on 123 BPM, finally the movement to Cologne, being a techno stronghold back then. It's a near classic biography for Martin Beume who has grown to become one respected producer and DJ, but without the attitude. He prefers to stay in the background and lets the music take the center stage. But he who inhales the groove has to exhale at some point too, so Martin's first demo tracks landed at Sub Static, where he released two EP's under his monicker Golden Red. Both featured chopped up funk with a warm-hearted flavour and rank amongst the classics of the label. With Pawas, Martin found a kindred spirit to produce some great tracks for Adam Kroll's Squonk outlet or the people at Brut. That's also the point where Martin found the guts to embark on a solo career under his civic name, which has been a wise decision as the first 12“ on Outils Du Connaisseur arrestingly shows.

El Palmas is an intertropical south american DJ and selector with a transcendental quest: the awakening of ancient gods of the tropics. Spinning records and dropping needles with more than 19 years of experience he recreates shamanic experiences establishing telluric connections through tropical ecstatic trips interweaving reggae, arabic funky, african universal heritage, transoceanic dub, Tel-Aviv vibes, disco and bossa nova. El Palmas mixes with vinyl and digital rippings from his own analog collection product of his restless travels around world hunting for excepcional records.

Pawas Gupta (known professionally as Pawas) is an Indian-born DJ and electronic music producer based in Berlin. With a classical foundation, particularly training on the tabla and self-taught skills in percussion, bass guitar, and keyboards, he began his DJ career in India at age 17. In 2004, he relocated to Europe, rapidly establishing himself in Germany’s electronic scene.

Transitioning into music production, Pawas made a strong entry in 2007 with the release "Katang" . Since then, he’s released popular tracks like Det (with Daso), Playtex EP, Bummelzug, Piano Rain, Naja (with Arooj Aftab) and Camel blues, on respected labels including Spectral Sound, Connaisseur, Squonk, Get Physical and Night Drive Music. Many of these have been supported by heavyweights such as Dubfire, John Digweed, Hernan Cattaneo, Marc Romboy, Jimpster, and Satoshi Tomiie. 

His signature sound fuses melodies, musicianship, atmospheric textures, deep house, and Detroit-influenced grooves—what he calls intelligent house. Pawas’s musical journey bridges his roots in classical Indian music with his experiences as an independent producer in Germany

Bookings : robin@ntrlagency.com
Bookings Asia: rory@supermodifiedagency.com
Bookings South Africa: info@jettreger.com


An African nomad, Floyd Lavine mines inspiration wherever he goes. From the
vibrant musical scene of his homeland, drawing influence from local South
African Djs like Oskido, Vinny Da Vinci , to the heady East London party scene
during a six-year stint in the UK capital.
Moving to Berlin in 2016, he soaked up the vibes of the cityʼs world-leading
house and techno scene, but always went his own way establishing RISE, an
Afro House collective that staged monthly events at Watergate and across
Europe.
Floydʼs sound is the sum of his parts; cross-genre, with broad appeal; heʼs
played everywhere from CTM Festival, Panorama Bar and Black Coffeeʼs Ibiza
residency.

In 2021 sees Floyd launch his new imprint Afrikan Tales focusing on pushing
fresh new Afro future sounds

Life is too short to listen to bad music. 

✉ Submissions » https://bit.ly/stereofox-discord-submithub

💬 Discord » https://discord.gg/x6F42UnjMJ

NATHAN COLES is one of the most passionate , hedonistic & uncompromising underground DJs you could meet. In a career spanning 24 years and 4 Continents, Nathan has moved the international club scene with his Bass driven sound and grooves. Nathan and Terry Francis begun the legendary WIGGLE parties, now in it's 18th year and responsible in part for the birth of what is now known as Tech House. 25 years of experience in organising legal and illegal underground parties all over London and in some of the most diverse venue's.. from Warehouse's, Meat factories, Photographers Studios, Car Auction's, Film Studios, Fields, Beaches and even the famous Krays Twin gangsters old club in Hackney. He has been behind parties, such as Heart & Soul, The Funny Farm, the near mythical Release parties with a certain Mr.C and then In 1994 he got together with Terry Francis and launched Wiggle, bringing the finest from Deep house to Techno, to the club going fraternity. Residences all over the globe, and a 10 year residency with Wiggle at the award winning Fabric, have cemented his name as one of the finest dance floor twisters around, and not only does he play other peoples music, he's also quite good at making them himself and has nearly 200 releases to date.... some of which can be found on his two labels Wiggle Records and Is This music.


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