First thing first, THANKS for checking out our music! Without listeners music does not exist and so your listen and feedback is truly appreciated!

Memimo Media is my self publishing label and all music posted and reposted on this page is from my various projects. 

If U like what you hear than please repost/share it with your friends - it is also available on all the usual suspects like spotify, itunes, deezer, google, bandcamp etc - as an independent musician I am completely at the mercy of word of mouth so reposts and social media sharing are vital for us to continue

Thanks
Michel

BTW, as many ask me, I use routenote and distrokid to distribute my music  https://routenote.com/referral/2f7387c1

More of my music on these individual projects pages:
http://soundcloud.com/our-downtempo-collection
https://soundcloud.com/michel-moalem
http://soundcloud.com/beat-driven-insomnia
http://soundcloud.com/defective-sounds-of-london
http://soundcloud.com/hard-n-low
http://soundcloud.com/lost-notes-society
http://soundcloud.com/m-i-s-s-2
https://soundcloud.com/memimo-tuati
https://soundcloud.com/pulse-modulators
https://soundcloud.com/ultrasound-express

Booking requests for Marcel Vogel or Lumberjacks in Hell // Intimate Friends showcases:
marcellusfunk@hotmail.com

The other  account to my day job Lumberjacks in Hell which you can find here
 https://soundcloud.com/marcelvogel

Drastik Adhesive Force is a japanese producer in tokyo.<br>
<a href="http://drastikadhesiveforce.tumblr.com/" rel="nofollow" target="_blank">Official WebSite</a>&#13;
I am looking forward to the request of gig &amp; remix etc..&#13;

Dave Lee aka Jakatta, Doug Willis, Raven Maize, Sessomatto, formerly Joey Negro as well as being part of The Sunburst Band and many more. 

Bookings: Tim@zrecords.ltd.uk

It was in 2011 that Dutch pair Lars Dales and Maarten Smeets quickly broke through in the electronic music scene. Since then they have become known for their widescreen approach to making and playing club-ready grooves. From deep to disco, tech to soul, they join the dots between the past and the present with their own sense of storytelling and do so in clubs around the world, as well as in their studio. House might be the root of the Dam Swindle sound, but it takes nourishment from a much wider world of music. 

Still now, their breakthrough tunes such as ‘The Wrap Around’ and ‘The Break Up’ receive countless plays on dancefloors all over the world and the duo has made timeless music such as their 2023 disco-house bomb ‘ That’s right’ and 90’s throwback banger ‘Allright – just a tribute’ that became one of the hits of the 2024 festival summer. Dam Swindle has built a trademark sound, while still evolving and maturing their craft in various musical niches. Their landmark 2018 album High Life shows a broad musicality from the duo and this is even more so on their highly anticipated 2025 long player ‘Open’.  ‘Open’ features countless collaborations with high-profile artists such as Dutch pianist Joep Beving and New York-based Ethiopian vocalist Haile Supreme, and sees the duo flex their sound from ambient electronica to synthwave, hiphouse and more. 

Since 2013, the pair has also established their record label Heist Recordings as one of the key independent labels for underground dance music, while also releasing music on other underground mainstays such as Aus Music and Classic Music Company. Heist is more than just a label, though - it is a breeding ground for talents old and new; somewhere talent is nurtured and allowed to develop. Label showcases and special projects such as the yearly Roundup EP; where all artists from the past 12 months remix each other after a random selection process, furthers the family vibe and helps Heist stand out from crowd. Artists such as Cinthie, DJ Sneak, Crackazat, Tesfa Williams, Makèz, Pépé Bradock, Matthew Herbert, Ge-Ology, Byron the Aquarius and many more have all contributed, proving that it is a place for unrestrained creatives to be free with their own sonic visions. The label looks as good as it sounds, too, thanks to visual artist Bas Koopmans's standout artwork designs. 
 
Proof of Dam Swindle's widescreen approach to production is their long and talented list of collaborators, which includes the likes of acclaimed musician Tom Misch, US talent Seven Davis Jr., instrumental collective Jungle by Night, plus Marc de Clive-Lowe, Jitwam and Lorenz Rhode. Next to their own originals, a broad spectrum of artists have asked Dam Swindle for some of their special remix magic: on labels like Strut and Soundway they have reworked the legendary Pat Thomas, aka the ‘Golden voice of Africa,' and gave his single ‘Yamona’ a contemporary electronic edge, as well as The Mauskovic Dance Band’s track ‘Space Drum Machine’ and plenty more artists like Kerri Chandler, Mayer Hawthorne and Tom Misch. As their talent for bridging genres from all over the world continues to attract global attention, high-profile projects keep rolling in from all points on the musical globe. 

Dam Swindle are famously avid collectors of both old and new records, and it shows in their DJ sets, which keep you on your toes as they move freely through the broad world of house music with skillfully blended moods of soulful techno, acid, breaks, disco and more, all to create those special moments that crowds never forget. It is for that reason that their name has become a real stamp of authority and invention in the dance music world. Whatever they do, then, this pair do with irresistible charm.

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