NEW ALBUM OUT - “Harsh Vulnerable”

https://moodexhibit.bandcamp.com/album/harsh-vulnerable

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Mood Exhibit - Sound creations focusing on mood, flow, melody, rhythm, and atmosphere. 
I hope to remain unpredictable with each posted track.
Thank you for listening and following me.
-Robert

Blink Twice-
My previous project from mid 1990s through 2003. I released numerous cassettes and 4 CDs often described as "dark ambient industrial". Blink Twice is still alive and is now a place for my darker, more obscure and aggressive work. The line is sometimes blurred. https://soundcloud.com/blink-twice-archival

A self-taught composer, who has found his voice in older and traditional forms and styles of music.
Currently mostly composing for piano, but I have grand ambitions for writing chamber music and symphonies.
My music has a lot of variety in a way that expresses all kinds of sentiments, both intrapersonal and extrapersonal, kept in a cohesion by an underlying narrative; every composition is its own journey or a adventure, and I invite any guests who stumble upon my page to take part in it. 
All my music so far is written in Sibelius 7 (recordings of live performace coming down the line)
My music is available for purchase on Bandcamp: https://dinoljubi.bandcamp.com/music
Sometimes I might write an essay or two:
https://renewalcollective.substack.com/p/beethoven-through-suffering-towards
For inquiries: dinoljub89@gmail.com
Also a father to an awesome little boy.

www.zinaasfour.com

I'm a pianist. I play solo classical music and accompany musicians. I'm very interested in contemporary music and have founded Ateek which is a platform representing new composers from the Middle East. I hope you enjoy listenning to my music ..

🎶 All of my compositions are created entirely without the use of artificial intelligence.
My latest piece, “Hope With You”, was recorded by hand from start to finish – no AI involved.

👉 Watch the full creative process here:
Hope With You – on YouTube
https://youtu.be/FqZbeL-EE6Y?si=NPeeDqd3GILHVsHr

#RealMusic #NoAI #DestKorn

🎹 Every note, every arrangement is the result of genuine craftsmanship – composed with soul, intuition, and passion.
I work with professional virtual instruments (VSTs) as well as real instruments like strings and piano to shape immersive soundscapes that move and inspire.

🧠 My view on AI in music:
I’m not against artificial intelligence – it can be useful in certain creative contexts.
But I believe listeners have the right to know whether a piece was made by a human or a machine. Transparency matters.

Platforms like Deezer have already announced their intent to detect and label AI-generated music to help protect the rights of real artists. The first patents for this technology were filed in late 2024.

Unlabeled AI music undermines trust and devalues the work of those who compose with honesty and care.

If you come across such content, feel free to speak up – not to judge, but to preserve the authenticity of music.

🎶 Thank you for listening and supporting real music.
– DestKorn 🎶❤️🎶
هر نغمه‌ای که از دل برخیزد، بر دل نشیند
(Every melody that rises from the heart, touches the heart.)

Charles van Hemelryck (b. 1981) began his superior musical studies in Paris while studying philosophy at the same time at the Sorbonne. Then he graduated in composition from the National Superior Conservatory of Music and Dance of Lyon (CNSMDL), and obtained a Master’s degree in Music Pedagogy. During his curriculum he benefitted from an Erasmus scholarship to study at the Sibelius Academy in Helsinki. Charles van Hemelryck’s work focuses on the genres of orchestral, chamber, choral, vocal and solo instrumental music. His music has been performed in France, Finland, Canada, Poland, Iceland and the Netherlands. In 2015 he received a grant from the Société Générale Musical Sponsorship. His piece Présence for mixed choir, written on a poem by Georges-Emmanuel Clancier, was awarded a 3rd prize in 2018 at the VocalEspoo Festival (Finland) Composition Competition. The same year he received a grant from the Beaumarchais Society (S.A.C.D.) for the lyrical project Mer de tous les maux. In 2019 his piece A Cradle Song reached the final at the Composition Competition for mixed choir from Hendrix College (U.S.), and his piece Présence was awarded an honorable mention at the RED NOTE New Music Festival Composition Competition (U.S.).

Charles van Hemelryck draws his inspiration from poetry, philosophical ideas, and nature. The goals of his music are to meditate on the world, to make a thought perceptible and to move people so as to initiate reflection. His first works are mainly inspired by the conflicts of the human soul. More specifically, his string quartet Citizen of the Universe raises the question of the spiritual quest for freedom and happiness in spite of the obstacles of fear and violence.

In 2019 he successfully passed the examination of Artistic Teaching Territorial Professor. He has taught harmony, counterpoint, orchestration, composition and analysis at the Valence Romans Agglo Conservatory until 2023 and has taught orchestration and anthropology of music at the University of Burgundy-Europe in 2022-2023. He currently teaches at the Pays de Montbéliard's Conservatory and at the Ecole Supérieure de Musique de Bourgogne Franche-Comté.

Photo : Émilie Mauger.

My name is Sebastian Korsak. I am a Greek Polish scientist, with a background in physics and computational biology. While my main profession revolves around IT, music—especially the piano—has been my lifelong passion. Now, I’d like to share something personal with you, something I hope you find both enjoyable and unique. Therefore, here you can discover my compositions, and my own interpretations of them. As BlackPianoCat, I’m not here to compete with other musicians, but simply to enjoy the music and help others feel good through it.

For me music is a path for communicating with other people and express myself. There are a lot of people who claim that music is their dream or they cannot live without music. Despite the fact that art does not always seem practical or profitable, it is something that help us to express ourselves, and communicate with each other. Feelings cannot be described always with our languages, and this is the reason why the music goes beyond and so many people find it so interesting. In conclusion, I see music as a way of communication, and I do not expect to make profit from it. If my stories can touch your soul, you are free to follow me and be member of my small community.

Markku Klami's music has been described as delicate, elegant and both fragile and powerful with strong emotions. He is fascinated by the magical power music possess in affecting one’s experience of time and surroundings around themselves.

Born in Turku, Finland, Markku spent his early years singing in the boys choir of Turku Cathedral and later on around Europe on the choir’s tours abroad. Markku has composed instrumental works ranging from solos to works for orchestra with soloists and vocal works including two operas. The use of electronics is a recurring feature in his instrumental works. While being a classically trained composer at Sibelius Academy in Helsinki, Markku has a background in electronic music as well with his projects in the late 1990’s.

Markku has worked with musicians and ensembles including Timo Korhonen, Shin-ichi Fukuda, Thomas Müller-Pering, Patrik Kleemola, Lauri Sallinen, Henrik Sandås, Lucy Abrams, International Contemporary Ensemble, ensemble mise-en, Uusinta Ensemble, Avanti!, Pori Sinfonietta and conductors including Nils Schweckendiek, David Searle and Atso Almila. His music has been heard in cities from New York to Taipei and Buenos Aires to Cape Town in festivals including ISCM World New Music Days, MISE-EN FESTIVAL, Nordic Music Days, Musica nova Helsinki, Zagreb Music Biennale, Taiwan International Guitar Festival and Atlantic Music Festival.

Residing in Helsinki, Markku draws inspiration from both urban areas and nature. The arid sceneries, the vast seashores and forests serve as an important counterweight for him in our fast-paced culture.

Artist portrait of Klami is by Laura Karlin (www.lkarlin.com).

.
There is orange excrement in da House.  Can someone please go clean it up.  It is dangerous because it is fresh and quite slippery, and it smells bad.  My most sincere apologies to president Zelensky and to the Ukrainian people.  I am glad that he managed to avoid a fall.

2025/03/01 (edited a couple of days later, for stylistic considerations)

2025/03/23 update: The shit does not dry*! This is surely a sign of Divine intervention.  This must also explain why the clean up crew are still looking for the mop.  God probably hid it somewhere. I sure hope he didn't throw it away!
* Holy shit

2025/04/17 update: Status Quo
2025/05/03 update: Situation remains fluid
...

Here's the other account, for celebrities, ... this one here is for regular folks:

https://soundcloud.com/ha-kekong

I love you.

...

You can't see it because of the angle with which I took the shot, aiming down, but beyond those blocks is the sea.  To the left is the Mediterranean, to the right is the Atlantic Ocean.  No it's not Gibraltar, but a little bit further West.
...

My face and the bike are a courtesy of Joël Vaudreuil
[https://vimeo.com/user8897093]  ... Merci Joe!
I then went ahead and butchered his work with a borrowed helmet.
... Sorry Joe. =(
...

I'm trying to promote what I think is good music, so if you want to help out a bit I'd rather you [like] or [repost] my *playlists* rather than my field recordings, if you don't mind, unless you are a die hard fan of those things. Thank you ; )

I speak French, so if you send me a private message, and that you are a francophone, please write in French, thank you.  ... I mean, you don't absolutely have to, but I would prefer it. 

All my field recordings (except for when I record a person) are public, freely downloadable by anyone who is able to click on the button.  I encourage anyone interested to use them in any way whatsoever, on purpose or accidentally. No need for permissions or credits or any other kind  of administrative maneuvers.
...

Anarchists give me hope.

I'm a big fan of EFF.  Love ya EFF.  (no connection with the above line)
... and of course Richard Stallman and Linux and all the others.  Bless yous.

Now don't be lazy, go find out what it is this "EFF" that I'm talking about.  I'll give you a hint: it has to do with computers.

You have a nice day now.  Hugs & Kisses.

This is the Blagovrecords record company page. We do the recording, digital processing (mastering and mixing), assist in the preparation and composition of the material and publish our musicians.

My name is Carl Schonbeck and I love Blues & Classic Rock as well as Jazz, Soul and good Country. I'm originally from Boston MA but I've made Milan Italy home for many years. I home record with Cubase 5 and various plugins and I love being able to record my songs and get them here and other places on the web. Hope you enjoy what I'm doing and to hear from you.

Zina Asfour is following