From Soundfall by Drastic Games:
https://www.soundfallgame.com/

More by meganeko:
https://meganeko.bandcamp.com/

Violent Purple

The next track in my Welkin universe is here! This time exploring another flooded suburb on the planet surface. Classic FM beats accompanied by some clean pixels! I spent just as long on the track as the animation for this one! 
Please check out the animation I did for this song as well!:
https://youtu.be/FkHwTaHp2uk

All the pixel art and animations are also done by me 8)

You can get the track here:
- Newgrounds: https://www.newgrounds.com/audio/listen/1188888
- Code for Geometry Dash Creators: 1188888

This music is royalty-free depending on use, read here:  
http://www.waterflame.com/contact-info

Follow me on Twitter for news/updates!
https://www.twitter.com/WaterflameMusic

Please consider supporting me on Patreon: https://www.patreon.com/waterflamemusic
Check out my merch here as well: https://shop.spotify.com/en/artist/7biIlpW0y5KqYIehTQz1wz/store

Advancer

This is a song that I made for rafer's GD 10 Year Anniversary animation. Check it out! :)
https://youtu.be/FhwBbVE-8YY

Spotify - https://open.spotify.com/track/3TPhtTKoo0u31ImVArr7Am
Apple Music - https://music.apple.com/album/bossfight/1703196758
Newgrounds - https://www.newgrounds.com/audio/listen/1239453

Bossfight

not dead YET

A haunting lead piano melody pierces through a backdrop of dark, pulsing synths, setting an immediate tone of unsettling anticipation. Deep, resonant drums underpin the track, their slow, deliberate rhythm building a formidable sense of dread.

Dark Desires

This song does NOT belong to me. It belongs respectfully to Waterflame.

Grind District - by Waterflame

Youtube upload: https://www.youtube.com/watch?v=yqIpaggHcx4&feature=youtu.be

The spiritual successor to my old track "Radioactive"? Built from the same concept, but it turned into a completely different thing in the end(apart from the stabbing synth vaguely resembling the original climax pattern.) 
I spent so long with this,  I deconstructed it and rebuilt it like 3 times, Trying to get a better understanding of stereo-space. And pushing the detail on the video a bit longer this time as well.
This is more in the ways of the  old when it comes to composition style, taking a lot from my style 8 years ago where I would mostly stick to 1-2 patterns of bass but elaborate on top of it with arpeggios and chords. Id like to think I'm much better at it now.

Please consider supporting me on Patreon 🔸 https://www.patreon.com/waterflamemusic
Check out the 24/7 WF playlist stream! 🔸 https://goo.gl/xGyb3M 

Go here for download. Don't forget to vote if you download it!:
https://www.newgrounds.com/audio/listen/774027
Want to use this track for something? Read this first:
 http://www.waterflamemusic.com/using-my-tracks

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Facebook      ▸ https://www.facebook.com/Waterflameworkshop
Twitter           ▸ https://www.twitter.com/WaterflameMusic
Spotify           ▸https://open.spotify.com/artist/7biIlpW0y5KqYIehTQz1wz
Bandcamp    ▸ https://www.waterflame.bandcamp.com/
WF Official    ▸ http://www.waterflamemusic.com/
Newgrounds ▸ http://www.waterflame.newgrounds.com/
DeviantArt    ▸ http://www.waterflame89.deviantart.com/
Google+        ▸ https://www.plus.google.com/+Waterflamemusics/videos
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Song made in FL Studio.
Picture edited/made in Gimp. 
Video effects made in Aftereffects.

Meltdown

Quite possibly my most popular remix ever, this one is certainly a fan favorite. I was inspired to remix this theme after hearing another artist’s take on the material as a judge on OCR. It’s such an epic melody and progression that I just wanted to take it to the next level and go over-the-top with suspenseful pads, choir and strings, sound effects and a full orchestra (film score style.) With big beats and heavy guitars, of course. Even though I made this in 2007, I’m very proud of it! 

Super Mario World - Monstrous Turtles!

Jack Russel

A Tiny Spaceship's Final Mission

This is our version of Takashi Tateishi's "Dr. Wily's Castle: Stage 1". Please let us know what you think!

Dr. Wily's Castle: Stage 1

Andrew Aversa (a.k.a. zircon) is an award-winning, covert-ops audio specialist with headquarters located on the outskirts of Baltimore, MD. His top-secret blend of cutting-edge electronic-organic sound design, sonorous composition, and ultra-polished production values have yielded dozens of credits in the realm of video games (Monkey Island 2: Special Edition, Super Street Fighter II Turbo HD Remix, Soulcalibur V), TV (Heroes, Skins, MTV, Touch), film, advertising and other media. As the recording artist zircon, he has written, produced, engineered and collaborated on over 15 albums.

The continuously-expanding array of zircon albums and EPs has met with both critical and popular acclaim – Impulse Prime achieved a dual victory at the 2006 Just Plain Folks Music Awards, winning “Best Techno Album” and the single “Tomorrow” winning “Best Techno Song”. This victory was repeated at the subsequent 2009 JPF Awards, with Antigravity’s “Depth Charge” taking “Best Techno Song” again, as well as the #1 spot of “Best Techno Song of All Time” at Garageband.com.

A lifelong fan of music, film scores and video games, Andrew’s background in music began in classical piano but soon evolved to include computer-based music production shortly before his departure to college. This led to a powerful thirst for knowledge and self-improvement, a thirst that has yet to be quenched as he continues to devour composition and production techniques every day. Thanks to this liquid background, Andrew integrates in his music a formidable arsenal of influences ranging from electronic artists like BT, Prodigy, Hybrid and Pendulum to film composers such as James Newton-Howard, Hans Zimmer, Danny Elfman and many more.

A true sound-scientist at heart, Andrew is the lead producer and co-founder of Impact Soundworks, a sound design & sample library development company with an enormous list of users all over the world, including some of the most well-known video game, television and film composers in the industry. If he is not designing a new collection of critically-acclaimed instruments for this company, he can be found concocting synthesizer presets which are similarly widely-used.

Andrew is frequently sighted teaching student composers and game developers at Drexel University or otherwise assisting fellow musicians in the fields of production, mastering, and sound design.