Name: Kyong Mee Choi: FREED (2014) for bass flute and electronics by Shanna Pranaitis
Duration: 8 min 20 s
Description: https://www.newmusicusa.org/projects/new-works-for-the-open-hole-bass-flute/

I just wanted to say....great to have discovered this

Salvatore Sciarrino (1947), D'un faune pour flute et piano (1980)

https://www.newmusicusa.org/projects/new-works-for-the-open-hole-bass-flute/

Kyong Mee Choi: FREED (2014) for bass flute and electronics

From the album 13
Out everywhere September 30, 2016
Order from Smalltown Supersound here: http://smarturl.it/sts282-sts

℗ and © 2016 Smalltown Supersound / www.smalltownsupersound.com

Supersilent - 13.9

where time suffers

Song (Reza Vali), performed by Janet McKay

A Complete Mockery (First Cut)

Baden

Parma Passacaglia

Turn Up (Party Pooper)

Flonk (Mix 11July)

Looking at the world through rose-tinted glasses. You see things the way you want them to be.

Windmills

Live simultaneous performance of three independent compositions: ~plicity (for variable ensemble, 2009), ~bendin/gthememoryoftime (for solo bass clarinet and live electronics, 2009), and ~thirtywordsforsnow (prerecorded electronic playback, 2009). 

Performers on ~plicity: dal niente Ensemble (Shanna Gutierrez, alto flute; Austin Wulliman, violin; Ammie Brod, viola; Megan Simpson, doublebass) with Patrick Liddell, veejay. 
Performers on ~btmot: Gareth Davis, bass clarinet; Jay Alan Yim, electronics. 
Video score and video source sequences for ~plicity by Marlena Novak. 

Performance date: 3 december 2009

~plicity & ~bendin/gthememoryoftime & ~thirtywordsforsnow (2009)(dal niente)

Flutist Shanna Pranaitis fearlessly expands the realm of sonic possibility for her instruments through innovative projects, in which she integrates new and historically reimagined works with multi-disciplinary elements to create seamless, immersive concert experiences. She explores ways to engage a wider community in the process of experiencing music. She works in close collaboration with composers, poets, movement artists, and other interdisciplinary artists, around the world to develop new work. Shanna performs and teaches globally as a soloist and chamber musician. In 2017, she co-curated and co-organized the first multi-day festival of Galina Ustvolskaya’s music in the United States. She is the co-founder of FluteXpansions, the first comprehensive e-learning platform contemporary flute performance practice for composers and performers. Her debut solo CD of Claus-Steffen Mahnkopf’s works for flute (NEOS) has been hailed as “remarkable” and a “virtuoso testimony.”

Kyong Mee Choi: FREED (2014) for bass flute and electronics

Shanna Pranaitis

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