A deeply emotional ballad. Truly felt. 🤍

I so do not like (power)ballads.  For me they seem not to be able to escape the banality. However you managed to do exactly that and touched me.🔥

V-Frenzy & Dormancy

Verse 1

You hung the lanterns in the hall so every step would glow
Taught me how to walk the planks they built for show
Hands that clapped like metronomes, measured out my name
I learned to move just so, to never miss the frame

Pre-Chorus

The floor was warm with other people’s praise
I learned to trade my voice for quieter ways

Chorus

I was living on a leash of light, walking lines I didn’t choose
Trading days for applause, learning how to lose
When the quiet came at night I found a seam to seam my pain
I stitched my heart in silver thread and called it keeping sane

Verse 2

They planted stakes and fences made of softer rules
Told me where to stand, how to play the fool
I kept my mouth a locked box, polished up the face
While the rooms inside me emptied out with space

Pre-Chorus 2

I bowed to every shadow of the shape they drew
I swallowed small satisfactions till they swallowed me too

Chorus

I was living on a leash of light, walking lines I didn’t choose
Trading days for applause, learning how to lose
When the quiet came at night I found a seam to seam my pain
I stitched my heart in silver thread and called it keeping sane

Bridge

There’s a weight to perfect posture, and a cold behind the grin
So I learned to breathe in step and breathe the sorrow in
I found a little comfort on a shelf of borrowed things
It kept the world from hurting — till the world forgot the sting

Final Chorus (lifted)

I was living on a leash of light, I let their lanterns guide
But when the curtain folded down, I found the dark inside
Now I’m pulling at the stitches, letting seams unwind
Learning how to stand by myself and leave those lights behind

Outro (soft)

The lanterns still hang quiet, but I don’t walk the line
I’m learning how to fall apart and find a better kind.

Strings & Lanterns

A Fenske and Sons song about fellowship and shooting pool with GOD and Jesus. 

Remixed into a "Countrifried"  Fenske and Sons Song.

Production of Musical Composition and Vocals by SUNO Ai. 

Cover Art credit to Google Generative Ai. 

Snapseed for all the changes to the original Cover Art. 

Shout out to Ai Retouch Pro who assists in many ways.

Final Cover Art by Nick Fenske

Song Coordinator - Nick Fenske. 

A Friendly Game Of Pool - Countrified

Thanks for making this year amazing. Here's to more memories in 2026! ❤️

HAPPY NEW YEAR🍾🎉🎊

Let's kick off the new year with some ROCK. Here's EVERY ROAD🎸🤘🔥

LYRIC

Intro

Every road…
Every road…

Verse 
Steel beneath my feet,
Cold air in my chest.
I move through the night,
No comfort, no rest.

I try to escape,
But your pull breaks through.
No matter the path,
It brings me to you.

Pre-Chorus
Your shadow calls,
I feel the weight.
I turn away—
But it’s too late.

Chorus
EVERY ROAD — LEADS BACK TO YOU!
I can run, but it cuts me in two.
EVERY ROAD — DRAGS ME TO YOU!
No escape, no break, nothing new.
I fall, I crawl, I push on through—
EVERY ROAD — LEADS BACK TO YOU!

Verse
I cross empty streets,
Your voice in my head.
I fight what I feel,
But truth hits like lead.

I break from the past,
But it tears me down.
Your pull is the chain
I can’t tear out.

Pre-Chorus
Your shadow moves,
It burns like fire.
I can’t ignore
This old desire.

Chorus 
EVERY ROAD — LEADS BACK TO YOU!
I can run, but it cuts me in two.
EVERY ROAD — DRAGS ME TO YOU!
No escape, no break, nothing new.
I fall, I crawl, I push on through—
EVERY ROAD — LEADS BACK TO YOU!

Bridge
I tried to sever
Every tie…
But you return
Every time…

I push you out,
But still you stay—
My heart returns
The same old way.

Chorus
EVERY ROAD — LEADS BACK TO YOU!
I can run, but it cuts me in two.
EVERY ROAD — DRAGS ME TO YOU!
No escape, no break, nothing new.
I fall, I crawl, I push on through—
EVERY ROAD — LEADS BACK TO YOU!


[Outro]

Every road…
Back to you…

Every Road

Following the atmospheric path of 'Vienna Flight' https://soundcloud.com/zophrenia/vienna-flight?si=3592d0e8575e4c9d8a1376c04510db21&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing , my new single 'The Way You See Me' continues that emotional journey. The track is built upon my original lyrics and a raw piano and vocal guide, keeping the intimate feeling of the songwriting process at its core. It explores the contrast of moving at record speed through life while trying to find stillness, and the power of seeing yourself through the eyes of someone who believes in you.

T H E W A Y Y O U S E E M E

3 in 1 Day Jam

Nyūjō

Monte Viso – Feat: Sergei Govorov
January 2026
Duration: 3:30
Music Composition - Bruce Klepper
Recording, mixing and final production – Dave Heffner https://soundcloud.com/daveheffner
Cover Art Photography – Heidi Schnicker
Soprano Sax- Sergei Govorov 
Monte Viso is the highest peak in the Cottian Alps, known for its distinctive pyramid shape, and is a major landmark in Piedmont, Italy, visible from great distances. The name means "clearly visible mountain". The mountain is nicknamed “King of Stone”.
Sergei Govorov completed his doctoral degree at the Gnessin Academy of Music in Moscow with the highest honors.  In 2022, Sergei moved to the United States.  Sergei's repertoire ranges from classical saxophone to avant-garde, jazz, and pop. He has performed over 4,000 concerts worldwide. Listen to Sergei's music on Spotify, Apple Music and all major streaming platforms.
For soprano sax, piano, sound effects and percussion

Monte Viso -  Feat. Serge Govorov

Space themed music inspired by visualizations of travel through the cosmos. Music to energize to.

Through the Cosmos

Velocity

The Clown Car’s Heading Toward the Cliff

A song about daily routines, average people, and the sense that something bigger might be going wrong in the background.
Recorded simply with voice and guitar.
No answers -  just observations.
Written, performed, and recorded by me.
***
Lyrics

An asteroid struck the earth and the dinosaurs disappeared,
And the only thing left to remind us are the bones they left behind.

You look up at those stars in the sky, it’s hard to imagine it’s just us,
But what if this is all there is in the universe.

The average person’s out of touch,
We know what we know, we don’t know much.
The clown car’s heading toward the cliff,
And you’re just an average working stiff.
You’re just a small cog in a big machine,
Going about your daily routine.
Verse 3
The cockroach in your kitchen, you sprayed him with a can of Raid,
As he lay on his back twitching, you considered giving first aid.

You go in for your yearly physical, they ask you to step on the scale,
It feels like taking a test that you already know you’re goana fail.

The average person’s out of touch,
We know what we know, we don’t know much.
The clown car’s heading toward the cliff,
And you’re just an average working stiff.
You’re just a small cog in a big machine,
Going about your daily routine.

There's a guy getting arrested  for shoplifting as you leave  Walmart
You're thankful you had enough  money to pay for all those items in your cart.

Sometimes you go to the zoo to see what the animals do,
’Cause it reminds you of how you feel when you go about your daily business.
You go to the dog pound, it’s a canine lost and found,
You wish there was something similar for two-legged hairless apes.

The average person’s out of touch,
We know what we know, we don’t know much.
The clown car’s heading toward the cliff,
And you’re just an average working stiff.
You’re just a small cog in a big machine,
Going about your daily routine.
And we're all trying to do the best we can.

The Clown Car’s Heading Towards the Cliff

You do You..mp3

Marol is a musician, producer and songwriter born in 1982 in a small village in northern Sweden.

He started playing guitar at the age of eight, learning mostly through family rather than formal lessons. Music quickly became a space for curiosity and experimentation. At ten, he received an Amiga 1200 and discovered a simple music program that allowed him to create tracks using samples. From there, his world expanded.

Early influences ranged from Depeche Mode and Nine Inch Nails to reggae and pop acts like Ace of Base. Recording ideas on cassette tape, Marol began shaping his own sound long before finding a studio. Piano and synthesizers were always close by — his grandparents’ piano and a cousin’s synths became playgrounds for sound and intuition.

In the 1990s, with access to workstations and software like Cubase and Logic, he focused heavily on electronic music. At 21, his track Northern Lights was played on local radio — a quiet milestone that encouraged him to keep going.

Later, his path crossed with musicians from the grindcore and metal scene. Electronic elements met heavy guitars and guttural vocals, forming the band Zophrania, where contrasts became collaboration. When the band dissolved, Marol moved to Norway, set up a home studio, and continued creating independently.

Between 2020 and 2022, new technology opened a simpler, more direct workflow. It allowed him to work closer to instinct — faster, freer, and more aligned with his ideas and emotions. His music remained his own, but without the need to slow down or compromise the creative process.

Today, Marol’s work is fluid and exploratory. He moves between genres without attachment, always experimenting, always in motion. Music is deeply personal to him — he only produces what feels honest and real in the moment.

Recently relocating to Vienna, what began as a short visit turned into a new chapter. The city sparked fresh inspiration, and he decided to stay. Alongside music, Marol now also creates music videos, a long-standing passion that has found new life.

For those who get bored easily — congratulations.
Marol doesn’t have that problem.



buymeacoffee.com/marol

Check out my latest music video's featuring KAT

KAT - In deinen Takt : https://youtu.be/oJAJkRRRfL4

KAT - Vienna Style : https://www.youtube.com/watch?v=WkWQX0WTKxE

T H E W A Y Y O U S E E M E

Marol

Recent comments

Primemotiv

KAT

Related tracks