Amazing stuff found here and there

Invitation To A Beheading

First to the work they the 1st to the purchase
Spooki keep purp mummy wrapped like a turban
This the kinda gas kickback itll hurt you
This the kinda pain that make the rain it worth it
Baby get wet spooki dry rub put the sauce on her legs 
Gave her ass wings she thought it was sex
Baby this tantric
She said stop braggin
She called me a dick
Then i let her have it
She asked for a gram
Then i had to tax it
What was her name
Kimberly ashley
I dont remember so please do not ask me
I just remember her user and password
Look like im kaido a horny ass bastard
Law i need room just to move how i have to 

Pull up on block just to blow the whole back out
U gon need a lifeguard when i get this bag out
Had to take a finger if they come w the handout
Shredder footclan yeah doom finna act out
High as lil boosie im talkin to water
Spooki the kage might walk on that water
She choke on lightsaber but im not a father
She gimme the brain and i gave her knowledge 

Feel like bruce wayne for the bread get the bat out
Got a bitch do her like game in the traphouse
Thats a 100 rounds boutta knock her black out
Hit final form her last name chow now
1st to the work they the 1st to the purchase
Im 1st to the notice cause im 1st to be lurkin
1st to have my back
cause im stuck in 3rd person
The gas do work 
made spooki eyes pop juh like lil durk
Im not a rockstar i am the worse
I came here to burn
Hit as the center of earth
I came out the mud just to do dirt
I got off them drugs and now it all hurts
When u hear love dont put ur ass first
Just shut up and learn


"SPOOKIALLAH" or "HEAVEN EGO"

First to the work they the 1st to the purchase
Spooki keep purp mummy wrapped like a turban
This the kinda gas kickback itll hurt you
This the kinda pain that make the rain it worth it
Baby get wet spooki dry rub put the sauce on her legs 
Gave her ass wings she thought it was sex
Baby this tantric
She said stop braggin
She called me a dick
Then i let her have it
She asked for a gram
Then i had to tax it
What was her name
Kimberly ashley
I dont remember so please do not ask me
I just remember her user and password
Look like im kaido a horny ass bastard
Law i need room just to move how i have to 

Pull up on block just to blow the whole back out
U gon need a lifeguard when i get this bag out
Had to take a finger if they come w the handout
Shredder footclan yeah doom finna act out
High as lil boosie im talkin to water
Spooki the kage might walk on that water
She choke on lightsaber but im not a father
She gimme the brain and i gave her knowledge 

Feel like bruce wayne for the bread get the bat out
Got a bitch do her like game in the traphouse
Thats a 100 rounds boutta knock her black out
Hit final form her last name chow now
1st to the work they the 1st to the purchase
Im 1st to the notice cause im 1st to be lurkin
1st to have my back
cause im stuck in 3rd person
The gas do work 
made spooki eyes pop juh like lil durk
Im not a rockstar i am the worse
I came here to burn
Hit as the center of earth
I came out the mud just to do dirt
I got off them drugs and now it all hurts
When u hear love dont put ur ass first
Just shut up and learn

"TANTRIC" or "MISTER FELONY"

Artetetetra is proud to present two hours showcasing music from the label and gathering interviews from artists of the roster roster to reflect and debate in their native languages and dialects ideas of exoticism, post-world music and Quinto Mondo. Join this massive linguistic and aural hallucination trying to pin down the inconsistent boundaries Artetetra's digital Babele. No english allowed! 

With the participation of Ludwig Berger, Nicolas Sanguin (Nicolas Gaunin), Francesca Mariano (Francesca Heart), Seif Gaber (Polonius), Nicola Kokote (Los Siquicos Litoraleños), Lorena Serrano Rodriguez (Luce Celestiale), Marco Caizzi (Rainbow Island), Davide Amici & Alberto Ricca (Merchants), Teguh Permana (Tarawangsawelas)

https://artetetra.bandcamp.com/

The Showcase | Artetetra presents Speaking in Tongues

Ólafur Arnalds and Janus Rasmussen finally release their unique Nordic electronic sounds in album size.

'Full of melancholy-frosted electronics and emotive swells of classical piano, the new single from Nordic duo Ólafur Arnalds﻿ and Janus Rasmussen is a delicate, icy slowburn' – NME

Pre-order the CD/2LP/DL: www.erasedtapes.com/store/index/ERATP062
Pre-order the DL via iTunes and receive the album version of 'Thrown' instantly: snip.ftpromo.net/kiasmos

After dropping several tracks and performing at select festivals throughout the years, Ólafur Arnalds and Janus Rasmussen dedicated the year 2014 to explore the area in-between Ólafur’s more acoustic, piano-based solo work and Janus’s synth-heavy electro pop, with their collaborative electronic project Kiasmos.

By focusing solely on their self-titled debut album, Ólafur and Janus have been able to combine and further develop their unique sound aesthetics to complete an album driven by their mutual love for electronic music. Made in Ólafur’s newly build studio in Reykjavík, Iceland, a majority of the album was recorded using acoustic instruments next to a variety of synthesisers, drum machines and tape delays. It features a live drummer, string quartet and Ólafur performing on the grand piano, producing an ambient, textured sound, which makes it a perfect home listen and equally danceable record. If you listen closely, you can spot them record the thumb piano, finger snapping and even the sound of the metal grinder of a lighter slowly to replace the usual electronic hi-hat sounds, giving the album a far more intimate and unique atmosphere.

“We decided to start almost completely over with this record, so most of the material is written this year with the idea of making a record that can stand as one piece rather than a collection of songs. I am very excited to get a proper record out exploring a different territory than I am used to. I touch a lot on electronic genres in my own music but never have the opportunity to go full out electronic like we do here.” – Ólafur Arnalds

“The Kiasmos project has been around since 2009, but because of all our other projects we never really got the time to sit down and write all the tracks we always wanted to. So when we early this year finally found the time to sit down and make a full length album there was so much we wanted to try out. The result surprised us a bit, it's deeper and more emotional than we imagined it to be, but that's the beauty of being able to make an album.” – Janus Rasmussen

Kiasmos – s/t will be released on Double-Vinyl, CD and Download via Erased Tapes on October 27th, 2014.

TRACK LISTING:

1. Lit 2. Held 3. Looped 4. Swayed 5. Thrown 6. Dragged 7. Bent 8. Burnt

LIVE DATES:

29.11.2014 London (UK) – Village Underground
05.12.2014 Berlin (DE) – Watergate
06.12.2014 Istanbul (TR) – Salon
15.01.2015 Groningen (NL) – Eurosonic

OFFICIAL WEBSITES: facebook.com/kiasmos · erasedtapes.com

Kiasmos

Bent

Buy 2xLP/CD/DL

Kiasmos - Bent

lost one frosty misty morn

Ryan Lee West reinforces his unique style of minimal electronic arrangements with a new 6-track EP – 'Sonne' will be released on 12" Vinyl and Download via Erased Tapes on September 15th, 2014

ORDER 'Sonne' on 12"/DL: http://www.erasedtapes.com/store/index/ERATP059
ORDER 'Odyssey / Sonne' on CD: http://www.erasedtapes.com/store/index/ERATP069
ORDER via iTunes:
http://snip.ftpromo.net/sonne
GET TICKETS:
http://www.erasedtapes.com/artists/events/5/Rival+Consoles

Continuing on from his Odyssey EP released in 2013, Ryan Lee West aka Rival Consoles creates atmosphere and space whilst exploring waves of sound and rhythm, and the power of colour. With Sonne Ryan creates music to structure itself around a pulse, rather than the pulse being the defining point. 

The title track begins with “a very subtle set of melodies that repeat almost without confidence, and then gradually give way to a huge collage of colour and power”, as Ryan describes it. Not relying on a conventional beat, it’s a prime example of how an analogue synthesiser can create the power and momentum of a rhythm section. From the distorted waves in 3 Chords, growing and shrinking, to the rhythmic waves of constant speeding up and then slowing down in Recovery, it’s the Moog Voyager, Prophet and tape delay that make up the core sound of the EP. Whilst tracks like Helios, Haunt and Think Tank see West play live drums and acoustic guitar.

“I’m often looking at art in exhibitions and I always think to myself ‘why the hell don’t I have this much colour in my work?’ The answer in part I think is down to synthesis. It is very difficult to create colour without it sounding plastic. Colour in music is both the note combinations and the actual timbre of the sounds. There are lots of instances of very colourful ambient sounds, which I took great care to create for each song, using various methods – from passing analogue synths through chains of effects to chopping up random sequences of recordings and forming tiny collages." – Ryan Lee West 

ABOUT THE ARTWORK:  

Resembling the colour and vibrancy in his music, the cover art was created by South London artist Supermundane, who was also responsible for the artwork of the Odyssey EP.

TRACK LISTING:  	

A1. Sonne  A2. 3 Chords  A3. Helios  B1. Haunt  B2. Think Tank  B3. Recovery 

PRESS FOR ODYSSEY EP:

'Glorious...unabashedly epic...’ – Dummy
'Atmospheric synths swell victoriously' – XLR8R
‘Rival Consoles, is the likes of Nils Frahm and Olafur Arnalds' glitchy, electronic cousin’  8/10 – The 405


ABOUT THE ARTIST:

Some might be surprised that London based electronic producer Ryan Lee West, the man behind Rival Consoles, shares a home with contemporary classical composers such as Nils Frahm, Ólafur Arnalds and Peter Broderick. And yet they have a lot more in common than expected. Fascinated by sound from an early age, Ryan chose to dedicate his time to studying, experimenting with and producing sound graduating from De Montfort University in Leicester. One consistent element in his musical journey has been his desire to create a more organic, humanised sound. Ryan often drafts early ideas on piano, violin and guitar, although the end result is much more electronic-laden. As an accomplished sound designer he has repeatedly performed at the Tate, and recently created a bespoke audio-visual performance for Boiler Room at the V&A. Ryan is currently composing music for a soon to be announced BBC production.

LIVE:	
	
After supporting Luke Abbott on his recent UK tour and I Break Horses on their North American tour in spring, Ryan will debut his new live set with a special release show in London, followed by a string of West Coast U.S. dates culminating in Decibel Festival in late September – more details to be announced soon. 

OFFICIAL WEBSITES: www.facebook.com/rivalconsoles · www.erasedtapes.com

Sonne

3 Chords

Buy 12"/DL

Rival Consoles - 3 Chords

India bug

From the debut Ahvak album.

http://cuneiformrecords.com/bandshtml/ahvak.html

The Israeli band Ahvak, named after the Hebrew word for “Dust”, creates music of dark, ominous and compelling beauty. Ahvak's mesmerizing and electrified version of chamber rock blurs the boundary lines between styles and align the band with such Rock in Opposition style bands as Univers Zero, The Science Group, Sotos, Thinking Plague and the 5UUs. Led by two conservatory trained composers/keyboardists and also featuring guitar, bass and drums (by Dave Kerman, known for his work with the cutting edge avant/progressive bands 5uu's, Blast, Present, U Totem and more), the five musicians are joined by their engineer, Udi Koomran, who often extends the music into unique directions by his use of modern computer software, without compromising the integrity of the compositions or the vibrant performances. The resulting CD is a highly sophisticated and expertly produced work, featuring superb compositions performed by highly experienced musicians.

Ishay Sommer - with Ahvak - Bertha - 2004

http://charminghostess.us

In this Charming Hostess CD Jewlia Eisenberg continues her tradition of arranging music and text from the Jewish, African, and Bosnian Diasporas. This time setting the text of Mr. Mehmedinović, Charming Hostess sings of genocide and nationalism, freedom under siege, the nature of evil, and resisting war by any means necessary. The work explores Mr. Mehmedinović's text through a lens that includes Jewish, Balkan and Sufi musical influences.

Ishay Sommer - with Jewlia Eisenberg - Adam - 2004

X Ray Pop - La Machine Á Rêver (Red Axes Edit)

TRUMPET RIDDIM ☀️
Free download : https://theartistunion.com/tracks/dec58c
Release date:
09 MARCH 2018
C-line:
© 2018 DJ Dark Music, under exclusive license to FMA Records

Dark -Trumpet Riddim (Audio)

CASKET- PROD AP$YCHONAUT

LIL NASTY FT SUAVE DOSTO

..https://zorniafangorn.bandcamp.com/   

http://thrimpanurzle.tripod.com/blog/

https://soundcloud.com/raggascormous

http://raggascormous.deviantart.com/


https://m.facebook.com/people/Thrimpanurzle-Raggascormous/1453335177

https://myspace.com/raggggascormuus/mixes

https://www.facebook.com/traggascormous

K. Board & The Skreens was born in 1998 out of a tweaked splintered toy keyboard.

Jay The K. was born in 1978.  He's a Groanie Boy and forever will be one.




lost one frosty misty morn

ThrumpanurzleRagascormous

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