From Κ​λ​ί​μ​α (Klima)- Out September 29th on Editions Basilic. 

Preorder:
https://johnalsobennett.bandcamp.com/album/klima

CV & JAB - Pottery Fragments

This is a clean-up version of the set we performed at Ozora Festival 2025 (Ambyss stage).

Tracks:
       
A MEDITATION GUIDED BY RAM DASS
JAY HO BAGHWAN 
RENGE KYO
THE AMULET 
SOLAR PLEXUS (MANIPURA)
SACRAL (SVADHISTHANA)
GAIA 
THE DERVISH
EGY MÁSIK VILÁG FELÉ
HIRAETH
THE RITUAL
HALHATATLANSÁG
ANCIENT TONGUES
AS ABOVE SO BELOW
INSPIRACIÓN DEL AGUA

Photo by Obari Masaaki

Takkra Live set at Ozora Festival 2025 (The Ambyss stage)

My first music experiment: different sounds and noises recorded by my phone and than used a phone app, with Fieldscaper (Igor Vasiliev's phone app) to create music. My long-term plan is to use these music and sound experiments for animations, videos, performances and theatrical sound designs.

Első zenei kísérletem: telefonnal rögzített különböző hang -és zajfelvételek, amelyek egy telefonos applikációval, Fieldscaper-rel (Igor Vasiliev fejlesztése) lettek megzenésítve. Hosszabbtávú tervem, hogy ezeket a zene- és hangkísérleteket felhasználom videókhoz, animációkhoz, élő performance-okhoz és színházi kellékhangokhoz.

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Rafael Anton Irisarri from "The Shameless Years"
Available in LP & Digital
www.umor-rex.org © 2017 Umor Rex Records

Post-minimalist American composer Rafael Anton Irisarri makes his Umor Rex debut with bold new album, The Shameless Years. Inspired by a troubled socio-political climate, buried melodies punch their way through a bleak cover of noisy drones, periodically veering into some of Irisarri’s most eerily pertinent music to date.

One of Rafael Anton Irisarri’s most thematically and sonically cohesive records to date The Shameless Years came together in a relatively short burst of creativity starting at the end of 2016. Rediscovering some relatively older tools - namely Native Instruments’ Reaktor, Absynth, and Kontakt software - Irisarri combined them with his collection of guitars, pedals, amps, and analogue processing gear, turning his Black Knoll Studio north of NYC into a powerful writing tool. Completed quickly by Irisarri’s standards, let alone during a period of social upheaval in American society, the record faces down several key personal themes. The title, suggests Irisarri, could in fact be seen as a reflection of the era of shamelessness we’re currently living in; a time of fake news and alternative facts.

Two tracks were completely remotely between Irisarri in New York and Umor Rex veteran Siavash Amini from his home in Tehran, Iran. This music came together at the peak of all the anti-Muslim and anti-immigrant rhetoric happening in the USA, not to mention the banning of Iranians from entering the country, explains Irisarri. The diptych with Amini, ‘Karma Krama’ and ‘The Faithless’, seems bathed in additional waves of sorrow and dread. The wash of symphonic stormclouds of synth drones and processed notes on the latter gradually appears and disappears over the course of thirteen mournful minutes.

‘Rh Negative’ marches gigantic guitars through towering valleys of scarred ambient noise dealing with Irisarri’s own heritage, many of his ancestors having come to America to escape poverty and oppression. The refusal of modern America to extend similar sanctuary to refugees escaping turmoil weighs heavily on the composer. Elsewhere an emotional onslaught of notes buried in mounds of greyscale noise on ‘Sky Burial’ aims to deal with Irisarri’s very own mortality – something he was recently confronted with following health scares, an accident, and a near-death experience in 2016. Pushing 40 as this album was being made, the composer is constantly aware that he’s already outlived his own father, who died at the age of 32. Facing down both intolerance and the void, the epic soundscapes of The Shameless Years are a vast cry of emotion from Irisarri. The clock is ticking - gotta make the most out of it while you still can.

All songs written and performed by Rafael Anton Irisarri, except #5 & #6 written and performed with Siavash Amini. Design by Daniel Castrejón, photos by Camilo Christen. Mastered by James Plotkin.

The Shameless Years

Buy LP & DL

Rafael Anton Irisarri — RH Negative

TOMAGA "Memory In Vivo Exposure" (12"/DL).
HITD 037
Release date: 8th December 2017

All tracks composed, perfomed & recorded by TOMAGA
Mastering by Mike Grinser @ D&M, Berlin
Original cover photograph by David Child

Label, orders: www.handsinthedarkrecords.com

TOMAGA - Memory In Vivo Exposure (Parts 1 & 2)

buy tape + digital nicemusiclabel.bandcamp.com - also available on Spotify, Apple Music, Tidal, Google Play, Juno Download and more.

taken from Fia Fiell 'All In The Same Room' NM020

Fia Fiell 'At The First Clear Word'

Out now on limited cassette and digital. All music by @x-y-r

Cassette case includes zine designed by artist & two copies of the cassette. Available on Bandcamp: https://xyrmusic.bandcamp.com/album/x-y-r-qtt7and in select shops soon.

X.Y.R. - QTT7 - Full tape Mix

Mashup made  in a sleepless night, two songs merged together and it comes a new, intriguing and fascinating song, I hope you enjoy!  Deep ambient,  for open-minded listeners .

Ryuichi Sakamoto & Alva Noto & Jack DeJohnette -  Disturbed Anatolia

Composer, saxophonist and founder of Immix Ensemble, Daniel Thorne,  has announced his invigorating and powerful debut solo album 'Lines of Sight' with the dizzying first track 'From Inside, Looking Out'.

Deeply moving, full of otherworldly beauty and rapture, the album is alive, throbbing like a circulatory system, colourful and glowing. It literally dazzles – effectively capturing what the birth (or death) of a planet might sound like. 

In Daniel’s own words, “Thematically, this music was inspired by birds-eye aerial images and the idea of perspective - how something incredibly complex like a river or the surface of the ocean is reduced to a simple line or shape when viewed from the heavens. The line between natural and man-made becomes increasingly blurred.”

Every strand is fresh, vital and purposeful. The description ‘seamless’ might suggest a smooth, bland fusion, but here elements overlap in intermittent, undulating layers of mesh. Avant-garde, noise, electronics, ecclesiastical, classical and a touch of jazz come together, each occupying their own space while acquiescing with the whole. 

“Several compositions are derived from ratios and processes, and are 
Lines of Sight follows Thorne’s work as artistic director of the acclaimed, collaboration-focussed group Immix Ensemble. Together with experimental electronic artist Vessel, he co-wrote Transition released on Erased Tapes in 2016, described by BBC Radio 6’s Mary Anne Hobbs as “a remarkable new piece of music”. More recently, he worked with acclaimed modular synth wizard Luke Abbott, to create a four-part suite, which was premiered live in June 2017. Immix Ensemble have also performed special live commissions with Kelly Lee Owens, Dialect, Jane Weaver and Bill Ryder-Jones, among others. 

After a first solo performance at Sea Change Festival 2018, the new year will see Daniel tour across Europe, promoting the forthcoming release of Lines of Sight.

European Tour Dates:
13.2. Rotondes — Luxembourg, LU (with Daniel Brandt)
14.2. Melkweg ­— Amsterdam, NL (with Daniel Brandt)
15.2. Doornroosje — Nijmegen, NL (with Daniel Brandt)
16.2. Botanique — Brussels, BE - (with Daniel Brandt)
26.2. Corsica Studios — London, UK (with Daniel Brandt)
10.4. 24 Kitchen Street — Liverpool, UK (with Terry Riley & Gyan Riley)

Lines of Sight

Buy LP/CD/DL

Daniel Thorne - From Inside, Looking Out

Taken from the upcoming album Both Lines Will Be Blue, out July 12th on Smalltown Supersound. Produced by Carmen Villain. Flute performed by Johanna Scheie Orellana. Mastered by Matt Colton.

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