“2068: Return the Earth” emerges as a stark cinematic vision, born from the union of Earth-616 and Zubida under the banner of 12.3 Khz. The track drifts in minimal dark techno textures, where metallic pulses and spectral whispers sketch a future both fragile and immense. Voices unfold like fractured prophecies: towers against soil, machines against roots, humanity confronted with its forgotten origin. In this radio version, every beat is a signal, every silence a fracture, as if techno itself becomes the language of those who came to reclaim what was once theirs. This collaboration is not just a track but a signal of what may grow into a full shared album, expanding the cinematic horizons of both artists.

2068: Return the Earth

Hey there, music lovers! I’m Britney McClearn, your new favorite pop sensation, and I’m on a wild ride of creativity! 🌟 After navigating through some rocky roads, I decided to grab the mic and create music that resonates with the soul, all thanks to my incredible friends who are my rockstars! 💪🎤

I’m here to share my vibrant pop songs and heartfelt ballads that will make you dance, cry, and everything in between! 🎵✨ Join me on this exhilarating journey as I dive into new sounds and pour my heart into every lyric. Trust me, you won’t want to miss out on the magic! 💖

So, buckle up and get ready for a musical adventure that’s as colorful as my hair! Let’s explore the world of music together, and I promise to keep you entertained with fresh tunes and emotional lyrics that will tug at your heartstrings!

12.3 kHz is an electronic label connecting ten projects in one shared universe from cyberpunk trap and acid techno to darkwave and kawaii glitchcore. Strong concepts, bold visuals, and high-impact production. Each release is its own world.

Brillman has been an electronic online musician during the last 20 years using many different names: Brillman, Controlfreak, freakcontrol, Red Karma, Atmosphere, Zero Loop, Pan64, Randomcontrol, geometric delay and Superfreak! Brillman mainly creates original sounds from hardware synths but also uses guitar, samplers, vocals or even poetry. He primarily utilizes a 4 to the floor approach. The aesthetics behind the music is about finding a balance between minimalism vs. depth & improvisation vs. programmed.

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Influences: Eno, Tangerine Dream, Kraftwerk, The Associates, Joy Division, Roxy Music, Bowie, Chemical Brothers, Frank Zappa, Hendrix, ELP, Polygon Window, G. Mahler, A. Bruckner, L.V. Beethoven, E. Satie, FSOL, The Orb, Laurie Anderson, Vangelis, Underworld, Led Zeppelin, Jeff Beck, Rory Gallagher, Miles Davis, Massive Attack, Black Sabbath, Prince, Sade, Etienne de Crecy, Daft Punk, Plastikman, Monolake, Japan, Pink Floyd, Resistance D, Talking Heads, Hawkwind, Gary Numan, J.M.Jarre…

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Synthesizers used (past or present):

Kawai K4
Korg Wavestation
Korg Wavestation SR
Kawai K3m
Kawai K4r
Yamaha AN200
Yamaha DX-7
Yamaha TG-500
Oberheim Matrix 1000
Roland SC-55
Roland JV1010
Roland JV1080
Roland JV2080
Korg M3r
Korg MS-20 mini
Roland D-110
Roland D2
Roland MC-505
Roland MC-09
Roland MC-808
Roland TB3
Korg ER-1
Korg MS2000r
Korg microkorg
Korg Kaossilator
E-MU Mophatt
E-MU Planet Earth
E-MU Proteus 1/2
E-MU Proteus 2000
Vermona DRM-1 mk iv
Waldorf Blofeld
Waldorf Pulse 2
Moog Subharmonicon
Moog Labyrinth
Moog Mavis
Freebass FB-383
Behringer TD3
Behringer Neutron
Behringer model D
Behringer K2
Behringer Syncussion SY-1
Arturia Microbrute
Arturia Minibrute 2s
Arturia Microfreak
Elektron Cycles
Elektron Digitone
Behringer Crave
Behringer Edge
Novation Mininova
Clavia Micro modular
Clavia Nord rack 2
Access Virus Snow
Twisted Electrons MEGAfm

I've been chasing sound since the day I ran away from home. 
While most kids were in school, I was digging through crates in record stores - learning rhythm, rebellion, and the raw truth music could carry. By 13, I was sleeping in nightclubs. By 15, I was behind the decks, DJ-ing to survive and to feel something real.

In the 1980's, I became part of Belgium's early electronic wave - spinning vinyl before it was a scene.

But life, as it does, took me away from the spotlight. Still, the music never stopped playing in me.

Now, after all these years, I'm back. Producing my own tracks. No rules, no formulas - just decades of sound, scars, and soul poured into every beat.

For those who've ever felt like outsiders...
For those who live through sound...

This is for you.
The beat goes on. And so do I.

J-Luv Da Prince, a Cuero, Texas native, is reclaiming his title as the “Prince of R&B.” Starting his musical journey as an emcee in Houston during his teens, he later pioneered an R&B-forward hybrid sound in the late 2000s. With standout projects like "How They Told Me To Do It" (2009), "The Major Comeback" (2010), and the double album "Sexual Encounters/The Heart of a Man," J-Luv became known for his sultry vocals and raw emotion. After a two-and-a-half-year hiatus starting in 2017, he returned with a refined sound and a renewed purpose. His latest work includes the re-release of the heartfelt holiday track "My Christmas Gift," a deeply personal tribute to love and family, originally released in 2015. With smooth melodies and emotional depth, J-Luv continues to captivate listeners, setting the stage for a new era of R&B.