Moody and reflective, built on slow bass walks and lingering sax phrases.

North African Jazzy Laid-back Drift

Carthage

The current music scene is great because of the places where music is made and the experiments that are repeated by each personality. For individual creators, it is much more valuable to have an environment where they can come into contact with a large number of personalities than to be spread.

Dark Earl a shadows and light sorceror who roams through transmutating from mystery into sublime, immersive worlds that are singular and mesmerising.
Influenced by dark trip-hop and beat oriented electronic textures with innervining rhythms, he fuses some depth into the darkness of despair background with notes of redemption and escape.
Dark Earl, hailing from a polyglot melting pot, interprets the borders of his multi-ethnic sounds. By his tracks it as if stories – usually contemplating where every note holds feeling and each pause perpetuates reflection.
Amateur music productionist from the beginning back in 2003, Dark Earl evolved his sound and gone into the realms of experimental weirdness and outlandishness.
He refuses to limit himself to a 1-genre domination and finds outlet where music is more than just a quest for empire, but freedom and authenticity.
He is one of the most important figures today in a group of young artists supporting hands-on, and collaborating with DJs, sound engineers as well as singers from all over.
Dark Earl is not a producer, he makes experiences.

Maya Guzmania, alias Ghost Of Maya, est une artiste belge dont le parcours oscille entre l’ombre et la lumière. Avant de devenir autrice-compositrice-interprète, elle a longtemps œuvré dans la production musicale, sculptant les sonorités des autres sans jamais oser imposer sa propre voix.
À six ans, elle enregistrait déjà des bribes de mélodies sur de vieux magnétophones, convaincue que la musique était un langage secret. Adolescente, elle passait ses nuits dans les clubs underground de Bruxelles, absorbant les rythmes du breakbeat, du dubstep et de l’électro, en quête d’une alchimie sonore qui lui échappait encore. À vingt ans, elle plongeait dans l’industrie musicale en tant que productrice, affinant son art dans l’ombre des studios. Pendant des années, elle façonnait des morceaux pour d’autres artistes, effleurant l’idée d’écrire pour elle-même, sans jamais franchir le pas.
Puis, un soir, au détour d’un morceau inachevé, elle a compris que sa place n’était plus derrière la console, mais au cœur du son. La voix qu’elle modelait pour les autres devait désormais être la sienne. C’est ainsi que Ghost Of Maya est née, fruit d’un vertige et d’un besoin urgent de rattraper le temps perdu.
Aujourd’hui, elle prépare son premier album, une œuvre immersive où les spectres du passé rencontrent les pulsations du futur. Et demain ? Si le futur appartient aux âmes qui osent, Ghost Of Maya pourrait bien devenir l’un de ces mystères musicaux qui traversent les époques, insaisissables et hypnotiques.

Maya Guzmania, known as Ghost Of Maya, is a Belgian artist whose journey sways between shadow and light. Before becoming a singer-songwriter, she spent years behind the scenes as a music producer, shaping the sound of others while keeping her own voice in silence.
At six, she was already recording fragments of melodies on old cassette players, believing that music was a secret language. As a teenager, she wandered through Brussels’ underground clubs, absorbing the pulse of breakbeat, dubstep, and electro, searching for a sonic formula that remained just out of reach. By twenty, she had dived into the music industry as a producer, perfecting her craft in the shadows of recording studios. For years, she created for others, brushing against the idea of writing for herself but never taking the leap.
Then, one night, amidst an unfinished track, she realized her place was no longer behind the console but within the music itself. The voice she had shaped for others had to become her own. And so, Ghost Of Maya was born—from that moment of vertigo, from the urgency of reclaiming lost time.
Now, she is preparing her debut album, a hypnotic journey where echoes of the past merge with the rhythms of the future. And what lies ahead? If the future belongs to those who dare, Ghost Of Maya may soon become one of those musical enigmas elusive, timeless, unforgettable.

Lo-Feelers is a soulful, lo-fi collective born in the golden in-betweens of jazz, R&B, indie groove, and analog nostalgia. Their name echoes their essence: they feel deeply, but never loudly.
Formed between Paris, Oran, and nowhere in particular, the band brings together a blend of poetic melancholy and rhythmic subtlety. Feeling Café, their debut album, is a musical café without walls a place where memory, melody, and silence come to sip together.

🎤 Members:
* Anissa Boualem – vocals A velvet voice that carries both grief and irony, singing like she's writing a letter she’ll never send.
* Nabil C – vocals, guitar Minimalist crooner, guitar poet. Brings cinematic textures and late-night confessions to every track.
* Midi14 – bass Silent anchor of the group. His grooves walk between shadows and daylight.
* TT Williams – keys / synth The sound alchemist. From dusty Rhodes to dreamy synths, he paints air with harmony.
* Agogosax – drums, saxophone, experimental textures Jazz rebel. One-man brass section. His playing bends time, like a loop that never settles.

Lo-Feelers don’t perform they whisper. 
Their music doesn’t push it invites. 
It doesn’t shout it lingers.
Their debut Feeling Café is not just an album, it’s a room in your memory.

12.3 kHz is an electronic label connecting ten projects in one shared universe from cyberpunk trap and acid techno to darkwave and kawaii glitchcore. Strong concepts, bold visuals, and high-impact production. Each release is its own world.

A hip-hop and RnB group formed by two men and one woman, originally from North Africa, now based in the Bronx, New York. Their style fuses the soulful melodies of early street poetry, the rhythmic bounce of New Jack Swing, and the raw energy of 90s old-school beats, layered with a modern touch of smooth production. Their music blends spoken verses, melodic hooks, and expressive flows, with a deep focus on themes of resilience, identity, migration, and dreams. The beats are built on classic break rhythms, jazzy basslines, and analog textures, giving a nostalgic yet forward-looking feeling. Subtle influences from North African musical traditions enrich their sound, through rhythmic patterns, vocal phrasing, and lyrical storytelling. Their artistic vibe balances street authenticity, emotional depth, and urban poetry, creating an atmosphere that's at once timeless, warm, and vibrantly alive.

Tokyo_Nights is a masked trio from Tokyo, shrouded in mystery and wrapped in neon shadows. Multi-instrumentalists with roots deep in the city’s electric veins, they translate Tokyo’s sleepless nights into cinematic EDM landscapes. Their sound fuses the high-energy pulse of kawaii beats with the soulful breath of traditional Japanese instruments most notably the shakuhachi flute morphed into a futuristic, almost cybernetic voice.
Always masked, their identities remain unknown. We do not know who is the man and who is the woman—only that their chemistry is undeniable. Each performance is an open-air movie, their music unfolding like scenes lit by street lamps, billboards, and the moon. Perfection for them is found in imperfection: glitchy textures, recycled sounds from daily life, scratches and distortion, all played with absolute precision. They are the soundtrack of a generation born into a world of perfect production, now chasing the beauty of the imperfect.

Jazz/Fusion keyboard player, composer and producer.  Marketing, advertising, publishing and sales career.  Originally from Chicago, where I developed a strong appreciation for the blues and classical, and moved to New York, where jazz and the fine arts are so deep.  Key musical influences include Miles Davis, Herbie Hancock, Jimi Hendrix, Joe Zawinul and Weather Report, Chick Corea and Return to Forever, John McLaughlin and the Mahivishnu Orchestra, Stanley Clarke, Scott Henderson and Tribal Tech, Jeff Beck and Jan Hammer, Mike Stern, John Scofield, Pat Metheny, Emily Remler, McCoy Tyner, Bill Evans, John Coltrane, Jimmy Smith, Joey DeFrancesco, Larry Young, Buddy Guy, Santana and Earth Wind & Fire.   Former classical clarinet and piano player.  Unless noted, my music on SoundCloud was composed, recorded and performed using only keyboards.  An avid photographer.  Many covers here are my shots.  To see my photography look for Herbiejazz on Instagram or search for Herbiejazz on Google.  And a big thumbs up to SoundCloud and the SoundCloud community, and so many friends who have joined me to create.  Thank you all.

Carthage

12.3 Khz