Name: July 23, 2014 (a scarcity of objects) by 12k in cloud.selector vol.08
Duration: 3 min 47 s
Description: a sketch for music box and eurorack modular.

my favorite sounds in a playlist...no special order..newest additions at the end.
a new volume every 101 titles. this is the volume 8.

cloud.selector

cloud.selector vol.08

GRFTPS017
Andrew Heath, Anne Chris Bakker & Mi Cosa de Resistance - Dispatches
limited edition cassette / digital - now on bandcamp
https://giraffetapes.bandcamp.com/album/dispatches

Dispatches

B1. Andrew Heath, Anne Chris Bakker & Mi Cosa de Resistance - Seems So Long Ago Now [GRFTPS017]

3. DIFFUSION - CONVERGENCE

This winter it has snowed more than usual in my area. Before I went to bed, I would look out the window and think, "Oh, it's piling up like this." But when I woke up in the morning, I found that the snow had piled up much more than I had seen last night.

If I had stayed up all night looking outside, I would have been convinced of the change, but since I only saw the beginning and the end of the change, I was surprised at the amount of change.

What is change? I am very interested in the idea of change. Change in nature, in people's minds, in fashions. The theme of this work is also "gradual transition," but in the midst of change, we should not be able to notice the change itself so easily.

Produced by Hidekazu Imashige
Cover Art by Hidekazu Imashige

Transition 3

ARTIST: POSTHUMAN
T’ITLE: DECOMPRESSION’ EP
LABEL: BODY WORK
FORMAT: 4 track 12” and 5 track Digital EP
RELEASED: June 2nd, 2014

It feels strange to say that an act who have been around for over a decade releasing more than half a dozen albums should be ‘Ones To Watch’ in 2014, but cousins Josh Doherty and Rich Bevan aka Posthuman’s career has never exactly followed the rules.

Originally part of the, then, thriving UK Electronica scene at the start of the new millennium Posthuman instantly made an impression with a series of releases on their own Seed Records imprint, Manchester’s Skam and legendary UK techno label B12 Records, with their debut album picking up plaudits from Pitchfork as "one of the best IDM-oriented albums of 2001" Over the course of the ‘00s the cousins would go on to release several albums experimenting with everything from pure ambience and techno to post-rock, ‘The People’s Republic’ being hailed by DJ Mag as "joining the dots between early Autechre and Mogwai”, and 'Syn Emergence' being hailed by LFO as "one of the best techno albums ever".

All the time though Posthuman still kept at least one foot on the dancefloor throwing the now-near legendary parties such as the series of raves in Aldwych’s disused tube station that featured everyone from Aphex Twin and Luke Vibert to Goldfrapp and S’Express’ Mark Moore - and since 2007 both promoting and holding down a monthly residency at I Love Acid (Corsica Studios).

The past 18 months though has seen Doherty and Bevan fully turn their attention back to the dancefloor releasing a series of 12”s on labels such as Tusk Wax, Balkan Vinyl, and RSI that have caught the attention of DJs like Daniel Avery, Ben Sims, and Disco Bloodbath’s Damon Martin, combining grinding Detroit inspired Techno and bubbling Acid House basslines with icy precision.

Which brings us to the ‘Decompression’ EP - the soundtrack to a corrupted AI system’s final moments, corroded circuits firing and misfiring to produce 4 new tracks of hypnotically dark acid plus a remix from Houndstooth artist House of Black Lanterns. From the abyssal ‘Decompression’ through to the percussive ‘So Cruel’, ‘Back to Acid’s snake like bleeps and onto HOBL’s elegiac remix, this is an EP sure to dominate dance floors from underground bunkers to warehouse raves alike.

The first of two new 12”s to be released on the Bruxelles-via-London imprint Body Work (Waze & Odyssey, LPZ, CVNT and more), the ‘Decompression’ EP arrives hot on the heels on the heels of their remix of Bohemian Groove for New York’s Throne of Blood, and ahead of their upcoming "30 years of Acid" Solid Steel show in April marks another important milestone of this act’s ever evolving career.

"Full support, will definitely play these. Excellent acid tracks, my favourite being the HOBL remix, I love his work."
Maelstrom, ZONE Records, Paris

"A downtempo acid funk-fest. A great EP, albeit slightly demented by nature."
Mixmag, Worldwide

"Played ‘So Cruel’ in Paris last night - sounded great, went down a treat!"
Ewan Pearson

"Well good, really strong acid, just like black microdots back in the day...will be playing for sure! 10/10"
Keith Tenniswood, Radioactive Man

"These are PURE FIRE!!! So Cruel is the one!"
Kiwi, Need/Want

"Another proper acid belter from Posthuman - loving acid before it becomes cool (again)"
Mark Archer, Altern 8

"LOVE Decompression. Great work!"
Damon Martin, Disco Bloodbath

"Super duper dope as usual"
Hrdvision, Rinse / Wagon Repair

"This is wicked, serious production - proper club business!"
YoungTee, Joy Boys / Southern Fried

"Step back is great..."
Severino, Horse Meat Disco

www.posthumanmusic.com
www.bodyworkmusic.com

Posthuman - Back To Acid

You Saw It Coming

Praah - Thank You Satan (M.RUX REMIX)

a sketch for music box and eurorack modular.

July 23, 2014 (a scarcity of objects)

I would like to start this year with this album.

I have been making music alone for almost 20 years now. I would like to thank everyone who has ever purchased or listened to my music, my subscribers, my collaborators, everyone who has criticized as well as praised me, the equipment and electricity I have used to make music, my room, my time, my friends, my family, everything. Thank you so much.

As a token of my appreciation, I would like to release this album for free. Please enjoy it.

I have only one request. For once, for about 40 minutes listening to this album, please do nothing and think about nothing and just be in a daze. We are too busy. We need time to intentionally give our heads and hearts a rest. Once you get into that habit, you will inevitably feel yourself becoming energized again.

I wish you all a very happy new year.

1. Hogaraka (朗らか) - Cheerful
2. Ajiwai (味わい) - Flavor
3. Utakata (泡沫) - Ephemeral
4. Mizumaki (水撒き) - Watering
5. Neiro (音色) - Tone Color
6. Mederu (愛でる) - Celebrate
7. Otsukimi (お月見) - Moon Viewing
8. Oboroge (朧げ) - Faint

Richness of the Heart

Ajiwai

Free DL

Sti.ll

Recur (For Guitar, Cello, Double Bass, Flute, Lap Harp, & Percussion)

The experience of beauty is in our daily lives, and within us.

Shinbigan (審美眼) - Appreciation, Eye for beauty

1. Hirusagari (昼下がり) - Early in the afternoon
2. Chouryou (跳梁) - Jumping about
3. Senkoji (千光寺) - A temple in Onomichi, Hiroshima
4. Youtou (揺蕩) - Swaying
5. Boukyaku (忘却) - Oblivion
6. Harusame (春雨) - Spring rain
7. Kanjyaku (閑寂) - Quietness
8. Syugyoku (珠玉) - Gem
9. Amagiri (雨霧) - Misty rain

All tracks are produced by Hidekazu Imashige
Cover Photo by Hidekazu Imashige

Shinbigan

Senkoji

Harusame

Taken from the album "Stanze"

Pre orders start 31.5.2024 / Release date: 7.6.2024

shimmeringmoodsrecords.bandcamp.com/music

Cartridge grain is a project created by Emanuele Specchia and Roberto Ficosecco. 

The project is rooted in original sound experimentations, created with the turntable, through the use of recycled materials, generating essential rhythms rich in noise and from the use of concrete samples, processed through granular synthesis algorithms, to generate sound spaces and environmental textures. 

Our music is a timeless dialogue made of sounds and silences, moments of stasis and processes of accumulation, capable of giving life to particularly organic soundscapes with a strong emotional component. 

Roberto Ficosecco – Turntables for recycled materials and synthesizers. 
Emanuele Specchia – Processing and granular synthesis, field recordings, vibrafono and synthesizers. 
Guitar on Risveglio, Onde and Metamorfosi by Giacomo Specchia. _________________________________

Music by Cartridge Grain 
Recorded in Perugia and Ancona, early 2024 Mixed and mastered by Emanuele Specchia Photography by Emanuele Specchia 

Shimmering Moods Records 2024 
SHM 304

Cartridge Grain - Patina

Taken from the album "Autumn is a new spring"

Pre orders start 31.5.2024 / Release date: 7.6.2024

shimmeringmoodsrecords.bandcamp.com/music

Recorded, edited, mixed and mastered @Argo Laboratorium by Gm Aprile @Argolab, 2023/2024 
Photographs by Gm Aprile 

Gianmaria Aprile: guitars, effects, guqin, xylophone, field recordings 
Luca Mauri: guitar on tr.1 
Luca Tilli: cello on tr.1 

- always, in autumn, a new spring is hidden - 
gianmariaaprile.bandcamp.com 
garbuglisonori.wordpress.com 

BIO 
I like to smell the woods, listen to music and play it, but I never seem to do it enough. 
I started in the early years of the new millennium to release records by approaching the world of post-rock (Ultraviolet Makes Me Sick), then I continued my musical journey approaching more experimental sounds (Luminance Ratio) and entering the world of improvisation and jazz (Pipeline 3, 5, 8). 
garbuglisonori.wordpress.com/discografia/ 


SHM 305 
Shimmering Moods Records 2024

Gianmaria Aprile - U•N•I

Artist: ZOE EFSTATHIOU
TITLE: SOLO PIANO : EDGE OF CHAOS
FORMAT: LP & DIGITAL
CATALOGUE NO: iDEAL232
RELEASE: APRIL 2024

Zoe Efstathiou, pianist and electro-acoustic composer, originally from Greece, has lived in Sweden since 2015. Her interest shifts between the intricate relationships of the overtones of acoustic instruments, electro-acoustic textures, and the sonic potential of light installations. Her music interpolates the momentary with the ever-evolving, exploring ideas related to time, expectation and memory. There are connections to what is going on in the music of some of the 60s minimalists, where beauty and harshness meet naturally. This is Efstathiou’s debut solo album.

”In the core of the album’s creation, lies my fascination with unveiling the piano overtones by harnessing the properties of complex systems, which emerge when competing oscillations of strings interact with room acoustics, microphone placements, the piano's pedals, and its soundboard. Through long forms, incremental gestures, and nuanced timbral artifacts, the album aims to distort the perception of time and invite an introspective experience of multiple and expanded temporalities.” - Zoe Estathiou.

ZOE EFSTATHIOU - AMVRACIA (iDEAL232 LP)

eRecords is a digital record series created by Whitelabrecs, to run alongside our physical releases. These editions aim to transform the digital format into something that can be experienced in a similar way to a listener’s interaction with a real, white label vinyl record. Each edition includes a special PDF scrapbook including polaroids and liner notes.

We do not publish details about the concepts or production methods of a release, so that the liner notes and content in each scrapbook will give you the background of each edition in the series.

catalog: eR028
artist: the unknown shape
release title: transient ep
runtime: 15:30
location: north rhine westphalia, germany

written and produced by tobias dziapko
mastered by NFM-Mastering (HerbLF)
cover artwork by george korunov
booklet art and design by harry towell

Transient

eR028 The Unknown Shape - Transient

V.A - Davulun Sesi Vol.2
www.tektosag.com

Rumeli VS Balkanlar (Kosovali Erdi)

With over 100 physical releases since its inception by Taylor Deupree in 1997, New York-based music label 12k has decisively defined and developed the concept of minimalism in the realms of electronic music for more than a decade. Fusing elements from Ambient and Electro-Acoustic Composition with carefully arranged digital textures and associative micro-noises, the label's aesthetics revolve around a precisely-outlined, yet deeply emotional concoction of the technological and the organic. Eschewing the typical marketing mechanisms of the commercial music industry, Deupree has sculpted a platform whose influence today extends well beyond the confinements of the experimental community. 12k's integral approach, in which the label's instantly recognizable, elegantly spartan artwork enters into an inseparable symbiosis with the music, has created a timeless audiovisual language respected and appreciated all over the world.

July 23, 2014 (a scarcity of objects)

12k

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