Calm Sea naviarhaiku 477
This week in response to Naviar Records naviarhaiku series I have put a video together after creating the piece. I hope you enjoy. 
https://youtu.be/zKqmAw5FWik

Seven days to make music in response to the assigned haiku: to participate visit www.naviarrecords.com/about/naviar-haiku

Deadline: 1st March 2023
haiku by Raymond Cobley @ray_cobley
picture by Vlad D unsplash.com/@hiking_corgi

Release date:
22 February 2023

far distance beckons
-hazy blue peaks loom over
calm sea horizons

Calm Sea  naviarhaiku 477

a great honor for me  http://www.youtube.com/watch?v=VRfaP4ROcQs

no professional aspirations, just entertainment
home recordings just for the joy of music
Everything is based on feelings and moods. No use of AI.
thank you for listening
Thank you all for your comments, because there is always room for improvement
I am still looking, trying and experimenting, I really like electronic ambient for many years, but it only works as a live percussionist. In short, nothing is black or white:)
In today's hectic world I need quiet sounds and the vast majority of songs created at night, so are my compositions such as they are.

My tracks is based on the absolute freedom of the use of sound. Arises as if I painted a picture. In the head is the base, and then adding the details here and there.
As well as if I were his music told the story.

I use: Ableton-Live-Suite with Partnerinstrumets, Kontakt Player + virtual instrumentzs,NI-Machine, Ableton Push, Acces Virus TI Snow, Waldorf Blofeld, AKAI MPK 49, Korg Microkorg XL+,KORG Kaossilator,Kaosspad,KORG Wavedrum, Roland HPD 20, nord lead A1 r, Yamaha mx49, Roland Edirol for Fieldrecordings - and various live percussion.(Kalimba, frame drum, tombak, koshi etc)

Welcome to a site that encourages collaboration and creativity, this takes many paths of styles and possibilities. Download, collaborate and then simply email it to 2023donut@gmail.com and leave a msg on the song you have done that. Creativity welcomed, learn and grow as an artist and have some fun during all of this world melee going on out there.  All about creativity, not dominance, so enjoy! Original generated music from this site under 2023donut is attributed to Colin Gross/Michael Mooser (Colin doesn't participate now but because of his support there would be no music from me if I had not had his support for decades so I always give credit back to an original pact made in 1975-6) if stated as page name, other contributing artists will have their name attached to the work always. Once you download a piece and collaborate with it simply email it to 2023donut@gmail.com and leave a message here that you did. Then it will be posted here on this page for the whole cycle to begin again. Stay positive, could be worse all the haters could be twins! This is a positive experience, anyone bringing anything else will be ignored, life is short, don't have time for it. Have a wonderful day!!!!

DarkWaterBlue

The Music you find here was all created by me unless noted. 

This is my musical journey 

I play Guitar, keys and percussion and work mainly with Cubase.

Please send me a message if you would like to re-interpret one of my pieces. 

Happy to discuss collaboration if anyone is keen. 

If you enjoyed something here please let me know. It's all here for those who want to listen :)

Peace 

Douglas

multi-instrumentalist & composer.
Genre fluid music for images / instrumental / contemporary post-fusion / experimental jazz / electro acoustic ambient / melodic noise / neoclassical / naive hard core / cosmopolitan world music.

bio here:
http://dedeland.com/daniel-diaz-bio/


In some words:
Composer, arranger, producer, multi-instrumentalist. Born in Argentina,
I studied music in Buenos Aires, New York, Boston, Los Angeles and Paris.

For 20 years, I developed an important career as a session and backing musician in Argentina and Europe, playing, among other instruments, the bass, touring and recording with many jazz, rock, fusion, world, Latin and tango bands.

At the same time, I worked as an arranger, producer and musical director with many projects and artists in the USA, Argentina and Europe.

From 1992 to 1997, I performed my compositions live with my own band in Buenos Aires and began a solo recording career with the worldwide release of my first album "The Years Alone" on the North American label Green Linnet/Xenophile. On this album I arranged and performed 11 of my songs written between 1986 and 1993. I played most of the instruments, but included guest appearances by some great South American players.

My recording career continued with "Segundo Ciclo" (1997), released worldwide by Timeless Records, and 12 more albums released between 2000 and 2016.

Currently, I work as an on-demand film/TV composer while continuing to play live and produce.

Electronic music, field recordings and weird electroacoustic sounds.

Musical experimenter using all sorts of techniques, ideas, and devices.  Open to exchange of ideas and materials and collaboration on tracks.

Abstract Sound Structures, Musique Concrète & Live Electronics.
Experimental abstract animation videos.
It is my aim to create and/or edit my tracks & videos using free or open-source software only.
Influences include: J.S. Bach, John Cage, Iannis Xenakis, Giacinto Scelsi, Mauricio Kagel, Conlon Nancarrow, Christian Wolff, Harry Partch, Luc Ferrari, Morton Feldman, Cornelius Cardew, Bernard Parmegiani, Ana-Maria Avram, David Tudor, Alvin Lucier, Pauline Oliveros, Renaissance Polyphony.
All my work is published under a Creative Commons licence & can be freely downloaded (as wav) or remixed.

UK creatives should listen to this: https://www.youtube.com/watch?v=yK4wBWiozyM

You must hear this: https://vimeo.com/52766051

*****

Ed Brunsden was kind and patient enough to interview me for  his blog Desert... Mountain... Dust...  - you can read it at https://desertmountaindust.blogspot.com.au/2017/02/tuonela-primitive-progressive.html

After silence, that which comes nearest to expressing the inexpressible is music. ~ Aldous Huxley

All good music resembles something. Good music stirs by its mysterious resemblance to the objects and feelings which motivated it. ~ Jean Cocteau

All music is beautiful. ~ Billy Strayhorn
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

I've become addicted to drone. Again. I was the kid with his head on the piano, listening to the overtones die away, or pressing his ear to the steel hull of the ferry, enthralled by the sounds it created. I was the kid who formed wordless songs to accompany the sound of train wheels on a long journey, or hummed along with the fan on a hot day.

In the 60s I used to play my 45s on 16, or backwards, or by hand using razor blades as stylii.

I made cut-up tapes on a cheap cassette recorder in the 70s and experimented with reel-to-reel in the 80s. 

Thank you Subotnick, Lygeti, Coltrane, Jimi, Mimaroglu, Eno, Cluster, Tangerine Dream, Klaus Schulze, Frank Zappa, Pink Floyd, Kraftwerk, Throbbing Gristle...

I am not a musician. I am a scavenger of sounds. I use the most basic software to process those sounds, stretching and filtering until something emerges that makes a joyful noise. Or not...

Halcyon Hum is a Cinematic and Pop Ambient project by Minneapolis based musician, producer and recordist, Stuart King.

Compositions feature undulating rhythms, walls of sound, ambient melodies, lo-fi textures and field recordings.