Lovely creative approach to the haiku! 🤗

Filled with a pleasing asymmetric quality. Busts and trills unglued, but not disjointed

This track is a real treasure. I love how all the elements fit together, although they are very different in tone, tempo, etc.

https://soundcloud.com/velvetsomethingsuperdark/sets/passages
Number 1 of five pieces combining a solo-piano improvisation by VSS with a live-recording of Snow*Omen: https://soundcloud.com/snow_omen/improvisation-nr-4 (excerpts). Snow*Omen: e-guitars, violin-bow, singing glasses, voice. VSS: e-piano, effect pedals, unsynchronized loops, tube amps. Mixing and production: VSS. Image: VSS.

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Passage One

Marco Lucchi_Soliloquy

I added Vocaloid singing to Marco Lucchi’s “Soliloquy”.
https://soundcloud.com/marcolucchi/soliloquy
I would like to thank Marco for giving me this opportunity.

濁り水のたうつ冬の雪曇りここは地獄と独り言す火

Winter. Snowy cloudy. Muddy water rushed in from the ocean and swept everything away. At night, “This is hell,” someone said to himself, staring at the fire in the distance.

Art work: Umut İzgi via Pixabay

Marco Lucchi _Soliloquy

Marco Lucchi_Soliloquy

HAIKU MUSIC CHALLENGE

Naviarhaiku 562

Through a world of sound
the only filter I have
my discerning ear
 
Jason Richardson is a Leeton-based musician and poet who’s collaborated with Naviar many times over the last few years: in 2014 his music was part of the sound installation we made for the State of Origin exhibition in London. In 2017, Jason and I curated together the exhibition Crossing Streams in Narrandera. In 2021, I interviewed Jason as part of our series of online events, Naviar Virtual. You can listen to our interview on Naviar’s YouTube channel.

Haiku by Jason Richardson

Picture by Nadiia Ploshchenko

Submission deadline: 16th October 2024

To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

Edge of Sound

Edge of Sound (naviarhaiku562)

This is my submission to this week's Disquiet Junto assignment.

More on the 668th weekly Disquiet Junto project, All Right Then, Keep Your Secrets — The Assignment: Bury a secret sound until it is no longer identifiable — at https://disquiet.com/0668/

This project was proposed by Mahlen Morris.

20241017 [disquiet0668]

郭公（Cuckoo）

うき我をさびしがらせよかんこ鳥　芭蕉 (1644-1694)　

Cuckoo, make my melancholy heart lonelier.　Basho (1644-1694)　

Art work: Benji Tran via Pixabay

郭公 (Cuckoo)

a collaborative work
https://soundcloud.com/marcolucchi/soliloquy
curated by Marco Lucchi

Soliloquy, Marco Lucchi (philippe neau Rwk1)

Video here - https://youtu.be/8BRi1SRi71k?si=vQ-_kvF0MBKuQZOP

autumn wind...
I am stringing
a plain-wood bow

Kyorai was a Japanese haiku poet who first trained as a martial artist before he started writing and became one of Basho’s first disciples.

This is one of Kyorai's most famous poem, and one that Natsume Sōseki used as an example of great haiku poetry when teaching at a high school in Kumamoto.

Haiku by Mukai Kyorai

Stringing (naviarhaiku563)

made for the haiku challenge n. 563 https://www.naviarrecords.com/naviarhaiku563-autumn-wind/

autumn wind (naviarhaiku563)

A 'bit' conceptual this one ... You're hearing 1-bit sound at the beginning of the piece ... all the way up to 16-bits by the end ... Enjoy!

Fog clears away:
the waterfall shows up
bit by bit.
 
Undoubtedly one of the most important Japanese novelists in modern history, Natsume Sōseki began his career publishing haiku and renku poems in a number of newspapers and periodicals. Early in his career he met Masaoka Shiki, who encouraged him to become a writer and tutored him in the art of composing haiku.

Between 1900 and 1903 he studied at the UCL in London, but this proved to be quite a dramatic experience for the young Soseki. Despite this, when Soseki returned to Japan, he exploded into prolific writing activity.

Haiku by Natsume Soseki: https://www.goodreads.com/author/show/16061597.Natsume_S_seki

To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

Stringing (naviarhaiku563)

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