Bookings worldwide:
marco@futurism.agency
Management:
management@adriatique.ch

| conscious creation | #WeMove

www.darkerthanwax.com

>> DTW FM w/ @marcoweibel + @mawkus | Every Saturday | 12pm-2pm (EST)
Broadcasting Live from The Lot Radio | www.thelotradio.com
Show Archive: @darkerthanwax-radio

>> DTW Show on Worldwide Fm with https://soundcloud.com/funk-bast-rd every 3rd Tues of the month | 1-3pm GMT

Artists : 
http://www.darkerthanwax.com/artists/

Demos : 
submissions(at)darkerthanwax.com  

Shows : 
bookings(at)darkerthanwax.com

Press :
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Renowned for his uncompromising approach to techno spanning over three decades, 
Jason Voon is a purveyor of the genre, always pushing the boundaries and delivering hard-hitting rhythms behind the decks. With a dynamic range of beats that can be groovy, dark, or heavy, his sound is firmly rooted in the history of dance music.

Starting his journey as a DJ in the mid-90s and an anarchist at heart, his musical spectrum of techno is diverse, incorporating a fusion of dub, acid, rhythmic bass, and industrial punches in his DJ sets. Jason Voon is the founder of Under9 and Serious Society, a home base for underground music in Kuala Lumpur, Malaysia, and challenging the establishment with sonic sounds that refuse to conform to mediocre trends.

Over the years, Jason has shared the stage with techno titans such as Answer Code Request, Truncate, Space Djz, Lady Starlight, and Cleric. He believes that techno has a unique place in the world, attracting non-conformists who share his passion for raw and experimental sounds. 

As a visionary artist, Jason is never satisfied with the status quo, always challenging himself to create and curate cutting-edge sounds that redefine the boundaries of techno.

A swirling vortex of eclectic beats and hypnotic rhythms beckons from the depths of the auditory realm. Within this labyrinthine soundscape lies a sanctuary of storytellers united in their quest to push the boundaries of electronic music.

Together, they create a euphonious utopia amidst the chaos where the soul can find solace and the mind can find enlightenment.

See you in the realm.

Connect
info@voidrealmcollective.com

Anja Schneider is a DJ, producer, radio broadcaster, label boss, tireless creative force and mentor; recognised in 2021 with theaward of a Honour Prize by The Berlin Music Commission for having had “an outstanding impact on the music scene.” asrecognition for her work supporting fellow artists and cultural institutions during the COVID-19 pandemic lockdown. Anjacontinues to operate as one of electronic music’s most vital artists, currently focused on multiple projects including her Sous Music record label, the main home for Anja’s own productions and avant guard artists she admires, plus ‘Club Room’ an internationally syndicated weekly radio show and ‘ClubRoom: Backstage’-a thriving interview podcast series.

For more media info contact: emma@acrylicartists.com

An evolving platform discovering, supporting and developing the best new artists from across the globe.

FLOORPAN "THE MASTER'S PLAN" (CLASSIC MUSIC):
https://cmc.lnk.to/cmcd141d

Before I got into this music I wanted to be an originator ; I wanted to be original".
Founding member of the legendary group Underground Resistance as a 'Minister Of Information' with ‘Mad’ Mike Banks & Jeff Mills, his seminal works on Jeff Mill's Axis and his very own M-Plant imprint paved the way for a wave of stripped-down dancefloor minimalism that directed much of techno's path throughout the late Nineties.
Robert Hood makes minimal Detroit techno with an emphasis on soul and experimentation over flash and popularity. 

"Growing up in Detroit, I grew up with Motown in the house - a lot of Motown and Philadelphia soul, artists like Marvin Gaye of course and Curtis Mayfield. I remember Isaac Hayes, the soundtrack from ‘Shaft’ had come out. My father was a jazz musician; he played piano, trumpet and drums. My mother was in an R’n’B group.
We listened to a lot of Motown - in fact, my grandfather’s first cousin is Berry Gordy.
"I was influenced by my father - I wanted to play trumpet like he did."
Robert's father tragically died when he was just 6. The photo of Robert siting down holding a trumpet is his fathers.
"I had to beg my grandmother to let me borrow the trumpet to take a picture with it"

In the early 90's he began to concentrate on his own production 'Vision EP', the 'Riot EP' and X-102 were big stepping-stones for him as they were the first releases he worked 100% on his own. The X-101 to X-102, were Waveform Transmission projects with Mills for Tresor. He slowly progressed to work more and more on his own, but collaberated on some of the first Axis releases with label owner Jeff Mills as H&M (Hood & Mills) with ‘Tranquilizer EP’ and ‘Drama’.

He soon decided it was time for him to start his own label to focus on what was in his soul musically. M-Plant started in ’94. I had developed this “grey area” sound - what I mean by that is that in Detroit, even when the sun is out, there’s something in the atmosphere. I don’t know if its pollution or whatever, but the sky has that grey haze over it. It’s got to be something from the industrial factories there. I’d never really heard a sound like that before and it came from a Roland Juno - it was a chord sound that really went along with my depiction of what Detroit was at that time. A lot of buildings were abandoned and there was a lot of lifelessness in the city, especially downtown. The M-Plant, in minimalism, kind of reflected that. I remember thinking of Detroit like a museum. You know, like a work of art standing still, suspended in time. There wasn’t a whole lot of activity going on.

Releasing singles such as "Internal Empire,", “The Protein Valve” "Music Data," and "Moveable Parts", "The Pace", more recently "Range", "Alpha" and that isn't even touching his other monikers Floorplan, Monobox, The Vision, etc.
"M-Plant is what I've always wanted to hear: the basic stripped down, raw sound. Just drums, basslines and funky grooves and only what's essential. Only what is essential to make people move. I started to look at it as a science, the art of making people move their butts, speaking to their heart, mind and soul. “It's a heart-felt rhythmic techno sound. M-Plant is just M. minimal. “

Although his desire to remain underground has been replaced by an urge to reach a wider audience, mainly via his housier, disco, gospel moniker Floorplan with his daughter Lyric Hood,   Hood remains fiercely critical of artistic and economic movements destructive to inner-city communities and has combined his musical enterprises with outreach and social activist ends.

Dj Oddicon, also known as Odd, is a Dj, event promoter and organizer, venue decorator and door bitch from Malaysia. 

Founder of Altered Visions renown psychedelic night in Kuala Lumpur. Works with Mo:Dem and Atman Tribe.

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