Name: Let the 7Horse Run by 7Horseband
Duration: 2 min 4 s
Description: Includes the hit single "Meth Lab Zoso Sticker" featured in Martin Scorses' Wolf of Wall Street!

What a great Tune! Love they Torrighton, Wyoming License Platte.

Includes the hit single "Meth Lab Zoso Sticker" featured in Martin Scorses' Wolf of Wall Street!

Buy on iTunes

Let the 7Horse Run

www.odeath.net

www.frocksteady.com/shop/bands/dave-depper.html

www.cityslang.com

O'Death - Bugs

Live at the Prophet Bar
Dallas, TX
24/48 Recording

1st show of the US Tour

The Sheepdogs - 03sep15 - Bad Lieutenant

The Record Company Live @ OKiR Grodków 2015 Poland

The Record Company - On the Move

The Sheepdogs I've Got A Hole Where My Heart Should Be LIVE

The Sheepdogs I've Got A Hole Where My Heart Should Be LIVE FM96

Australian chain gang Graveyard Train have explored dark and sometimes menacing territories on their new album Hollow. Twisting and pushing the boundaries of ‘alt-country’ to the extreme, Hollow is a macabre journey that seamlessly moves from swampy stomp to deranged psychadelia to folk ballad. As on previous occasions, the harrowing group vocals sing of darkness and woe, however the album marks a move into darker areas as the human condition is brought into focus. Death has never been more terrifying

11 THE END OF THE WORLD

Agnostic Hymns & Stoner Fables is Todd Snider’s inspirational album.

“I want to inspire people,” Snider says. “I want to inspire them to leave home, to do things traditionally considered wrong. If you listen to my record and vandalize your school, godspeed. If you listen to my record and punch your stepdad, thank you, you’ve made me feel better about
what I do. I don’t believe in the American dream, and family values can suck my asshole’s balls.”

Snider says this while smiling, because he says most things while smiling, because he knows family values are unlikely to do such a thing, and because he’s on the happy back end of happy hour at a favorite East Nashville bar. He’s laughing but not necessarily kidding, and Agnostic
Hymns & Stoner Fables is anything but a nice, folk/Americana troubadour album. It’s not a nice anything.

It is jagged, leering, lurching and howling, and filled with unhappy endings both experienced and intimated: “It ain’t the despair that gets you, it’s the hope,” he sings in the album-closer, “Big Finish.” That Agnostic Hymns & Stoner Fables is also roaringly funny is tribute to Snider’s unique sensibilities, and to his standing as what Rolling Stone magazine calls “America’s sharpest musical storyteller.” Anguish without laughter is boring, like intensive care without morphine, and Snider has never been within 100 miles of boring. Also, he didn’t earn the
attention, friendship and fandom of American musical giants like Kris Kristofferson and John Prine by writing mopey protest songs.

Anyway, these aren’t protest songs. They’re inspirational. We’ve covered that already, right? It’s populated mostly by losers in the midst of losing, with a couple of spotlight appearances from the humbly anointed 1 percent. The result is something disconcerting, cracked and wholly original. It’s something that stands apart from the music of Snider’s heroes, and from Snider’s own, much-celebrated past. Agnostic Hymns & Stoner Fables is Snider’s 12th album (14th, if we count a “best of” set and a collection of B-sides and demos.

Snider doesn’t talk around the vulnerable part, or the angry part, or the part about how everything we’re taught about goodness and righteousness and capitalism, about God and family values winds up exploding into violence and chaos, wonder and longing. He doesn’t talk around how the whole deal is enough to make you vandalize your school, punch your stepdad, or make lewd suggestions as to just what family values might do in their spare time. And he doesn’t talk around the part about how he doesn’t know any more than you do about any of these things, or the part about how he might be wrong. It’s just that nothing has been delivered yet, nothing revealed. It is, as he sings, too soon to tell.

Here are 10 new songs for the waiting room. They’re here to inspire.

06 In Between Jobs

The devil makes three- Tow

Martin Harley "Wrecking Ball"

Quaker City Night Hawks
HONCHO

Credits:
Released 15 February 2013
Produced by Matthew Smith, Grant Jackson Wilborn and Quaker City Night Hawks

Recorded at January Studios, Dallas, TX.
Mixed at The Doghouse, Hollywood, CA.
Mastered at Pitchfork Sound, Anahuac, TX.

All songs performed by Quaker City Night Hawks
Additional keys performed by Jon Gries

Artwork and Layout by Pussyhouse Propaganda

©2013 Magnolia Records 

Witch Kitchen

The Builders and the Butchers – Western Medicine
We are very pleased to present an epic album from The Builders and the Butchers!  Influenced largely by the post-apocalyptic writing of Cormac McCarthy, the new album delves deep into epic sonic territory that The Builders had yet to venture.    More albums here: http://badmanrecordingco.com

The Builders and the Butchers - Dirt in the Ground

7Horse - “The Last Resort”
 
Phil Leavitt and Joie Calio, the multi-instrumentalists behind 7Horse's self-described "post-punk dystopian blues," have been exploring unfenced territory together for 30 years. Kickstarting their partnership as members of dada — the platinum-selling alt-rockers behind '90s hits like "Dizz Knee Land" — they now pack a different punch with 7Horse, blurring the lines between '70s-sized rock & roll, Vegas showbiz glitz, and bluesy grit. It's a sound rooted in groove and Gretsch guitars, rhythm and riffs, desert-rock crunch and cinematic sweep.
 
7Horse's fifth album, The Last Resort, offers a snapshot of a boundary-breaking band in evolution. Since launching the band in 2011, Leavitt and Calio have saluted the glory days of American rock & roll both onstage and in the studio. Here, they make room for international flourishes, too. There's the bilingual bounce of "Non Sono Un Ragazzo," which finds drummer/frontman Leavitt recounting the band's introduction to film legend Martin Scorsese (who memorably used 7Horse's career-launching track "Meth Lab Zoso Sticker" in The Wolf of Wall Street) in both English and Italian. There's the Latin beat of "Hey Vámonos!," where flamenco guitars, polyphonic rhythm, and four-on-the-floor stomp all swirl together. 
 
At its core, though, The Last Resort charts its own musical geography - an open armed panorama of Western sound that targets the head, the heart and the hips.

Let the 7Horse Run

7Horseband

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