
J’ai bu ton nom is the first absurd anthem from Intolérence. OldNEO’s fractured electronics meet Bob Salim’s voice in a strange ritual where words lose their meaning and sound becomes intoxication. It is not about logic. It is about delirium, obsession and the pleasure of breaking language apart until only rhythm remains.

Intolérence is born from the encounter between Moroccan DJ OldNEO and French singer Bob Salim. Two voices from different horizons, united by a need to break through limits.

OldNEO carries the weight of heritage, bending Andalusian echoes and classical muwashshah into electronic landscapes built on breakbeat, darkcore, and drum & bass. Bob Salim brings a sharp French lyricism, a voice that cuts between chant and poetry, intimate and violent at the same time.

Their music is not polite. It grows from conflict, from the refusal of silence, from the fracture between cultures and generations. Intolérence crafts soundscapes where Arabic modes and French words face each other, overlap, and collide.

The result is raw, unsettling, and magnetic. A band that does not hide behind masks, but steps forward with noise, tension, and beauty, uncompromising and direct.

J’ai bu ton nom

The Bartenders is a band founded in Toronto, Canada, by two passionate musicians: Johnny D. and Stephaan Rayes. This dynamic duo has mastered the art of modern blues, infusing it with soulful grooves and a touch of rock. Their signature track, Hey Bartender!, quickly struck a chord with music lovers thanks to its infectious energy and catchy riffs. Known for their captivating live performances, The Bartenders turn every stage into a vibrant mix of rhythms, blending classic influences with a refreshing modern twist.

Dark Earl a shadows and light sorceror who roams through transmutating from mystery into sublime, immersive worlds that are singular and mesmerising.
Influenced by dark trip-hop and beat oriented electronic textures with innervining rhythms, he fuses some depth into the darkness of despair background with notes of redemption and escape.
Dark Earl, hailing from a polyglot melting pot, interprets the borders of his multi-ethnic sounds. By his tracks it as if stories – usually contemplating where every note holds feeling and each pause perpetuates reflection.
Amateur music productionist from the beginning back in 2003, Dark Earl evolved his sound and gone into the realms of experimental weirdness and outlandishness.
He refuses to limit himself to a 1-genre domination and finds outlet where music is more than just a quest for empire, but freedom and authenticity.
He is one of the most important figures today in a group of young artists supporting hands-on, and collaborating with DJs, sound engineers as well as singers from all over.
Dark Earl is not a producer, he makes experiences.

Maya Guzmania, alias Ghost Of Maya, est une artiste belge dont le parcours oscille entre l’ombre et la lumière. Avant de devenir autrice-compositrice-interprète, elle a longtemps œuvré dans la production musicale, sculptant les sonorités des autres sans jamais oser imposer sa propre voix.
À six ans, elle enregistrait déjà des bribes de mélodies sur de vieux magnétophones, convaincue que la musique était un langage secret. Adolescente, elle passait ses nuits dans les clubs underground de Bruxelles, absorbant les rythmes du breakbeat, du dubstep et de l’électro, en quête d’une alchimie sonore qui lui échappait encore. À vingt ans, elle plongeait dans l’industrie musicale en tant que productrice, affinant son art dans l’ombre des studios. Pendant des années, elle façonnait des morceaux pour d’autres artistes, effleurant l’idée d’écrire pour elle-même, sans jamais franchir le pas.
Puis, un soir, au détour d’un morceau inachevé, elle a compris que sa place n’était plus derrière la console, mais au cœur du son. La voix qu’elle modelait pour les autres devait désormais être la sienne. C’est ainsi que Ghost Of Maya est née, fruit d’un vertige et d’un besoin urgent de rattraper le temps perdu.
Aujourd’hui, elle prépare son premier album, une œuvre immersive où les spectres du passé rencontrent les pulsations du futur. Et demain ? Si le futur appartient aux âmes qui osent, Ghost Of Maya pourrait bien devenir l’un de ces mystères musicaux qui traversent les époques, insaisissables et hypnotiques.

Maya Guzmania, known as Ghost Of Maya, is a Belgian artist whose journey sways between shadow and light. Before becoming a singer-songwriter, she spent years behind the scenes as a music producer, shaping the sound of others while keeping her own voice in silence.
At six, she was already recording fragments of melodies on old cassette players, believing that music was a secret language. As a teenager, she wandered through Brussels’ underground clubs, absorbing the pulse of breakbeat, dubstep, and electro, searching for a sonic formula that remained just out of reach. By twenty, she had dived into the music industry as a producer, perfecting her craft in the shadows of recording studios. For years, she created for others, brushing against the idea of writing for herself but never taking the leap.
Then, one night, amidst an unfinished track, she realized her place was no longer behind the console but within the music itself. The voice she had shaped for others had to become her own. And so, Ghost Of Maya was born—from that moment of vertigo, from the urgency of reclaiming lost time.
Now, she is preparing her debut album, a hypnotic journey where echoes of the past merge with the rhythms of the future. And what lies ahead? If the future belongs to those who dare, Ghost Of Maya may soon become one of those musical enigmas elusive, timeless, unforgettable.

Born in Marseille and now based in Paris, Anisa Boualem is a 31-year-old French-Algerian singer who turns emotions into melodies like secrets whispered to the sky. With a voice both fragile and fearless, she navigates genres like chanson, soul, electro-folk, and modern French touch. Her music walks a line between dream and confession, southern sun and northern twilight. Anisa doesn’t sing to be heard she sings to make silence resonate.


Née à Marseille, bercée par les vagues et les voix du sud, Anisa Boualem est une chanteuse française d’origine algérienne, installée aujourd’hui à Paris. À 31 ans, elle compose des chansons comme on raconte des secrets à la lune. Anisa jongle avec les genres chanson française, soul, jazz, électro organique et sa voix tantôt douce, tantôt rugueuse, évoque les silences pleins, les souvenirs qui dansent, et les émotions à fleur de peau. Son art est une passerelle entre les rives : entre Alger et Pigalle, entre l’intime et le cosmos.

Earth-616 is a New York-based collective of three: DJs Peter Stark and D. Princess, and vocalist Nana Wayne, whose stage presence fuses club energy with performance art. Lifelong fans of the Marvel universe, they weave its mythology into their music and visuals and proudly stand by the belief that Marvel beats DC. Their dark underground techno blends minimal grooves, metallic percussion, and deep warehouse reverbs, building sonic worlds as intense as any superhero showdown.

Album release date:
9 August 2025

Tokyo_Nights is a masked trio from Tokyo, shrouded in mystery and wrapped in neon shadows. Multi-instrumentalists with roots deep in the city’s electric veins, they translate Tokyo’s sleepless nights into cinematic EDM landscapes. Their sound fuses the high-energy pulse of kawaii beats with the soulful breath of traditional Japanese instruments most notably the shakuhachi flute morphed into a futuristic, almost cybernetic voice.
Always masked, their identities remain unknown. We do not know who is the man and who is the woman—only that their chemistry is undeniable. Each performance is an open-air movie, their music unfolding like scenes lit by street lamps, billboards, and the moon. Perfection for them is found in imperfection: glitchy textures, recycled sounds from daily life, scratches and distortion, all played with absolute precision. They are the soundtrack of a generation born into a world of perfect production, now chasing the beauty of the imperfect.

rare_version is a label for what hides between the lines. Lost takes, demos, deleted cuts, and fragments that were never meant to be seen. Nothing polished, nothing staged. Just rare moments, released as they are.

Candy808 is a Japanese female duo blending kawaii culture and glitchcore EDM into a pastel storm of bass and fun. Formed by two young DJs from Tokyo, the project fuses anime-inspired vocals, bouncing 808s, and hyper-digital textures that turn internet aesthetics into explosive live energy.
Their sound is both playful and futuristic, bubblegum melodies wrapped around glitchy basslines, with lyrics full of UwU, OwO, and digital heartbreak. On stage, Candy808 transform every set into a colorful anime rave, with candy mascots, neon sparkles, and festival chaos.
With their second album Glitchcore Dreams, Candy808 push kawaii EDM to its brightest and most chaotic form, proving that cuteness can be as powerful as any bass drop.

J’ai bu ton nom

90dB Project