A powerful and immersive track where dark basslines and fractured percussion blend with futuristic synthetic layers. This piece evokes a crumbling city illuminated by flickering neon lights, remnants of a glorious past.

Wild Earl presents his groundbreaking new album titled "2070 Arabian Motor Man Playing Dangerous Distortion Game But Jumping And Enjoying Another Abstract Sunset Away At Ameder With Music". This ambitious project takes listeners on a journey through a futuristic, surreal, and emotionally charged soundscape.

Set in the year 2070, the album explores a dystopian world where humanity faces the consequences of its technological obsessions. Tracks like Arabian and Motor evoke the relentless hum of machines and the mystique of desert landscapes, while Man reflects on the human condition in an increasingly artificial world.

The energy shifts with Playing and Dangerous, capturing the thrill of risk and the tension of living on the edge, before plunging into the chaos of Distortion, where reality begins to warp. Game then pulls listeners into a labyrinth of choices, where every move carries weight.

The album’s emotional core lies in moments of introspection, like But, a pause between hope and uncertainty, and Jumping, a bold leap into the unknown. Tracks like And and Enjoying weave together fleeting moments of connection and joy amidst the chaos.

As the journey continues, Another opens the door to alternate realities, while Abstract and Sunset paint vivid, surreal landscapes of endings and new beginnings. Away offers a sense of escape, leading to At, the point of convergence where everything comes together.

The enigmatic Ameder stands as a symbolic destination, shrouded in mystery, while With and Music remind us of the universal bonds that transcend time and space.

Wild Earl’s "2070 Arabian Motor Man Playing Dangerous Distortion Game But Jumping And Enjoying Another Abstract Sunset Away At Ameder With Music" is a sonic adventure that challenges, inspires, and captivates, leaving listeners eager to explore its depths again and again.


Biography of MiraeBliss:
MiraeBliss (미래블리스) – a star born under the sign of dreams and happiness. Born on December 21, 1990, in Seoul, and now residing in Tokyo, MiraeBliss embodies a perfect fusion of two worlds: the vibrant electro beats of the metropolis and the deep heritage of Korean culture. Away from the spotlight, she is an independent artist, a free spirit navigating life with a dreamy soul, captivated by sensations and the simple pleasures.
Her music, a blend of atmospheric electro and alternative pop, is an invitation to escape into a parallel universe, where every note tells the story of a world yet to be discovered. Passionate about exploring love, happiness, and freedom, MiraeBliss writes and composes her songs with the intention of celebrating the beauty of the moment, while also addressing deep, personal subjects.
She has never been one to follow the crowd. Since childhood, she’s always identified with the fluidity and simplicity of art, especially in the realm of electro. She started producing her own music in her room, playing with sounds and beats, drawing inspiration from her love of the color blue, a symbol of peace and depth.
Though often solitary, her music is a universal cry of love, a bridge between cultures, between East and West. MiraeBliss also collaborates with many DJs and artists worldwide, adding her unique touch to exciting collaborations. Her influence grows each day, and she continues to pave her path with one mantra in mind: live in pleasure, simplicity, and love, while moving toward a bright future.
The name MiraeBliss reflects her future filled with happiness (Bliss) and dreams (Mirae), a future where everything is possible, where beauty is found in every simple and pure detail of life.


ABSTRACT (ft. MiraeBliss)

Dark Orbit

Voice: DA-PHONk
Production: Dark Earl

A slow-breathing monolith of sound, Dark Orbit is the first haunting collaboration between DA-PHONK and Dark Earl, a descent into cosmic isolation, whispered fears, and broken transmissions. With DA-PHONk’s detached, ghostlike delivery and Dark Earl’s frostbitten synth layers, the track draws inspiration from 80s coldwave, analog space horror, and cybernetic melancholy. This is not a song. It’s a sealed pod drifting endlessly in the void.
For fans of: Gary Numan, John Maus, Boy Harsher, Carpenter Brut (on downers).

Featuring the atmospheric basslines of Midi-14, whose presence gives the composition a profound emotional depth beneath its minimalist surface.

Lyrics :

[Verse 1]
It’s cold in here
And the stars flicker pale through the cracks in the hull
There’s a shape out there
In a black suit, no face, floating slow past my window

[Verse 2]
Now the lights dim down
And I wonder what I’m doing in a pod like this
There’s a signal again
And just for a second, I thought I could hear your voice

[Chorus]
So now I drift on
Now I can think in the dark
About secret codes and failed scans
And things I just can’t comprehend
Like a soft beep at night
Or a ghost ping in time
I don’t think it ever reached you

[Verse 3]
So I opened the hatch
It’s the “crewman” I left in the airlock
“Just stay still”
A flickering shadow on the wall of the deck

[Verse 4]
You know I hate to ask
But are ghosts synthetic?
Only mine broke down
And now there's no one aboard

[Chorus]
So I traced back the echoes, the false logs and lights
And it hurts, and I’m empty
And I should never have called
And I missed you tonight
So I’ll disengage
You see... it meant everything to me

Lyricist : Dark Earl

DARK ORBIT

Racing through tunnels of light and danger. A journey where love hangs on every turn and the destination may not be safe but it’s worth the ride.

Lyrics :

Engines purr like silent cats.
Shinjuku lights burn neon flats.
Ginza curves bite sharp at speed.
Shibuya screams, the tires bleed (SKRRRHHH!)

Nani?! the sirens flash too late.
Kuso, we’re flying past the gate.
Akihabara’s glass explodes in glow.
Yoyogi wind cuts ice and snow (WHSSHHHH!)

Boost kicks in at Harajuku’s bend.
Kaneda’s ghost rides till the end.
Chrome snakes race through midnight air.
Kanda bridge hums, we don’t care (WUB-WUB-WUB!)

Ginza backstreets hide our trail.
Ikebukuro bends won’t fail.
Midnight Express, the city’s mine.
Tokyo roars past every sign (VRRRROOOOAAAARRR!)

Midnight_Express

Midnight Express

A fortress turned into a rave, echoes of stone walls mixing with rolling basslines.


man on acid.

night at kuivasaari fort.

The drop he ignored is now your heartbreak anthem. 

Senpai

Ms-Dos Dealer


J’ai bu ton nom is the first absurd anthem from Intolérence. OldNEO’s fractured electronics meet Bob Salim’s voice in a strange ritual where words lose their meaning and sound becomes intoxication. It is not about logic. It is about delirium, obsession and the pleasure of breaking language apart until only rhythm remains.

Intolérence is born from the encounter between Moroccan DJ OldNEO and French singer Bob Salim. Two voices from different horizons, united by a need to break through limits.

OldNEO carries the weight of heritage, bending Andalusian echoes and classical muwashshah into electronic landscapes built on breakbeat, darkcore, and drum & bass. Bob Salim brings a sharp French lyricism, a voice that cuts between chant and poetry, intimate and violent at the same time.

Their music is not polite. It grows from conflict, from the refusal of silence, from the fracture between cultures and generations. Intolérence crafts soundscapes where Arabic modes and French words face each other, overlap, and collide.

The result is raw, unsettling, and magnetic. A band that does not hide behind masks, but steps forward with noise, tension, and beauty, uncompromising and direct.

J’ai bu ton nom

Andromeda drifts as pure sound: layers of techno ambient textures unfolding like distant light across silence. A track that moves slow, vast, and magnetic, holding the weight of Dark Earl’s universe without words.

J’ai bu ton nom

90dB Project