Very nice composition, this brings some kind of Einaudi`s vibes which we really like.

Fresh chords on this pleasant piece of piano. beautiful ccompo

I like the delicate/tender nature of this one

This sounds really good....the rhythm that's going on feels nice as accompaniment for the melody. In fact, it can be played endlessly without being boring ! 👍🎶

A pleasure to have listened to your music today. Thanks for sharing.

I like what the left hand does with the baseline. The theme of this song evolves nicely. Intriguing.

Our cover of Einstürzende Neubauten's song. Please listen to the wonderful and sublime original: https://www.youtube.com/watch?v=gz6G6l1MZlg&ab_channel=Einst%C3%BCrzendeNeubauten-Topic

Heaven Is Of Honey

  . .. something called classic alternative 

Master-Blaster

COMPASSION

“Nevertheless, in this sea of human wretchedness and malice there bloomed at times compassion, as a pale flower blooms in a putrid marsh.”
― Henryk Sienkiewicz, In Desert and Wilderness

A short message of strength and compassion in this acoustic guitar duet, trying to find the right notes to describe feelings of doubt, despair, hope and support. 

-Dan

All music, arranging, composition, guitars by Daniël van den Berg, March 2022
Guitar: Joan Cashimira, modelo 145, spruce top w/ cocobolo sides and back, Gata de Gorgos (Alicante), 2015
Recorded using an Apogee MiC.
Mixed in Auria, masterered in Auria and Final Touch
Cover art: Daniël van den Berg

Compassion | Dan van den Berg

My remix of this great Libby Laksmi track... @libbylaksmi
Original track: https://soundcloud.com/libbylaksmi/major-in-sight?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Major In Sight | Libby Laksmi [Gemini Salamander RMX]

Music & Piano: Jan Schonander

A Friday jam....warts and all. Piano is the Grand Piano native on my Korg SV-1 recorded with the Grand Piano settings in Logic Pro X. This track made it to the #1 spot on SoundClouds playlist Piano: New & Hot on 4/14/22 . I wonder how that happens. 
https://soundcloud.com/discover/sets/charts-trending:piano:us

Bridge To Nowhere

But Where's The Fun In That?

A piece about growing older and gaining wishdom, yes ....? Or maybe not. It's a process of small steps, experiences, highs and lows, acceptance, and maybe making some improvements.... Or do you have another perspective on this? 
The sheet music (piano) is available for € 4,99. Send me a message for the purchase. Or within a few weeks on Spotify.

Old Grey and Wiser

Brian Butts - Guitar, Keyboard, Master Mix
Jeffrey Colon (Bastacho) - Recorder https://soundcloud.com/jeffrey-colon-3?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Neoteric

Bandcamp

Händel - Lascia Ch'io Pianga (feat. Bastacho)

Hard Rain Falling

Gallop

A Waste Land Companion is, as its title implies, an addendum to Boris Rogowski‘s
album The Waste Land which was released in February 2023 on Piano and Coffee
Records. A meditation on the infamous eponymous 1922 poem by T.S. Eliot, The
Waste Land traces its psychological journey through a barren world in search of lifegiving
water as well as its physical journey through London on the zenith of
Modernism.

During the recording sessions for the album—whose sound is characterised by the
interplay between a string quartet, flute and a collection of specifically created,
deeply warped and tape-weathered samples—over 20 pieces were recorded.
Rogowski had originally intended to use all of them in chronological order, beginning
with the famous part about April being the „cruellest month“. However, it turned out
that a shorter playlist and a strictly musical order worked better for the album.
Rogowski decided to focus on the string-centred pieces to give the album a dreamlike,
hypnotic pull. However, as he valued the shorter, piano-based pieces just as
much, the idea for a companion (mini) album was born almost immediately.

It was a most sensible decision: Chamber gems like „The Hyacinth Girl“ and „A
Wicked Pack of Cards“, mixing English folklore with nods to Richard Wagner’s Tristan
and Isolde, might have gotten lost between the dark, monolithic soundscapes of the
album. Here, however, framed by works for solo piano and harmonium, they are
allowed to shine. A Waste Land Companion begins and ends with two piano pieces
only loosely connected to T.S. Eliot’s poem: „Dear Jessie (to Jessie Laidlay Weston)“ is
an ethereal miniature in reverence of the brilliant English medievalist whose book
From Ritual to Romance, a historical examination of the King Arthur legend, greatly
influenced Eliot while working on The Waste Land. „Universe on a shoestring“ is even
serener, a kind of exhalation after a long and arduous journey. It was the last piece
Rogowski composed during his concluding writing session in the mountains of the
island of La Palma. Here, close to the GTC, the world’s largest optical telescope, the
universe seemed closer than anywhere else on earth—and the grim world of The
Waste Land already a distant memory.

Dear Jessie (To Jessie Laidlay Weston)

My music has cinematic angles, classical influences, often strong melodies and ambient soundscapes. Piano is my main instrument, which I've been playing for decades now. Lately I'm more into composing music for listening and experimenting with sound, harmonies, rhythm, emotion and space. Follow me on spotify for that. My commercial music is used in video, broadcasting, TV/Radio, for media campaigns, film, advertising, documentaries, websites and probably for lots more I'm not aware of... This music is produced under various names. Most of the music is available with a royalty free license and you can purchase it in High Quality Audio format on several marketplaces and my own website(see the links). I'm working on getting the piano pieces available on sheet music. You can buy them at my website.
Thanks for listening, commenting, liking, purchasing or sharing !!  
Send me an email for a special music request.

Old Grey and Wiser

Serge Smulders

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