Bookings and Contact:
neildiablo{@}gmail.com

Releases:
@futureboogie
@sprechenmusic
@southernfriedrecords
@paperecordings
@paper-disco
@eclectics28

Dj's/label runners- always,Promoters - occasionally,Band members - once...maybe twice,Fools - always...

Bookings ~ jamie@crownruler.com
Contact ~ whoismikewho@gmail.com

Label ~ @planettrip

Bookings: ophelia[@]lunablessings.com

High Priestess @luna_blessings 🌙🔮

Upcoming gigs:

NYE 31st December - Twitch, Belfast

30th January - Lux, Lisbon.

'Sporadic, wild and free he has never been one to be tamed, placed in a box and told how to play. From his youthful days spent painting the mean streets of London through to his acid laden take on old school club music he has amassed a reputation as one of the best in Britain' (Ransom Note 2018).

Booking information
mmorira@gmail.com

released this year(2017)
Mori Ra -The Brasserie Heroique Edits Part 3 (12") [ Berceuse Heroique ]
Mori Ra - Akebono EP(12") [ Balearic Social ]
Mori Ra - Tasogare EP(12")  [ Balearic Social ]
Mori Ra - Trapped In The Sky (12") [ Tracy Island ]
Mori-Ra ‎– Jongno Edits Vol 4 (12") [ Jongno Edits ]
V/A - Danzas Electricas ‎(2xLP + 7") [ Macadam Mambo ]

edits source material from other worlds, recreating them in a way that is only edit! Appropriate for both DJing and deep listening sessions!
Release from Magic Wand (UK), Rotating Souls Records(US), Macadam Mambo (FRA), Most Excellent Unlimited (US), Forest Jams Records (US), Passport to Paradise (UK), Left Ear Records (AUS), Tracy Island(UK), Jongno Edits(KOR), Berceuse Heroique(UK)

ジャーマン・ロック、サイケ、ヴィンテージ・シンセものからインドネシア産プログレバンドの希少カセット音源などなど、世界のあちこちに転がる良質グ ルーヴをサーチ&amp;リエディット!　さらにドイツのライブラリー音源からイタリアの映画音楽作家ピエロ・ウミリアーニまでを宇宙の彼方で調理したコズミック・ ダンスな「Library Edit Series」など、音フェチ諸氏の耳をくすぐる△印のサイケデリック・ディスコが全開だ。しかもスノビズムをくすぐるだけの実験／編集に終わるのではな く、誰もが接続可能な瑞々しい響きをあわせ持ち、まばゆいオーラと360°の多幸感がいっぱいでうっとり。もう目からウロコがこぼれ落ち、耳から恍惚の溜 め息がもれる。ああ……遥か△の向こうから、音が見える、光が聞こえる。

Love Mixes - Track lists in info

'LOVE' is the policy 

Get in touch!

Remix Requests  please contact lipstudio2@gmail.com

EMPEROR MACHINE  Biography
Over 30 years since acid house’s summer of love and there are few of 1988’s cast of actors still left standing. Still fewer are those whose music is still resolutely pointing towards the future rather than endlessly looking to the past. In fact, there’s arguably only one candidate left in the UK. While his peers are content with revival parties and classical house nights at the Albert Hall, Andy Meecham is out on his own as one of the few whose gleaming analogue machines are still pointing towards an imagined future rather than an endlessly relived history.
As the Emperor Machine, Meecham’s solo project since 2003, he has been wrenching monumental basslines, strange keyboard figures and luminescent rhythms from his beloved synthesisers, inspired by everything from sci-fi movies and KPM library albums. In some ways, his mission has scarcely altered in the 35 years since he first heard ‘Planet Rock’ in the early 1980s. “That’s the thing that got me hooked,” recalls Meecham. “The fact that it was futuristic sounding.  Anything that was sci-fi: UFO programmes, Dr Who, Star Trek. Stuff that suggested the future.”
While he’s happy to plough towards the future, we still has some serious history to contemplate. Meecham is one of the clique of acts in Staffordshire inspired by house music that included Candyflip, Altern-8, Sure Is Pure and Nexus 21. Meecham’s band with long-time conspirator Dean Meredith, Bizarre Inc, was one of the most successful of their generation and 1991’s ‘Playing With Knives’ was a staple in all self-respecting DJs bag that year. Major label deals, led to swift dissatisfaction; Meredith and Meecham went back to the mixing board to rethink their future. 
As Chicken Lips, they re-emerged alongside peers like the Idjut Boys and Faze Action, to offer their delayed and dislocated rhythms to an audience hungry for relief from the monotony of the four-to-the-floor house rhythm, with joyously dubbed out originals and fiendishly clever remixes for luminaries like Ennio Morricone and Groove Armada to Wolfmother, transforming Love Train from a metallic romp into a disco-dub delight with a bottom-end bigger than a Kardashian. Then there are Andrew’s other aliases (he’s had more than Carlos The Jackal), notably Sir Drew, Future Four, Gino Fontaine, BIG 2000, Randee Jean and Zeefungk.
The Emperor Machine was born out of an online slating of one of his favourite synths, the Roland SH 3A. Indignant at this appalling slight, Meecham set to work on a track only using said Roland. James Dyer at DC Recordings loved it so much, he asked him for another and gave the project its name. Emperor Machine it was.


 As with most of the Emperor Machine music, the methodology goes against the grain of how most electronic musicians approach producing. Rather than reducing it to mathematical blocks of music on a computer screen, Emperor Machine is about long passes, played live and then edited down by a crack team of highly-trained Potteries-based orang-utans, lorded over by merciless taskmaster Meecham.
The key to success is not dancefloor domination, but a far simpler rule, says Meecham. “The music has to make me shudder. So I work on something until I get that tingling feeling. So it’s almost more of a drug thing really. I have to get that out of the music and I can’t get that from full-on 909 four-to-the-floor dance music.”
A shudder and a tingle. And maybe a monster bassline. Emperor Machine redux. 
Bill Brewster

TOM OF ENGLAND BEGAN HIS DJ LIFE AS PART OF THE LEGENDARY TONKA SOUND SYSTEM ALONGSIDE FELLOW AUTEUR DJ HARVEY.
THAT WAS A LONG TIME AGO. SINCE THEN HE STARTED THEN LEFT A.R.E WEAPONS, THREW SOME OF THE MOST LEGENDARY PARTIES NYC HAS SEEN IN A LONG TIME UNDER THE NAME RUB N TUG, RELEASED A BUNCH OF AMAZING MUSIC UNDER A SHIT LOAD OF ALIAS'S ON HIS BAD BOY LABEL STD RECORDS AND MOST IMPORTANTLY GOT US WAVED WITH THE AMAZING MEZCAL HE HAS BEEN IMPORTING FROM HIS FAMILIA IN MEXICO 
Booking: ana@thepool-london.com

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