<a href="spotify:artist:6TshTCYwh9ySzOO6Jy4Ux2"> Maya Jane Coles</a>' favorite tracks. Updated regularly. Curated by Maya Jane Coles Discover more track IDs playlists <a href="spotify:genre:track_id">here</a>.

Maya Jane Coles' track IDs

https://buttechno.bandcamp.com/album/in-your-head

buttechno & Triš — dnb jan

Produced slowly and meticulously over the last 12
months, these seven tracks are the closet thing we've
had to a new album from Andy Stott since the release
of his debut full-length Merciless five years ago.
Taking influence from an array of seemingly incoherent
noises, from the indefinable and unforgettable mindtricks
of Arthur Russell to the slowhouse of Kassem
Mosse, from the alternate VHS realities of James
Ferraro and Jamal Moss to the Linn Drum classics of the
vintage Prince era - these seven tracks create their own
pace and agenda, largely shying away from the
dancefloor in favour of something more complex and
hard to define.
Following on from the tribal malfunctions of opening
intro Signature, New Ground heads into a chasm of
layered loops, creating a decimated and re-wired funk
template coloured in with frayed percussion and
dislodged vocal samples. North To South starts off from
similar ground but adds a shuffling vibe at a deceptively
intoxicated 110 bpm.
Intermittent is something altogether different, taking
perfectly formed Boogie templates and screwing with
them until nothing quite fits, brittle elements floating in
and out of time yet somehow keeping it together,
before Dark Details delivers the most dancefloor
compatible six minute stretch of the set, all clanging
stabs and dense percussion, somewhere between
Shackleton and Bam Bam.
Execution and Passed Me By end things off on a slowed
down tip, the former deploying an anaesthetised and
padded 4/4 template sunk deeper into the abyss by
deformed, time-stretched vocals, the latter ending off
proceedings with a more delicate palette, letting go of
all that pent-up emotion with nothing but that rumbling
low-end and some strings for company.

Passed Me By

Faith In Strangers’ was written and produced between January 2013 and June 2014, and was edited and sequenced in late July this year. Making use of on an array of instruments, field recordings, found sounds and vocal treatments, it’s a largely analogue variant of hi-tech production styles arcing from the dissonant to the sublime. The first two tracks recorded during these early sessions bookend the release, the opener ‘Time Away’ featuring Euphonium played by Kim Holly Thorpe and last track ‘Missing’ a contribution by Stott’s occasional vocal collaborator Alison Skidmore who also appeared on 2012’s ‘Luxury Problems’. Between these two points ‘Faith In Strangers’ heads off from the sparse and infected ‘Violence’ to the broken, downcast pop of ‘On Oath’ and the motorik, driving melancholy of ‘Science & Industry’ - three vocal tracks built around that angular production style that imbues proceedings with both a pioneering spirit and a resonating sense of familiarity. Things take a sharp turn with ‘No Surrender’- a sparkling analogue jam making way for a tough, smudged rhythmic assault, while ‘How It Was’ refracts sweaty Warehouse signatures and ‘Damage’ finds the sweet spot between RZA’s classic ‘Ghost Dog’ and Terror Danjah at his most brutal. ‘Faith in Strangers’ is next and offers perhaps the most beautiful and open track here, its vocal hook and chiming melody bound to the rest of the album via the almost inaudible hum of Stott’s mixing desk. It provides a haze of warmth and nostalgia that ties the nine loose joints that make up the LP into the most memorable and oddly cohesive of Stott’s career to date, built and rendered in the spirit of those rare albums that straddle innovation and tradition through darkness and light.

Faith In Strangers

Rolando Simmons - Marriage Acid

Palookaville

https://cosmicleaf.gr/releases/614/crying-cities
https://cosmicleaf.bandcamp.com/follow_me
https://www.patreon.com/cosmicleaf
https://cosmicleaf.gr/playlists
https://cosmicleaf.gr/tag/63/free-download/releases


Check our playlist:
Psychill Blossom 🌸 Псайчил / псайбиент / Psybient
https://www.submithub.com/link/psychillblossom
Psychill Blossom is a vibrant journey through psychedelic chillout, psybient, and downtempo soundscapes. Blending ethereal melodies and deep grooves. Let the music guide you beyond the ordinary. #Psychill #Downtempo #Psybient

Side Liner - Violet Room (Remix for Zero Cult)

DeepChord - Untitled (DC 11 A Side)

Andy Stott's first material of 2010 finds the producer in a hot and sultry mood, delivering two House variants produced with that typically deep and luxurious style. "Tell Me Anything" centres around shuffling snares, a rugged bassline and sparkling keys anchoring the track somewhere between wide open and summery expanses and the compressed warehouse environments of darkest North Manchester. 
"Love Nothing" on the flipside is the slower of the two tracks, but somehow one of the most important of Stott's career, unraveling to expose an unfathomably deep arrangement of decomposed vocals and mangled percussion. It sounds like Newworldaquarium, Mount Kimbie and DJ Qu shooting the breeze, evoking the humid spirit and glamour of a hot summer in the city.

Love Nothing

Out Now
Beatport: https://tinyurl.com/y7vk25rb
Traxsource: https://tinyurl.com/ybvss7ge
Spotify: https://tinyurl.com/y9t9myhg

m.O.N.R.O.E. - 'What Chu Talkin' Bout' (Preview)

P8.1

Whities 019 - Overmono
Release date - 7th December 2018
Buy - https://whities.bandcamp.com/album/whities-019

A - iii's Front
B1 - Quadraluv
B2 - Yell0w_Tail

Mastered and cut by Beau Thomas 
Art direction by Alex McCullough 
Sleeve design by Alex McCullough and Kia Tasbihgou

019 - Overmono: iii's Front / Quadraluv / Yell0w_Tail

UNKNOWN LOCATION INTERLUDE

From @12th-isle 's V.A comp 'Inkosi' alongside Grim Lusk, Cru Servers, Robert Bergman and Luar Domatrix.

https://soundcloud.com/12th-isle/va-inkosi-isle0075/

In shops worldwide, limited to 300 copies.
Distribution by Rubadub
Artwork by Al White

April Echo parts were recorded in April 2017 a few days before it was played live for the first time at Echo Buecher, Berlin.

April Echo

El DJ y productor @s-file es reconocido como uno de los defensores del techno contemporáneo, manteniéndose fiel a sus raíces, innovando constantemente su interpretación de la música electrónica, regresa a @gnd-records con un nuevo álbum llamado 'Balance'.

Cómpralo aquí:
https://gndrecords.bandcamp.com/album/balance-album

P R E M I E R E: S-File - Swan Lake [GNCD003]

Download/Stream >> https://fanlink.to/cayam_pleasure

Undoubtedly one of the brightest and passionate talents to emerge in the last decade in electronic music, Maya Jane Coles eschews the fanfare and fuss of modern-day dance heroes, and simply puts her music and DJing craft centre stage.  And under her CAYAM alias, Maya has been brewing techno leaning tracks for some time, releasing on Hypercolour back in 2014, and now a sumptuous EP for Dense & Pika’s Kneaded Pains imprint.

Minimal, shape shifting sounds comprise lead track ‘Pleasure’, impelled with urgent, rumbling bottom end, whilst ‘Jmpng’ filters a bouncing piano loop over some cut up vocals and a playful arrangement.  ‘Seratonin’ signs things off in effusive style, as synth tones bend and warp around its robust rhythm for a mechanical and angular nugget.

Download/Stream

CAYAM - Jmpng (KP73) [clip]

Reclaim Me (feat. Nimmo)

Reclaim Me (feat. Nimmo) (Maya Jane Coles Remix)

Record label run by @nictasker
https://ad93.ltd/
Distributed by Rush Hour

(we don't check this inbox, please email info(at)ad93(dot)ltd for any enquiries)

019 - Overmono: iii's Front / Quadraluv / Yell0w_Tail

AD 93

Recent comments

miya

Alyssa Marie (ÅSE)

James the Seventh Sun

joshhumble

Related tracks