𝔓𝔦𝔠𝔱𝔲𝔯𝔞𝔩 𝔪𝔲𝔰𝔦𝔠

࿓

interconnect booking 
luki@interconnect-booking.com
judithahrends@hotmail.de
Live 2025
21/03 // Theater Nürnberg 
03/04 // Beate Berlin
07/06 // Oldenburg
19/07 // Nation of Godwana
15/11 // Slow Club / Freiburg 
16/11 s// kaschemme / Basel 
Live 2024
14/12 // Wonderfruit festival /Thailand
18/10 // ADE Polygon live / Amsterdam
07/09 // KlunkerKranich / Berlin
10.08. Cosy Festival Schloss Dornburg
26.05. Ein Sommerfest / Aken
26/04 // Stuttgart @ Bunker


Live shows 2023 :
14/04 // Hannover @ Glocksee
17/05 // Münster@Tryptichon
26/05 // Bergheinder See
30/06 // FUSION 
14/07 // Feel Festival
06/08 // Zugvögel Festival
19/08 // SUTURE SOVEN
25/08 // Zuckerzauber Berlin
27/08 // MoynMoyn 
31/08 // Klunkerkranich Berlin
02/09 // Conscious Madness Festival
10/09 // Gartn Berlin
06/10// Dresden


02/02 // Video Releas Party@Beate Uwe 
 
shows 2022 :
08/04 //  PurPur @ Musikbrauerei / Berlin
18/04 // Kater Blau / Berlin
24/06 // Hug festival / Köln Eifel
03/06 // Katerblau 6 - 7am
15/07 // Ambachfestival / Schweiz
31/07 // Zugvögelfestival / Eifel
20/08 // MS Dockville / HH
10/09 // Kulturbrücke / Magdeburg
17/09 // Slow Club / Freiburg
24/09 // Keller Label Party 
24/11 // Beate Uwe
BIO : JUDITH is a Berlin-based musician and producer. After starting her musical journey on the streets of Seattle at 18, she studied music in Hannover, Germany, later forming her first Band. 
After moving to Berlin her focus shifted to electronic music. Digging deeper into the unending freedom she creates unbiased and naive songs, right on the edge of down tempo and pop. 
An extremely diverse musician, JUDITH is also working on a rather club-focused live set to be played this summer, and a solo Album to be released in autumn. 
During the past few years JUDITH has collaborated with a broad range of artists and released on labels such as Friendly Connections, Amselcom, Hug, Fine Beatz, Laut&Luise or Stil vor Talent.

Past 2021 :
03/12  // Kauz - Zürich
02/12  // Beate Uwe - Berlin
05/11  // palace in Poland / We - Küyen
16/10  // secret place - Köln
25/9  // Rummels Bucht / 5-6 am
4/9+ 12/9  // Zugvögel Festival 

2020  
17/10  //Zürich
07/02  //Staats Theater Nürnberg
2019
16/11  //Schmiede / Berlin
07/11   // Kamai & Friends @ Klunkerkranich
07/09  // Irgendwo / Bremen
13/09  // Greifswalderstr. / Berlin
28/07  //Zugvögel Festival Nord / Köln / Eifel
16/06  //48h Neukölln / Berlin
15/06   //48h Neukölln / Berlin
02/03   //Paolo Pinkel / Berlin
01/12   //Zugvögel Festival Süd / Teneriffa

Rotterdam based platform aiming for a deep, hypnotic and rhythmical experience.

Founded and curated by @a_hil
Visual identity by @laellaedge

Mas is the collaboration between audiovisual composer Samantha Corti and sound creator Théo Fernandez. 

They organize fragments of images and sounds, collected at different times and in various recording qualities, into a single organic unity. However, the material is never used in its pure form; it is inseparable from its alteration, distortion, and tearing - an attempt to sketch the dream of the sleep-deprived insomniac. 

To transcribe these nocturnal visions, they divert the primary function of electronic machines (tape recorder, microphones, printer, cathode-ray TV...) and, more recently, AI-powered synthesis tools. 

Their artistic research revolves around these dialogues between images and sounds, with a recurring theme being the relationship with memory and sensory memories. They embrace dystopian and cinematic universes, causing fictional characters to lose or regain their memories. 

In their installations, they also compose with space by multiplying listening and viewing points.

A bit of Dark Techno 💣, a lot of EBM ⛓ and some Ambient Techno ✨.

Hailing from the vibrant landscapes of Italy, Dino Sabatini is a seasoned producer whose rich oeuvre has not only bolstered his local electronic music realm but has also sculpted a new narrative for modern-day electronic music. 
His creations, while being quintessentially contemporary and precisely engineered, echo a deep resonance with the forgotten wisdom and mythologies that have fueled human creativity through the ages.
The name of Sabatini’s personal music label, Outis—derived from Homer’s Odyssey (OYTIΣ, translating to “no one,” the moniker employed by Odysseus in his cunning deceit of the cyclops Polyphemus)—is a brilliant
reflection not just of the label, but of Sabatini’s own artistic persona. Amid the anonymous yet electric wilderness of techno, he transcends the commonplace, infusing a sensory essence into the mechanical realm, occasionally stirring the ancient chords of gods like Poseidon or muses like Mnemosyne. Sabatini's discography extends beyond Outis, marking its presence on revered labels such as Stroboscopic Artefacts, Elettronica Romana (housing several releases by his 'Modern Heads' duo with Gianluca Meloni), Adam X’s Sonic Groove, and Prologue. Those familiar with the ethos of these labels will appreciate the versatility Sabatini showcases, maintaining his signature sound across diverse platforms.
His sonic journey has led to the creation of evocative albums like the pulsating darkness of "Small steps EP" on Sonic Groove (2011), the hypnotic trance of "Daughters of Phorcys EPs" on Prologue (2010), and the cinematic narrative of "Shaman’s Path" (2012).
His latest treasure, the "Omonimo LP," unveils a tender romance, adorned with eloquent collaborations with jazz pianist Antonello Salis. However, Sabatini’s recent release, the "Opera Quattro EP" on his own Outis
Music, explores a new auditory terrain. This part of the Outis Opera Series unveils a captivating blend of whimsical electronica underpinned by trip-hop and dub music influences. Balancing gracefully between halftempo
drum and bass and organic techno beats, the EP encapsulates Sabatini’s current musings in a deep techno voyage, illustrating his continuous evolution in the boundless techno domain.
Sabatini’s collaborative ventures stretch further, with the Modern Heads project, and partnerships with artists like Claudio PRC, Donato Dozzy, Giorgio Gigli, Shapednoise, Edit Select, and Teste, enriching the
global techno lexicon. When stitched together, Sabatini’s flourishing career parallels Mircea Eliade’s portrayal of the shaman’s music, narrating ecstatic ascents to celestial realms and perilous descents to the underworld, each venture returning with enduring and meaningful sonic tales.

Electronic music platform that entails a blog, podcast series and events inspired by the passion for music and culture. Stop here if you like techno in its every facet.

Anodynic Frequencies is a podcast dedicated towards music that is expressed through subconscious journeys. We strive for our listeners to drift in the stories told by our guests. Our genre is fluid, but dances within the realms of deeper techno, rhythmic drums, and the hypnotic atmospheres of intelligent downtempo and ambient.

We support artists that embrace a deeper passion for music, so tune in and escape with us as we explore the soundscapes presented by our guests. 

Artists that would like to submit mixes or demos reach out to us at : Anodynic.frequencies@gmail.com

Unexpected beats drives our minds and bodies.

www.dsrptvrec.com

Radioshows on Veneno 🇧🇷 and @blooplondon 🇬🇧

Curated by @tha_guts, @ivpalmer and A. Cittolin
Artworks by Rollinos

DEMO POLICY
Please email demos@dsrptvrec.com and remember to include contact details within the email. If we like it we will get in touch with you.

ALL RIGHTS RESERVED ™

Ad Hoc ; Haddock ; Adhock

Life itself, is fill of no reason,

? Mais, si la vie n'a pas de sens, pourquoi est-ce juste une histoire de sensation ?

How do you feel about the fear of emptiness ?

Life itself, is fill of no reason, the most powered element of .../ Style ;

ＡＤＨＯＣＫ is following