hello Hiroshi, hope you are well.  Just so good to listen to the quality work you put out. Take care my friend.

Meanwhile I have heard the original tune and still have to say: you did an exceptional job on this!!!

Don't know the track by Mr Kotzen but like what I hear - very cool creation so presumably very cool(er) recreation :)

Energetic enough to make me skip morning coffee today. Excellent performance

Little Blessings

As i seek out old & new routes on my e-bike through the windmills of time the landscape always changing it brings on deep thoughts of reflection change & new high's 🤗 .Thanks for listening 😊🙏 artwork is a shot from along the Thames Estuary.Thurrock.

Pensive Pt 2

The 1st movement of the String Quartet No. 18 "No Silence" (2023-2024).

Pawel Strzelecki: 1. Prelude [String Quartet No. 18 "No Silence" (2024)].

Impressions from the Celestial Couch

What if the stars
And cars
The oceans and hills
The moon
And houses
Were all just 
beautiful dust
What if all these things 
Had just
Grown too huge for us
Now impositions
Making all the rules
Where once it was said
By you 
By me 
By us
What if the stars and cars
The oceans and hills
The moon and houses
were all just 
Beautiful dust
I love to gaze up high
I love to drive real fast
I love to dive deep in 
And climb up hillsides
I need shelter from storms
And from the night
And i love to watch the moon
Mocking in her flights
What if all these things 
Were only beautiful dust.

Beautiful Dust

Child Of Nature

Tribute to the Trees (Radio Remix)

I had approached Jeff (stonerjazz) to help me out with a beginning I had ... this here has  evolved over time. wow, what a flame flaring! 

credits:
STONERJAZZ: lyrics, guitar, voice, various instruments and sounds
SONIC STRUCTURES: lyrics, t resonator on contact mics, voice, various instruments and sounds, mix

onion peel pt i to iv

onion peel pt i to iv - prominently featuring stonerjazz

Whole Live Long Theme


Dedicating my piano part in this song to my Dad who lives in Tennessee in The Smoky Mountains. Hell, I guess I'll dedicate my part to his best friend Ronnie too. 
I only play a small part in this song which is the piano, but I will tell you that the folks I'm playing with are really great people and a lot of fun jamming with. 

Cast of Characters:

mistermark-- @user-432503709 -- Lead and harmony vocals, synth guitar intro, auxiliary percussion, mix, arrangement, and production
TexMex Shaman–@texmex-shaman –Stephen– guitar, banjo, and mastering
Llanpsych -- @llanpsych -- Tez – mix and production
J.J. Terrell–@j-j-terrell –piano 
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums and vocal harmonies
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –-four string fretless bass, mandolin, and lap steel
This song began when Josh asked the rest of the guys if they'd be willing to put together a couple of songs for his father as a Christmas present. His dad is from West Virginia, and Josh was born there, too. The original version featured Josh's son, Marshall, singing the lead with him, and hearing his grandson sing a song about West Virginia really meant a lot to elder Clary. Of course, everyone was enthusiastically generous in giving their time, effort, and skill to Josh's family for the holiday. This song also has special meaning for JJ and Ken in relation to their fathers, as well. JJ's dad has had a rough year with his health. He also is a musician who inspired and encouraged JJ to play music. His dad also likes this song, so it was fun for him to present it to him, as well. Ken, who's father never really supported his decision to be a rock-and-roller, loves this version of the song we did, and made Ken know how proud of him he is in regard to it, which really meant a lot to Ken, too. Another cool connection Ken has to this song is that whilest attending elementary school, he was in the same school choral cohort with the Maria Carey. He actually sang this song with her when they were kids. Also, we feel like we should acknowledge Artur's dog, even though Artur isn't in on this one, his dog loves country music and responded enthusiastically to this one.
  The story of the song itself is a little convoluted. After Josh asked for everyone's help, Ken laid down a rudimentary beat, to which Josh started the tonal part with the bass. Stephen added the guitar and banjo soon after, and Josh added the mandolin shortly after that. JJ inserted his piano around this time, too. We pretty much had it working enough for Josh and his son to sing it for his dad. Tez mixed that version perfectly suited to the occasion. 
  After presenting Josh's dad with the present, it sat for about a month, until we asked Mark if he'd get in on it, too. Mark not only sang it better the JD, but also arranged it so there is an instrumental break now. He also added the guitar lick at the very beginning. Ken took the opportunity of having Mark's great vocals to sing against to add his cunning harmonies. Then Mark, being the perfectionist that he is, noticed that the slide part was missing from the second verse. So, Josh added it. Mark also mixed this version, with Stephen doing some mastering at the end. 
  We hope you enjoy listening to this as much as we enjoyed putting this personally meaningful piece together.



Country Roads (Eclectic Collective)

Music : Janne Hennie & PJ Project
Vocal & lyrics : Janne Hennie

Lyrics:

You tighten your grip that you have on me
Iam so scared
Baby , why can't you see
That you got me exactly where you want..
When you say you're leaving
I beg you Please baby, don't!

If you tell me to jump
I will only ask: how high?
with no other questions
I will never ask you why
Please don't leave me, baby
I do anything for you
As long as you don't leave me here
Baby, what can i do?

You can take all my money
Spend it your way
You can take whatever you want
As long as you stay..
You don't have to love me
Or tell me that you do
You can do what the hell you want
As long as i have you!

If you tell me to jump
I will only ask: how high?
With no other questions
I will never ask you why
Please don't leave me , baby
I do anything for you
As long as you don't leave me here
Baby, what can i do?

If you tell me to jump
I will only ask: how high?
With no other questions
I will never ask you why
Please don't leave me, baby
I do anything for you
As long as you don't leave me here
Baby, what can i do?

Desperat Love W/ Janne Hennie

My interpretation of "Socialite", the song written and performed by Richie Kotzen & his band / from his Album "Mother Head's Family Reunion" (1994). It's a song of poetic irony against so-called 'Socialite'. 

This cover mainly consists of 2 versions; 
1) 00:00 Intro-Verse-Chorus-Bridge sections (& Outro) that basically follow the Original Studio Version.
2) 02:36 Interlude-Guitar Solo sections that basically follow the Live Version (“Live in Sao Paulo”, 2001) >>  Solo 1 (Clean) starts at : 03:34 & Solo 2 (Distortion): 04:50- .

- I first covered this song about 25 years ago with my band...I've loved its various rhythm pattern especially drumming in this song and it's been one of my drum practice pieces since then.  
I'd completed the first half of this cover (studio version sections) about half a year ago...but couldn't find a vocalist this time and decided to make an instrumental version, then let it alone since I wanted to record the latter half but couldn't have time...anyway, finally I could make it last week...
-Vocal parts are substitute by my humble Keys (Synth Organ). 

Hope you enjoy. Any feedback would be appreciated.

[Music Info]
The song was originally performed by Richie Kotzen  (Guitars, Lead and Backing Vocals, Wurlizer Piano, Hammond Organ, Clavinet and Bass Guitar) and Atma Anur (Drums) .
-----
Cover: 
- Rhythm Guitar on the left : Fender USA CS Telecaster (w/ DiMarzio Hum-backer on the rear PU) 
w/ Marshall-JVM(50W), Boss Vintage CE-1 (for booster-use or splitter-use only), Maxon RTC 600 (only for the Bridge sections), Boss MT-2 Metal Zone or Sobbat DB-3 & Maxon AD-9, Partially w/ MXR Phase 90.
-Rhythm Guitar on the right: Fender Japan Stratocaster (w/DiMargio Hum-backer on the rear PU ),
w/ Fender Vibro-King Custom Amp (60W), The Electro Harmonix Big Muff Pi, Boss CS-2,  Maxon AD-9 & Partially with Jen Crybaby Wah or  MXR Phase90 & Boss DD-7 (ping pong delay).
-Additional Guitar Fills & Guitar Solo: Fender USA Stratocaster ‘58, w/ Marshall-JVM(50W), Sobbat DB-3 & Maxon AD-9, Partially w/Boss Vintage CE-1 (Only for Clean solo).
- Bass Guitar: Fender USA '66 Precision-Bass , w/Boss CS-2,‘59 Bassman LTD Amp. Partially w/MXR Phase 90.
- Electric Piano and Organ: Korg Software Synth (Wurlitzer, Clavinet & Hammond B3 Emulators) w/ Kurzweil PC88 & Pedal Boards (incl. MXR Phase90, Boss BF-2).
- Drums: Tama Acoustic Drum Kit w/Zildjian Cymbals (6-mics rec).
Except the Keys, all instruments were played and recorded in the studio (live, open-mic rec).
- Mixing: DAW
-----
Cover art is borrowed from the Album "Mother Head's Family Reunion". All credits must belong to the artist.

(Ain't No) Socialite - Richie Kotzen Cover (Instrumental Extended Version)

Thank you for your visiting, listening and supporting.

I'm a spare-time musician, usually working as an architect (running own atelier) on an average day.

I play: Guitar & Drums (respectively since 11 years old & 9 years old, since late 70's, quite intermittently, though; skipping some years not playing them while dedicated myself completely to architectural study and practice incl. working in  Europe),
and a little of Keys & Bass guitar (both of the later were started 10 years ago or so)

Roots: Classic Rock, R&B and Funk Rock, 70's Progressive Rock, 70's-early 80's HR/HM, also interested in many kinds of music and sound-art.

(Ain't No) Socialite - Richie Kotzen Cover (Instrumental Extended Version)

aerogene070

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