i saw the picture, saw the movement in the prints
jammed with my op-1
4 footprints, 4 buttons, recorded in TX-6

probably 4 musical parts

rotating glass imprints(disquiet0557)

Disquiet Junto Project 0557: Condensation Is a Form of Change
The Assignment: Interpret a graphic score that depicts four phases.

I didn't want to understand the picture as a kind of timeline to be read from left to right. From the beginning I felt the urge for simultaneity, as it is inherent in images. I saw four or five elements, of which the lower/left one is incomprehensible, condensing on a background and perhaps disappearing again like stains from a coffee cup.

With that in mind, I started playing around in Live, mostly with samplers like DecentSampler, Soundpaint, and Spitfire Labs, and a lot of destructive FX. I wanted to achieve the mysteriousness that I felt myself when I looked at the image. The only discernible motif kind of emerged as I played around, it was actually too clear to me, but then I didn't want to go without it.

Mysterious cover photo presumably by Marc Weidenbaum ;-)

More on this 557th weekly Disquiet Junto project — Condensation Is a Form of Change (The Assignment: Interpret a graphic score that depicts four phases) — at: https://disquiet.com/0557/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0557-condensation-is-a-form-of-change/.

Album: 'disquiet III'

An Illusion Of 4 Or 5 [disquiet0557]

More on this 557th weekly Disquiet Junto project – Condensation Is a Form of Change (The Assignment: Interpret a graphic score that depicts four phases) – at: https://disquiet.com/0557/ 

More on the Disquiet Junto at: https://disquiet.com/junto/ 

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0557-condensation-is-a-form-of-change/.

Bottom Left, Top Right & Back (disquiet0557)

More on this 557th weekly Disquiet Junto project – Condensation Is a Form of Change (The Assignment: Interpret a graphic score that depicts four phases) – at: https://disquiet.com/0557/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion(plus my description and maxpatch for this piece) takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0557-condensation-is-a-form-of-change/

CondenshakenNotStirred[disquiet0557]

for the disquiet junto //

ambient(ish), jittery glitched sounds of wood, water, and glass, on a bed of audio produced by putting the project's image through photosounder

Tidings of Transfiguration

[disquiet0557] Tidings of Transfiguration

A table by the sea and the condensation water of some bottles have left their mark. I like that. 

I interpreted the score as follows:

1. first, I see grains of sand on a surface. The grains suggest - simply put - a granular treatment of a pad or surface. 
2. the circles reminded me of the loop representation of the loopy app. So I recorded four loops. Wherever two "grooves" were visible, I played two notes, otherwise, I used just one; the fatter a groove, the greater the amplitude. I used Bardzo, Pigments, and SQ80-V. 
3. I ignored the fifth circle discreetly because it didn't fit into the piece anymore. Shame on me. 

First, the "table" (drone) starts, then the bottles (loops) are introduced with one time each. Once all four have played twice, they are removed again, until the piece ends. 

_______________________________________________________________

Disquiet Junto Project 0557: Condensation Is a Form of Change
The Assignment: Interpret a graphic score that depicts four phases.

A combined play on a Brian Eno phrase and a John Cage visual motif is pretty much foundational Disquiet Junto territory. This week, interpret this image as a graphic score:

Eight Important Steps When Your Track Is Done:

Step 1: Include “disquiet0557” (no spaces or quotation marks) in the name of your tracks.

Step 2: If your audio-hosting platform allows for tags, be sure to also include the project tag “disquiet0557” (no spaces or quotation marks). If you’re posting on SoundCloud in particular, this is essential to subsequent location of tracks for the creation of a project playlist.

Step 3: Upload your tracks. It is helpful but not essential that you use SoundCloud to host your tracks.

Step 4: Post your track in the following discussion thread at llllllll.co https://llllllll.co/t/disquiet-junto-project-0557-condensation-is-a-form-of-change/

Step 5: Annotate your track with a brief explanation of your approach and process.

Step 6: If posting on social media, please consider using the hashtag #DisquietJunto so fellow participants are more likely to locate your communication.

Step 7: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Step 8: Also join in the discussion on the Disquiet Junto Slack. Send your email address to marc@disquiet.com for Slack inclusion.

Note: Please post one track for this weekly Junto project. If you choose to post more than one, and do so on SoundCloud, please let me know which you’d like added to the playlist. Thanks.

Additional Details:

Deadline: This project’s deadline is the end of the day Monday, September 5, 2022, at 11:59pm (that is, just before midnight) wherever you are. It was posted on Thursday, September 1, 2022.

Length: The length is up to you.

Title/Tag: When posting your tracks, please include “disquiet0557” in the title of the tracks, and where applicable (on SoundCloud, for example) as a tag.

Upload: When participating in this project, be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Download: It is always best to set your track as downloadable and allowing for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution, allowing for derivatives).

For context, when posting the track online, please be sure to include this following information:

More on this 557th weekly Disquiet Junto project — Condensation Is a Form of Change (The Assignment: Interpret a graphic score that depicts four phases) — at: https://disquiet.com/0557/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0557-condensation-is-a-form-of-change/.

Four on a Beach  [disquiet0557]

Divided the image into a hexagonal grid and converted each set of water rings into note sequences. Then repeated them from left to right, starting each new sequence at the end of the previous and repeating after the length of the sequence to create a kind of "singing in rounds" effect. The sequences differ in length so the overlap of the repetitions is varied.

Added background sound from Spitfire Audio's LABS LA Atmos and AudioThing Noises to represent the grain in the original image.
---
More on this 557th weekly Disquiet Junto project – Condensation Is a Form of Change (The Assignment: Interpret a graphic score that depicts four phases) – at: https://disquiet.com/0557/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0557-condensation-is-a-form-of-change/

rounds (disquiet0557)

This track was inspired by the Disquiet Junto Project 557: A photograph with four prints left by a glass on a table was read as graphical score.
The scores for the 4 phases/sections of the track were interpreted as polar coordinates. The origin of the coordinate system is always at the centre of the circular print. The angle is defined as time, 10° being equal to 1 s, and the radius as pitch (or frequency).
Sections of the frequency-range were assigned to different instruments.

More on this 557th weekly Disquiet Junto project – Condensation Is a Form of Change (The Assignment: Interpret a graphic score that depicts four phases) – at: https://disquiet.com/0557/ 1

More on the Disquiet Junto at: https://disquiet.com/junto/ 1

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0557-condensation-is-a-form-of-change/.

Change might occur in Phases (Disquiet0557)

ATOMIC WAR
Genre: Hardtechno/Industrial
BPM :160
MASTER: M!NØS
https://soundcloud.com/marlocko
ART: EARTHWALKER
https://soundcloud.com/earthwalker-officialR

Free Download

GLATZO - ATOMIC WAR (FREE DOWNLOAD)

FEAR

!𝗗𝗢𝗪𝗡𝗟𝗢𝗔𝗗!

MALICE - FEAR (CURIOUZ EDIT)

SORROW

"Composite things are like dreams. Fantasies. Bubbles. Thoughts. Like a dewdrop and a flash of lightning; A new dress and a burning tire; Grains of sand and sinking ships; The shadow of a statue and an entry in a diary; A brain tumor and an ice cream sundae. They are thus to be regarded."

[Æon Flux : Chronophasia]

[disquiet0557] Tidings of Transfiguration

Aethyr