As I gear up for the eagerly awaited premiere of "Junk In Da Trunk," my upcoming radio show/podcast, I'm excited to connect with you. My goal is to craft content that resonates with your diverse interests and emotions, mirroring my personal voyage through the realms of life, creativity, music dance and entertainment.

Together, we'll venture into a shared exploration, uncovering the intricate layers of life's experiences, bonded by our mutual passion for artistic expression and cultural significance. Recognizing the depth of our individual tastes and life stories, I'm enthusiastic about curating an inclusive space that honors diversity. 

Your insights would be cool for the program, so let's dive right into it:
Now, let's get to know you better:

Are you more about quiet moments or lively energy?

What's been a recent discovery or experience that has sparked your passion or creativity?

Now, onto the juicy part - your listening habits:

When do you usually find yourself tuning in - morning, afternoon, or evening?

How do you like to listen - blasting it loud or getting lost in your headphones?

Any other shows or stations you've been into lately? Share your finds!

What tunes have been your jam lately? Share your favorites!

Your feedback is not just valued; it's the spark that ignites the magic of "Junk In Da Trunk" and makes it a vibrant experience for all. Thanks for being part of this electrifying journey!

Catch you on the airwaves,
Roberto Ingram

Bryce's Brother & Dique - Together 404 Eros 

.....The duo are known to specialise in rhythms of Dub, Sleazy Soul and forward thinking Electronic Grooves.

Mix Series : 5enses, a cassette series focused on evoking the five senses

Zine #1: An Incomplete Anthology : Memphis Hip-Hop

Radio: Lot Radio & NTS regulars

Bandcamp - https://404eros.bandcamp.com/music 
Bookings -  404erosss@gmail.com

DJ / Intermedia Artist / Sweet Abyss
 
Weaving together abstracted grooves across genre, BPM and era, Malzof’s sonic journeys intersect with realms of ambient, experimental, house, techno, and beyond. Their sets enchant the dance floor with blissed-out beats, freakyfun vocals, and environmentally enhancing percussive soundscapes, ultimately showcasing their passion for storytelling, sampling, community collaboration, & dancing.


Deep Club is a record label, collective, series of parties, and devotion to American dance music that stretches from Denver, Colorado to Brooklyn, NY. Initiated in 2013 by a committed group of midwestern-raised DJs, Deep Club has cultivated a space in which developed and new forms of house and techno can be shared with the greater community. By marrying their club-level sound system with a DIY ethos, they present a focused vision and experience around their events. Over the last ten years Deep Club has hosted acclaimed talent like Marcellus Pittman, The Black Madonna, and Mike Huckaby at their dance-until-sunrise parties. A string of colorful and well-curated 12-inch vinyl releases and DJ mixes marks the outward and continuous growth of the Deep Club label concept.​ In 2021 a new chapter, Jewel, was carefully designed and executed in Brooklyn. Jewel aims to merge elements of American audiophilia with Midwestern and East Coast dance music roots.

Residents:

Ponyrok @ponyrok
Bocaj @bocajdenver
DJ Drew
Lone Dancer @lonedancer
Occidental @occidental-1
Ryan Scannura

email: info@deepclub.us

Subscribe to our newsletter: http://eepurl.com/5YKJ1

#DeepHypnotic #Polyrhythmic 
I.O.T. Records / Livity Sound
Living between Tunisia and France
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Booking : mark@disconnect.li
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Management : aymeric@iot-records.org
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Producing Music and Culture since 1994.

Manny Oquendo (also known as Acustyk, Electro Feotus, MegMan, and MegManMusic) is a
pioneering figure in the realms of illbient, electronic music, and experimental hip hop.
Oquendo’s electronic music journey began in the 1990s, where he became a key member of
Byzar, an influential project that blended ambient, hip-hop, and dub elements, alongside
innovators like DJ Spooky and Raz Mesani. His unique production style—melding complex
rhythms, bass-heavy grooves, and atmospheric soundscapes—was central to the formation of
the illbient genre.
Oquendo’s collaborative spirit is evident in his work with Antipop Consortium, where he
produced and composed tracks like "Eyewall" and "Superunfrontable" on their acclaimed
albums Tragic Epilogue (2000) and Fluorescent Black (2009). His ability to combine
experimental electronic textures with hip-hop’s rhythmic foundation helped define the group’s
avant-garde sound, pushing the boundaries of abstract rap.
Beyond his contributions to Byzar and Antipop Consortium, Oquendo was deeply involved in
the Cultural Alchemy SoundLab events in New York City, where he worked alongside notable
underground artists to push the boundaries of experimental sight and sound. His collaborations
with DJ Spooky on the album Riddim Warfare (1998), as well as his participation in Tuatara -
Underworld (2014), a project led by Barrett Martin (Screaming Trees, Mad Season),
showcase his versatility in fusing ambient, jazz, and electronic elements.
Oquendo’s music is marked by his innovative use of bass guitar, synthesizers, and
production techniques, and his sound continues to influence contemporary music, particularly
in the experimental and underground scenes. As MegManMusic, he continues to evolve as
an artist, contributing to the ongoing transformation of electronic music and avant-garde
hip-hop. His work remains a vital part of the legacy of illbient and experimental music, shaping
the way genres intersect and push artistic boundaries.

Afrikan Sciences is following