The Canadian Hyperblasters KATAKLYSM formed in 1991 and spread their first demo one year later Death Gate Cycle Of Reincarnation already obtained recognition worldwide and ultimately led to a record deal with Nuclear Blast, signed in 1993. Demo plus bonus track 'The Orb Of Uncreation' became KATAKLYSM's first official release in the form of the MCD The Mystical Gate Of Recreation, also in stores 1993.

The extreme high speed Death Metal with its very own character shown on The Mystical Gate Of Recreation laid the foundation stone of a new metal style: The Northern Hyperblast. Thereafter, KATAKLYSM presented their very first full length album Sorcery, a revelation concerning fast and brutal metal. The release of Temple Of Knowledge in 1996 topped Sorcery in terms of destructiveness and wrecking energy - a true archetype that bestowed the band great compliment, euphoric critics and several well-visited tours.

On the following albums Victims Of This Fallen World and The Prophecy KATAKLYSM started to experiment with new possibilities in sound and arrangements, leading the critics to name The Prophecy one of the most devastating releases in extreme music in years.

The big question afterwards: Would a further increase be possible? Yes, indeed! With Epic (The Poetry Of War), Canada's finest created a classic, backed with a melodic edge and propelled by extreme roaring power, making KATAKLYSM's star rising on and on. TV appearances and headliner tours pervaded the band's life forward and took them to more than 19 countries all around the world.

In 2002, the release of Shadows & Dust continued KATAKLYSM's success with nine immense ass-kicking tracks, including the extreme hymn 'Illuminati.' The Canadian magazine BW&BK described the album as "a pure holocaust of events as all the planets appear to have lined up for this scar on humanity" and voted it among the best 25 records of the year!

It wasn't surprising when KATAKLYSM hit several top lists with Serenity In Fire, and now with their latest release In The Arms of Devastation, KATAKLYSM's strongest evidence that the Death Metal freaks from Canada have found the receipt of success: Northern Hyperblast at terminal velocity!

We are two brothers making music.
GUSH! EP out now!

At midnight, on March 13th 1991, a basement door opened at Leipziger Strasse 126, Berlin. Through this door, many passed, on their way to defining new terrains in electronic music. There they found a dance floor in the vaults of a closed-down department store, with a unique sound bound to dense fog, building night after night a history that was also a vision of the future. 

This history has seen in Jeff Mills’ first sets on three turntables, Underground Resistance's first live appearances in Europe, grandiose Tresor Park parties, to various chapters of the Loveparade with Sven Väth in the 90s and since then countless generation-spanning parties. These moments represent the highlights of infinite personal clubbing experiences. It is the manifestation of the Berlin spirit, emerging from its considerable strife. This history is not without its complications - from temporary closure by the authorities and several raids in the early years to closure and demolition of the old location in 2005. What followed was years of wandering in exile and, finally, resurrection in the new home in Kraftwerk Berlin.

These stories, conversations and shared experiences within our walls forge a resilience that drives towards a shared ideal, the Tresor sound: community, resistance, and the world to come. This was observed in the newly re-unified German youth, who danced and celebrated together from the club’s inception, and into the present day through ongoing community work in Detroit. 

Tresor Records was founded in the same year and began to serve as a platform for exporting the new sounds associated with Tresor all around the world. Emergent musicians from Michigan, such as Juan Atkins, Underground Resistance and Drexciya, were pivotal in shaping these early years. Their visits to Berlin would kick-start dialogue between the youth movement in Europe and these musicians. This story is one of friendship and community-building, inextricably linked with cities like Detroit, Birmingham or Edinburgh, where like-minded friends built something truly special, where revelatory rhythms soundtrack decaying industry in corrupted metropoles. 

Tresor Records has been the fertile soil for dozens upon dozens of creative minds, from the very luminaries of the scene who developed electronic music over the last three decades through to contemporary protagonists who are currently defining the sound of the future -  A more than 300 strong catalogue displays an unmistakable identity - the Tresor spirit.

To those that have danced before, and to those that will dance in the future: the light at the end of the long Tresor tunnel is a signal. A flicker amidst the fog. This is our future. This is our place.

Agorau is following