In today's burgeoning culture of opportunism and ambition, you seldom meet an individual with exceptional abilities and a lengthy history of achievement without it being worn on their sleeve. GE-OLOGY’s sets reflect his diverse taste in music perfectly. Unfiltered mixes filled with records ranging from experimental Jazz, Gospel, Disco, Funk, House, Techno and Hip-Hop, GE-OLOGY does is all with ease. There is no single tread to be found in his sets, other than him taking risks and mixing in curveballs that light up the dance floor. On top of his sublime track selection, the skills of the Baltimore DJ are unparalleled and admired by everybody’s favorite DJs. Thus, the enigmatic virtuoso known as GE-OLOGY is a rare find indeed.

GE-OLOGY's ties with music were close from the start. After learning how to play the trumpet and starting collecting records at age 5, 6 years later GE-OLOGY’s interest in DJing and passion for music started rising to the heights he still beholds today. His interest in Hip-Hop brought him together with Tupac, Talib Kweli and Mos Def and later the Baltimore born, 80's New York City bred Renaissance man took the opportunity to produce for Jill Scott, De La Soul, Yukimi Nagano and Vinia Mojica and Jem. Yet, surprising to most, his dance floor oriented music dates back to the same time.

This masterful music producer, skilled DJ, and equally gifted visual artist has been acclaimed internationally for over two decades, however he remains somewhat of a mystery, letting his music and his mixes speak for themselves. To GE-OLOGY, music is something spiritual which reaches his soul and is inseparable from his being. This ethos is clearly emulated in his music, always digging deeper and weaving diverse music genres that coalesce to inspire soulful movement on the dance floor.

-	Shell-shocked by a compilation of Chicago House that his elder brother gave him, music pupil Roman from Darmstadt became interested in electronic music.
-	Visits to Sven Väth’s Omen in Frankfurt and nights spent with Underground Resistance or Warp turned his whole world upside down. LFO’s bass still massages his stomach region to this very day.
-	The first demo tape is given to Jörn Elling Wuttke, who is thrilled and leaves his others bands to join forces in a project with Roman.
-	Together they pay a visit to Ata and Heiko MSO. The latter work as DJs and sellers in Frankfurt’s Delirium and can hardly believe their ears. They are delighted to set their A&amp;R activities (Ongaku, Klang) in motion.
-	For Holy Garage “Surprise”, which also appeared on Eye Q, they found the Playhouse label, later to become the flagship of the label triumvirate and one of the most influential labels in Germany.
-	Time flies in the nineties with working on the label and the success of the projects Alter Ego and Sensorama. Roman also does solo projects under the name Soylent Green, Eight Miles High, Ro 70, Roman IV and his real name. The spectrum ranges from nosebleed techno to delicate ambient and electro-pop tunes.
-	Sven Väth asks Alter Ego to be his producer.
-	Remixes for Daft Punk, Radio Slave, Primal Scream, Ricardo Villalobos, The Human League, Spektrum, Tiefschwarz, Baby Ford, Chicks On Speed, and many others.
-	Alter Ego beats all the records with “Rocker” and Roman provides a worthy successor with “Geht’s Noch!?”.
-	Live appearances all over the world and Roman becomes increasingly popular as a DJ. His sets comprise 20 years of rave in one breath of techno, house, Italo-disco and obscurities. It goes by the name of acid house.

Curating & broadcasting transcendent electronic music to the world, based in Amsterdam.

Intercell was established in 2015 and emerged from an illegal rave on the outskirts of Amsterdam. It critically balances audiovisual elements with club intimacy while taking a diverse approach to the new era of electronic music – introducing new talent to renowned artists, focusing on fresh collaborations and (co)curations, and pushing the scope of local scenes by broadcasting worldwide.

Stay tuned for new mixes and podcasts regularly.

Since 1997 Rush Hour has cultivated itself into a haven for music lovers worldwide. The reputation Rush Hour has built mainly comes from the fact that first and foremost Rush Hour focuses on music they totally believe in and have a love for. The Rush Hour family has a strong sense of pride in always working with and feeding off that impulse and faith, rather than working for the mighty dollar or bottom line. Rush Hour has always been this way.

Booking Requests: bw@t-s-agency.com


Breakfast Club Amsterdam 
Intercept Records

Booking: 
bruno@kompakt.fm (Worldwide)
pete@wearee.nl (Netherlands)
hamilton@wrightbookings.com (North America)
diego@analog-a.com (South America)
mike@thickasthieves.com.au (Australia & NZ)
prateekpandey@slickevents.in (Asia)

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