Alaya harnesses the power of music to create transformative experiences, drawing listeners into a world where sound becomes a force for change. 
Her sets are immersive journeys, carefully crafted to resonate on a deeper level, blending emotion and energy in ways that both uplift and inspire. 

Having faced and overcome significant personal challenges with remarkable strength and resilience, she returns to the scene with a renewed sense of purpose, determined to share her journey and wisdom through her music.
Alaya’s performances leave a lasting imprint, creating moments of profound connection and awakening that linger long after the music fades.

Elli grew up in a family with a love of music.
From a young age, Elli showed interest in music,
and was also part of the Dance group at her school.
Her father encouraged her to listen to music,mostly Jazz, while her mother encouraged her
to listen to more modern music, such as disco.
At age 5, she started ballet,
while at home she sang and danced for her parents at night. She soon began courses for classic guitar
at the "Attiko Conservatory",
and after that, acoustic and
electric guitar lessons for another three years.
Elli was also very interested in sports
and for six years before she finished school,
she was on a Water Ski team. On the team,
she won third place in a Pan-Hellenic championship
as well as many gold medals.
When she finished school,
Elli made her first band called "Anonimi" (Anonymous).
At the same time, she completed examinations
and was accepted to the school "Vakalo"
where she studied graphic,
free and architectural drawing and history of art.

Elli first professionally dealt with music in 1990 with
the request of the famous Kostas Tournas.
After that, Elli collaborated with many
big names at the clubs such as Antonis Vardis,
Tolis Voskopoulos, Anna Vissi, Pashalis Terzis, Glykeria,
Eleni Dimou and more.
At the same time,Elli also recorded backing
vocals for a number of albums.

In 1992, Elli moved to Los Angeles,California
where she studied voice and piano at the
"Musicians Institute of Technology"
for two years until 1994.
In the United States,she got the chance
to be taught by strong names
in the music industry such as Carl Schroeder
(Pianist for Sarah Voaghn) and Scott Henderson.
In 1994, she graduated and returned to Greece.

In 1996, Elli singed a contract with Sony Music Greece
and in 1998 she released her first CD single titled
"Kapia Mera" (Some Day).
The music was by Antonis Vardis with lyrics
by Manou Tsilimidis and Gioula Gerorgiou.

In 1999, Elli released her debut album titled
"Epikindyna Paihnidia" (Dangerous Games).
The album had many massiva hits.
In 2000, she released her sophomore album
titled"Andriki Kolonia" (Male Cologne).


In 2002, she signed with Heaven Music
and the next year started collaborating
with greece most popular song writer Phivos.
In May of 2003 she released the album Sto Kokkino(In red)
which was one of the most successful releases in Greece
for that year, reaching a double-platinum status.
The album reached 1x Platinum within 2 months
and was also a great success in neighboring Turkey.
Elli Kokkinou performed with Giorgos Mazonakis in the song "To Gucci Ton Masai"
which made it into the Greek top ten.
Following the success of Sto Kokkino,
Sony Music released a best of album titled Paradinomai.

Following the platinum status,
Sto Kokkino was released as Sto Kokkino Platinum Edition
in 2004 with four bonus songs and a DVD
including a duet with Giorgos Tsalikis.
The four new songs became instant hits,
while the re-released pushed the certification
up to 2x platinum.
On April 14, 2005, Elli won the international award for
"Best New International Artist" by the
"Union of Journalists of Turkey" (MGD),
as her songs from Sto Kokkino were big hits in Turkey.

Following a string of concerts in the United States and Australia with Christos Dantis,
Elli returned in the summer of 2005
and began recording songs for her
next studio album with Phivos.
On November 10, 2005, Elli released
her fourth studio album titled "SEX"
which was certified Gold the same day of its release.
The album shortly reached platinum status,
and was repackaged and released on November 13,2006
as Ki' Allo Platinum Edition (More).
Ki' Allo featured 4 new songs and a bonus DVD,
including a duet with Thanos Petrelis and
the French version of "SEX" as preformed
at the "MAD Music Video Awards" in 2006.

On April 1,2007 Elli announced
on her official website that she had left Heaven Music
and Phivos stating she would like
more creative input as one of her reasons.
She also stated that Heaven Music had offered her to resign, which she decided not to do.
Following a couple months without a label,
Elli announced in July 2007,that she has signed with her original label Sony BMG Greece.

In September 2007,
she started appearances with Nikos Kourkoulis
and Natassa Theodoridou at club "Votanikos".
In November 2007,she released her fifth studio album titled Eilikrina (Honestly).
The album peaked at number 2 on the Greek IFPI charts, while her lead single "Lypamai Eilikrina"
peaked at number 2
on the Nielsen's Greece Radio Airplay Chart.
The album quickly certified gold.
Due to her pregnancy,she stopped singing
at Votanikos club on January 5,2008
and the singer Charbel replaced her.

In December 2007,she revealed(after media pressure)
that she was pregnant with her first child and in June 2008, Kokkinou gave birth to her baby boy.

n September 2008,Elli went back to the studio
to record her next album which is planned for
release in Spring 2009.
In November 2008 released a song titled
"Mi Ta Paratas" with music by Dimitris Kontopoulos,
which is the title track to the Greek film
"O Ilias Tou 16ou".During an interview in late November, Elli Kokkinou stated that she is currently in the studios searching for a new sound to come back with.
She stated that her new album
will be out in the first three months on 2009.
Elli has also recorded a track titled "Demenes"
for the Barbie movie
"Barbie and the crystal castle".

In late March 2009,
the single from her upcoming
album was diggitaly-released.
It is a dance song,titled "Pame Ksana" (Let's go again)
is composed by Dimitris Kontopoulos
with lyrics by Alexandra Zakka.
In the month of June Elli Played @ Club Romeo,
marking the 1st time in a year that
she was back on a stage.
In the Fall of October 2009
she will Tour the United States and Canada,
all details on the tour were released on www.ellikokkinoutour.com

Reared among the three cultures of Brazil, Mexico and the Southwest United States, Poranguí was steeped in various traditional forms of music, healing and ceremony since birth. Weaving ancestral songs & indigenous rhythms from around the world as a one-man orchestra, Poranguí bridges the healing properties of sound and movement to foster our individual and collective well being.

26 yo/
Acid/Tribe
Rock Indie/Experimental
Contact : jeelxne@gmail.com

"MUSICA ES MEDICINA, MEDICINA ES MUSICA"

🌎 World Infused Electronic Beats / Medicine Music
Tribal Sounds

Uruguayan born - Australian based Musician / DJ / Ecstatic Dance facilitator / Medicine Warrior / Sound Engineer / Multi-instrumentalist

► leochmusic@live.com

PUMAH on Spoify: 
https://open.spotify.com/user/1249655241?si=ADLBmtJZQxy-GcopXq8IzQ

🌈 Everyone in life should be able to smile. 

🦄 If my music makes you smile, then I thank you from the bottom of my heart for giving it a purpose ⭐️

Management:
mgmt[at]bonentendeur.com

Say hello :
hello[at]bonentendeur.com

Bookings :
guillaume(at)allofloride.eu

Premier Album "Aller-Retour":
https://bonentendeur.lnk.to/AllerRetourDeluxeID  ☀️

BE Records: https://soundcloud.com/bon-entendeur-records

Released on:
@khazadrecords, UK
@flash-recordings, Berlin
@fluctuat-records, Paris

Aldanya has established herself as a prominent versatile techno artist and continues to impress by unleashing full-power female energy performances. 

Her vision encompasses the concepts of freedom and liberation. 
In a world governed by imperialism, she transcends the ideologies of standardisation and “fitting in a box”. Delving into the abundant musical varieties over time, she channels her own vision into captivating and elevating sets. 

As a mainstay behind the decks, she guides the dancefloor with high-impact, high-energy techno grooves. She doesn’t limit herself to one style and combines techno in its multiple textures. 

Her distinctive approach, yet with a pure and passionate mindset, has led her to dominate the dancefloor of institutions such as Fabric, and other established London clubs and festivals.

Aldanya is following