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From Venus to Mars

solo per te

They say you never go back to the same place. I say you also never return to the same song. And if you do, you end up finding another shadow among jasmine. That’s what happens in Espiral: it starts in a garden where memory trips over your name and ends with an invisible embrace that leaves you shaking, both warm and cold at the same time.

There’s a place in Entre tus sombras y jazmín where everything is shy and sweet: time falls like dry leaves on an old tablecloth, the sun hides behind your eyes, and me, not sure if I’m singing or whispering, I keep my name safe in your garden. And there I stay, because leaving would mean getting lost.

Then, in Te hablé en silencio, one realizes talking doesn’t help. Better to whisper, stay in the mist, and make yourself invisible so you get seen anyway. It’s a cheap magic trick: being flower, seed, and spring without anyone noticing. Sad part: the other side has forgotten; beautiful part: you still wait, because waiting is what you do, even if it hurts, even if it’s ridiculous.

Next comes Lo que elegí, which has nothing heroic about it: walking through a desert is boring, dirty, and slow, and the stones don’t applaud. One wonders if someone is watching from afar —sure they are— and if they’re throwing shadows at you. Doesn’t matter. What matters is knowing that time drags everything, even your dumbest decisions, and that you leave traces without asking permission.

Then the coyote appears in Danza del coyote, a lovable son of a gun: breaks the order, makes you laugh, screams, and makes you realize that peace isn’t sleeping, it’s dancing over embers without burning too badly. A blind master of ceremonies: breaks you, rebuilds you, and makes you sing with throat and heart, even if you don’t know what you’re saying.

Then comes Lógica de Sol, and logic doesn’t matter. The sun doesn’t charge, doesn’t demand, doesn’t lie. You sing, you dance, you burn fears and applaud the tenderness whispering everywhere. No altars, no dictators; just a little light scratching your back, telling you everything’s fine, even if it’s not.

La Bicicleta, the bycicle: when you don’t know if you’re coming or going, but you pedal, and the world spins with you. Your body moves, wind slaps your face, and suddenly everything seems simple. Simple and extraordinary, like life itself.

Círculo Polar is the ending that feels like a beginning: cold, crystalline, icy blue. The soul purifies, sees its reflection in the ice. Contemplation calms the tremors, and the mind plunges into the quiet that precedes the end of the cycle.

Finally, Abrazo, the instrumental, closes the journey with a silent gesture: an embrace containing everything lived. No words, just resonance. Everything condenses here: memory, pain, light, shadow. The spiral closes, yet keeps spinning, because experiencing time is infinite.

In the end, Espiral isn’t an album. It’s a diary of inner adventures where you laugh, fall, get up, and ask yourself why the hell we keep listening to songs that make us tremble while time keeps falling like dry leaves.

Abrazo

Hey Soundcloud friends, we're back for the last radioshow of the season, with one of our favorite actual electronic duo. Coming from the suburbs of Ghent, please meet https://soundcloud.com/asa-moto101. We advise you to check out their fresh third EP on Soulwax's brilliant label Deewee and their dj residencies at Kiosk Radio or The Word, as well as this brilliant set on our Rinse France residency. @malcolmaudio took care of the first hour with some of his favorite xanax-rave stuff of the moment, including 2 exclusive tunes coming up on Global Warming, plus a mix of unreleased, modern and oldies tunes. Hope y'all enjoy :) 
Cheers and have a great summer x

https://www.facebook.com/asamoto101/
https://www.facebook.com/malcolmaudio/
https://www.facebook.com/globalwarmingrec/

Global Warming Radioshow 

Global Warming Radioshow #13 | Malcolm & Asa Moto | Rinse France

Buy on Bandcamp

Alma & Mater - We Make Your Mindz Clap (Yuki Tosaya Acid Sky Remix) (AF006)

The recently released album ‘Farmarama’, by “A Man Called Adam” (Sally Rodgers And Steve Jones) under their revived cult label “Other records” is their first since 1998. An album comprising of Melodic, Emotional, Pop-not-pop Tracks, bringing fresh layers of feeling, from warmth, and passion to sentimentality and sorrow.

The remix package takes 3 tracks from the album to create a Limited-Edition Vinyl Sampler that goes down to the basement with two remixes from Brazilian rising star Carrot Green aka Carlos Gualda & Norwegian golden boy and unassailable don of space-disco Prins Thomas. Carrot Green transforms the track ‘Ou Pas’ into a brooding, Brazilian acid monster.

Release Date: 13/04/2019

Youtube: https://www.youtube.com/watch?v=wTui9tw80As&feature=youtu.be

Sinchi Blog: https://www.sinchi-collective.com/premiere-a-man-called-adam-ou-pas-carrot-green-remix-other-records/

PREMIERE – A Man Called Adam – Ou Pas (Carrot Green Remix) (Other Records)

FREE DOWNLOAD:
https://whypeopledance.bandcamp.com/album/v-a-matediteria-materi-005

https://soundcloud.com/il-est-vilaine

whypeopledance is back with another MATERIÁ release, for which friends, family members and colleagues - 16 of them - made 16 different edits for almost any occasion. Harsh raw vibes, ambiguous hip-hop disco treats, just pick and roll!

Compiled by Serial Experiments. 
Artwork by Serial Experiments & Scannoir.

V.A. - MATEDITERIA (MATERIÁ 005)

FREE DOWNLOAD!

Mau Mau (Il Est Vilaine Edit) [MATERIÁ 005]

Darkness had fallen upon the grasslands, illuminated only by the moon and a million glittering stars. This was where the inhabitants of the land could be free, away from the sun, away from daylight and all the trials and tribulations that came with it. The black canvas of the night sky had become their safety blanket, they were creatures of the night, nocturnal animals. Under the yellow gaze of the moon, they danced and frolicked abandoning the worries that daylight would bring.

Barcelona-based collective, party hosts and label Playground Records gear up to release a collaborative EP from Leonor and Nasiri, a dark hypnotic journey through chugging beats and flute-driven percussion. Several producers step up to remix the original tracks including Damon Jee and Kuunde but our favourite comes from Polish duo Mytron & Ofofo who are a perfect match for this whistful percussive cut.

PREMIERE: Leonor & Nasiri - Luna (Mytron & Ofofo Remix) [Playground Records]

Boliwar Miranda was born in Bombay from a Goan family, hence his name of Portuguese origin.
Despite his Catholic education, he very soon fell in love with Indian classical music and was accepted at the school of an excellent master of “bamboo flute” Hari Prasad Choudury and became his best pupil learning the secrets of that difficult art over a period of several years.
He gradually developed a musical feeling which is closely linked to Indian classical tradition but also reveals authentic originality.
In 1986 he moves to Italy where he is obliged to take a job which is by no means connected to music. It’s in 1993 that he meets two Italian musicians (Maurizio Dami and Ettore Bonafé) and encouraged by them, feels the need again to resume his musical research.
In 1994 he records the CD “Music for Meditation” with Maurizio Dami and Ettore Bonafé distributed by Materiali Sonori. With the above-mentioned musicians he gives several concerts at festivals and cultural events such as Estate Fiesolana - Festival di Pesaro - Estate Veneziana - Museo d’Arte Contemporanea L.Pecci.
In 1996 he records his second CD with Maurizio Dami “A good day” for the Italian label C.P.I - Taccuini.  distributed by Mercury-Polygram; this new work is more Ambient- and New Age-oriented.
He then worked with Maurizio Dami on a project of "Modern Indian Music": their first work ,under the band name "Masala" (DROP 7, released by Materiali Sonori) blends ambient music, modal jazz and liquid grooves with the extremely rich melodic tradition of India. The second one is "Lucid Dreams" (DROP 7.3, released by Materiali Sonori).
Due to Parkinson's disease that sadly hit Boliwar too early in his life, he can't play anymore but remains an artist and a very good painter.

The Art Of Boliwar Miranda

Masala - Notturno (1998)

Here is my second mixtape called “In A Wild Sanctuary”
It’s an iprovization mix of my favorite records.

In a wild sanctuary

urban shamanism

Alexander Robotnick is the artist name of Maurizio Dami, an electronic musician, DJ and producer living in Italy.