Name: Cicillian Issue - I Am Nobody He Is Someone by Alindithar Tapes
Duration: 3 min 50 s
Description: The debut EP by Cicillian Issue titled "In A Pendulum", An alchemy of a decay in emotion. This 5 track EP is a tell tale of trial and constant error, a low vibrant sound combined with a wailing that pierces through from the bottom of a never ending well.

lovely haunting tune! vocals remind me of john Maus.

Anne Gillis “…” Invadbl

bach 2

from the forthcoming cassette "Toward Zero Death" by Karl Raymar

A sentient chill passes through and awakens a resting body in the cathedral. Faintly heard in its wake are repurposed tape-looped fragments of commercial Halloween kitsch that excavate earliest memories of the season. The sound is eventually lent an atemporal quality by an overlaying of chorused strings, occasional voice, chilly electronic tones, possible magnetic tape EVP. Karl Raymar brings you this personal soundtrack of the season where, as years pass, we more deeply contemplate and celebrate the shift of natural cycles, acknowledge that Death is inevitable but also part of the process in which new things grow; where, with joyful and serious intent, we pay tribute to those we were fortunate to know in the brief window of our lives, an understanding of impermanence to deepen our appreciation of the present moment. Time collapses in the glow of static, leaves redden and decay, souls march through the woods, we light a candle and ring a bell.

Karl Raymar - First Day of Fall

Cicillian Issue - I Descend

American avant-electronic musician and essayist Bret Schneider holds no institutional allegiance to one artistic medium. His background encompasses a wide range of work experiences and reveals a man who is connected to the world around him in complex, alienated ways. His thoughts on music and philosophy are intertwined into a billowing exposition. But when exploring the dark recesses of his more aural works, there is an inherent flexibility. Phasing percussive elements and frayed droning lines all lead to a perpetually shifting feeling for an aural uncanny. As fractured as his music can be, there is a dim spark of rumination that threads through his synthetic machinations.

On his latest release, “Xilinx,” Schneider taps into a primordial electronic noise—the kind that rests just on your periphery, unwinding itself to reveal myriad sordid circuits and disjointed projections. These tracks maintain a wired mania, expressing an unsettling undercurrent of ragged repetition and warbling drones. There’s an unexpected elasticity to Schneider’s cabled rhythms, and they often shift across several temporal lines before turning inward, struggling to illuminate an intimate dissonance or imagine a multi-chambered core. Displaying a raw and unusually concise knowledge of how these sounds might fit together, “Xilinx” is part zoetrope, part post-industrial dreamscape. It is an inquiry into the idea of internal movement, a contorted experiment in musical patterning, and an experiment in self-replication.

Xilinx

Bret Schneider - VaVE1

RIP Ana-Maria Avram 
1961-2017

Ana-Maria Avram 
"Metalstorm"
Recorded at Studio Ina GRM 12 December 2012
Mixed by Ana-Maria Avram in Bucharest December 2012

Ana-Maria Avram : Electronics
Stephen O'Malley : Electric Guitar

Thanks to François Bonnet for the invitation and, of course, to maestro Iancu Dumitrescu for the presences and visions.

Ana-Maria Avram Soundcloud :
https://soundcloud.com/ana-maria-avram-composer-2

Ana-Maria Avram abbreviated biography

Composer, pianist and conductor.
After graduating from the National Conservatory of Music in Bucharest, she obtained a degree from Paris Sorbonne in 1992. 
PHD in Musical Esthetics at Sorbonne, Paris (1995)
In 1994 she was awarded the Grand Prize in Composition from the Romanian Academy.
She is considered to be one of the most important Romanian composers of her generation.
Her music is affiliated with the spectral music trend.
She represents the Hyper-Spectral music trend in contemporary avant-garde music. 
Conductor with Iancu Dumitrescu of the Hyperion Ensemble - a chamber music ensemble from Romania, based in Bucharest specialized in the performance of contemporary classical music, more particular as the main promoter in Romania of the Spectral Music trend
Her music is spectral, acousmatic, heterophonic and transformational.
She composed over 200 works, music for soloists, chamber
music, music for symphonic orchestra, electronic and computer assisted music.
Avram received numerous commissions for composition from Radio France, Art Zoyd (France), Les Ateliers UPIC (Paris), Ensemble Lucilin (Luxembourg), Ensemble Mozaik (Berlin), Ensemble Musiques Nouvelles (Mons-Belgium), IMEB-Bourges, Bodo Sinfonietta (Bodo- Norway), 
She was awarded at Ars Electronica - Linz in 2000 for the work “Traces, Sillons, Sillages” for ensemble and computer assited sounds.

Founder and President- since 2006- of the Romanian Community of Electro-acoustic and Computer Assisted Music – CREMAC.

Vice-President of the International Community of Electro-acoustic Music – CIME – affiliated to IMC and UNESCO.

She is also founder and Artistic Director of several national and international festivals dedicated to experimental, electronic and spectral music trends:

« Acousmania »- in partnership with Romanian Broadcasting Corporation – six editions, from 2002 to 2006

« Musica Nova » – In partnership with the Ploiesti Philharmonic Orchestra 2002-2004
« Spectrum XXI » - dedicated to spectral music trends and held annually in three European capitals. Since 2006 the festival took place in Paris, London, Geneva, Brussels, Berlin, Bucharest, Mons, East Grinstead.

SPECTRUM XXI was financed by institutions such as Romanian Ministry of Culture, Romanian Cultural Institute, Pro Helvetia, European Agency for Culture, Education and Audiovisual – EACEA towards the program Culture 2007-2013.

In 2010 Avram was elected as “Blodget Artist in Residence” at the Harvard
University, Department of music where she taught composition to postgraduate students. She also sustained numerous workshops, lectures and conferences at Harvard University, the University of Maine, Farmington (USA), Univeristy of Minneapolis-St Paul (USA), Technical University of Istanbul (Istanbul,Turkey), Institute Jacques Dalcroze (Geneva), Centre de Creation Musicale Iannis Xenakis (Paris), etc…

GRM session December 2012

Ana-Maria Avram "Metalstorm" GRM Session December 2012 w/ Stephen O'Malley

Vox Populi! 
Half Alive Ganja Music 
Cor Ardens 02 
Edition of 200 CDs
Featured track "NEY" previously unreleased 
e-mail cor.ardens00@gmail.com for copies + List of Distros coming soon 
$10 

This Project was conceived through the correspondence of Vox Populi’s Axel Kyrou and Jim Strong. It serves to commemorate the 30th anniversaries of both the founding of the Philadelphia art collective, Vox Populi Gallery in 1988 and the release of Half Dead Ganja Music, the seminal 1987 album by Vox Populi!. Vox Populi! Emerged out of the eighties Industrial Underground in Paris. The Group’s mercurial experimentation was deeply influenced by Spirituality and Surrealism. They were further set apart for the incorporation of Folk Instrumentation and Influences derived from the diverse origins of the bands members. 
The selections included on “Half Alive Ganja Music” characteristically range all over the map from the Lush Pop Psychedelia of the lead single “Ney” to the albums closer, a Sprawling Live Outtake which Ebbs and Flows between the Bubbling electronics of half formed Art Song Crescendo through long passages of Ritual tinged Improvisation. Both Tracks, Comprise the 5 never before released recordings which make this (double) anniversary collection so special.

Vox Populi! "Ney"

HELM - Chemical Flowers
Format: LP / CD / Digital
Cat.No: PAN 99
Release Date: 17 May 2019
Purchase: bit.ly/2Uxqs9z / bit.ly/2UpJ0bA

Luke Younger returns to PAN with an eight-track album of his most direct work to date. Composed alone at NO studio in the Essex countryside, to start an album with a piece called ‘Capital Crisis (New City Loop)’ seems an intentional misnomer. Long, sustained periods in the rural studio setting see Younger working with an array of fragmented, disassociated sound sources to build upon 2015’s Olympic Mess. It shares a similarly inclined vision of the urban environment, but here Chemical Flowers makes reference to paradoxical notions of authenticity and creative practice by way of questioning the structures around us. Collages are assembled and dismantled, temporal and spatial boundaries fluctuate and movement is an overarching theme.

Surrealist drowned world atmospheres sculpted far enough away from the source of inspiration leave plenty of room for ambiguity. The nocturnal nature of the recording process is self-evident, and pieces like ‘Leave Them All Behind’ tap into a deep psychedelic undercurrent. Confused narratives, emotions and aleatory hallucinations ebb and flow throughout. ‘I Knew You Would Respond’ evokes murky soundtrack terrain with eerie repetitive strings and ambient respite, disrupted periodically by brief bursts of granular noise. It’s one of the records most unnerving moments, possibly as it’s one of the most recognisably human.

The album navigates dense passages with recurring signifiers. Hollow percussion, modulating delay and curious field recordings come and go, maintaining a perpetual state of flux where nothing stays the same for long. The drowned world theatricals return on the swamp-like ‘Lizard in Fear’ whilst string rhythms creep in on the penultimate track to incite momentary electroacoustic harmony. Floating synthesis slowly washes over and the title track unfolds - five minutes of reverb-laced portamento, visions of decay and Editions EG influenced
world-building. Movement is key.

Chemical Flowers features string parts arranged and recorded by JG Thirlwell (Foetus / Manorexia / Xordox). Additional cello played by Lucinda Chua and saxophone by Karl D’Silva. The album is mastered by Rashad Becker, featuring artwork by Johannes Schnatmann & Bill Kouligas.

http://p-a-n.org

Chemical Flowers 

HELM - Body Rushes (PAN 99)

empirical delusion

Taken from album 'Forma' released as LP and Digital

Lucy Railton 'Forma' (excerpt) (SPGRM 002)

The debut EP by Cicillian Issue titled "In A Pendulum", An alchemy of a decay in emotion. This 5 track EP is a tell tale of trial and constant error, a low vibrant sound combined with a wailing that pierces through from the bottom of a never ending well.

Cicillian Issue - I Am Nobody He Is Someone

الاندثار
متحف الانحطاط
Alindithar
Museum of degeneracy

Cicillian Issue - I Am Nobody He Is Someone

Alindithar Tapes

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