"Usul: Aksak Routine"  is an algorithmic  performance of electroacoustic music based on the rythmic system Usul of Turkish music. The term usul, which includes both the concepts of meter (measure) and rhythm, defines the rhythmic elements of all the structured musical pieces of the system. Every usul is a recurrent rhythmic circle – something similar of meter in western music – a model with a name and a pattern. The usuls are performed in beats, known in Turkish as "darp". Also the usuls are named according to the length and form of their beats and they are divided into two main groups, Minor usuls and Major usuls. The minors are those of 2 to 15 beats. The majors are those containing from 16 to 124 beats. The goal of this project is the use of minor usuls to create diffrent major usuls in real time.
The current multichannel (4ch to 8ch) piece consists of 6 sound sources. Each one of them returns a different minor usul, with samples created using the physical modeling software Genesis and SuperCollider. Every darp (beat) produced with graining effects in SuperCollider.  The rhythmic patterns and the sound spatialization are generated with original programs and routines, written also in SuperCollider. For controller in performance I am using a multitouch OSC controller.

Usul: Aksak Routine

For Disquiet Junto Project 0609: Speed Limit Pt 1. The Assignment: Record a track at precisely 60 BPM with the intention someone will subsequently rework it.

This is from a live improvised jam earlier today (Sep 4) with my Creatures Once bandmate Monstrosus. It was a great way to spent part of this Labor Day off as we feel Fall setting in here in the Northwest. To Juntofy this, I took two of his keyboard lines and layered and panned them opposite. Kept bass and few textures. Removed drums to leave some space. 
Looking forward to hearing what everyones makes this week, and what will come next week!

More on this 609th weekly Disquiet Junto project, Speed Limit Pt 1 (The Assignment: Record a track at precisely 60 BPM with the intention someone will subsequently rework it), at: https://disquiet.com/0609/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0609-speed-limit-pt-1/

Key Limit -  [disquiet0609]

Occurring

Alfonso Santimone Laser Pigs - "Ecce Combo" - El Gallo Rojo Records

Piero Bittolo Bon : alto sax, bass clarinet, baritone sax, flute 
Francesco Bigoni : tenor sax, clarinet 
Daniele Santimone : guitar ( NOT PRESENT IN THE RECORDING SESSION ) 
Alfonso Santimone : piano 
Danilo Gallo : bass 
Zeno De Rossi : drums

http://www.elgallorojorecords.com/eng/archivio-recensioni/2005/04/ecce_combo.php (ENG) 
http://www.elgallorojorecords.com/archivio-recensioni/2005/05/ecce_combo.php (ITA)

Alfonso Santimone Laser Pigs - Riding a Photon ( composed by Alfonso Santimone )

1+1+1+1+1+0.1+.Hz

for @disquiet junto #17 "transition"

<i>Plan, in three steps:  

First step: At some point during the day, make a field recording of the world around you. Then select a 30-second segment from it. (Please, don't include other people's voices without their knowledge unless you are absolutely certain doing so is legal wherever it is you make the recording.)  

Second step: Choose one of the following two preexisting tracks and select a 30-second segment:  

Option 1: http://archive.org/download/zero130/01AControlledBurn.mp3  
Option 2: http://archive.org/download/WM074_900/WM074-03_64kb.mp3  

Third step: Create a new track in which your field recording can be heard to slowly transition into the preexisting track. You can add whatever you like to the new track, and you can transform the field recording and the preexisting track. However, the first five seconds of your field recording and the last 5 seconds of the pre-existing track should be left untouched, aside from fading in and out. The goal is for the transition to be as indiscernible, as seamless, as you can achieve in the time allotted for production.  </i>

:::::::::::::::::::::::::::::::::::::::::::::::::::::::

This track includes a segment of "The Day Love Came In The Mail" by Lee Rosevere off the album Play 3 on the WM Recordings netlabel, thanks to Creative Commons license. More information at:  
http://archive.org/details/WM074_900  
http://www.wmrecordings.com/free-downloads/wm074-lee-rosevere-play-3  

and these fragments of E. E. Cummings' "29" from 50 Poems:

anyone lived in a pretty how town 
(with up so floating many bells down) 
spring summer autumn winter
he sang his didn't he danced his did.
[..]
stars rain sun moon
(and only the snow can begin to explain 
how children are apt to forget to remember 
with up so floating many bells down)
[..]

More details on the Disquiet Junto at:  http://soundcloud.com/groups/disquiet-junto/info

:::::::::::::::::::::::::::::::::::::::::::::::::::::::



It's not a super-bona-fide field recording, i suppose; i was sitting outside reading some Cummings
(50 Poems, 29: anyone lived in a pretty how town ..)
i programmed supercollider.sf.net to cut that up, and the tail end of the Lee Rosevere track (thanks!)
and to play one cut of each in sync, with some randomness in the length of the cuts and the frequency of the beats.
Then faded out with the tail end of Rosevere.

with up so floating many bells down

Satellite

Music piece for a performance "Miss Julie" based on a play by August Strindberg Miss Julie

Premiere: 2018 @ The Ludowy Theatre in Kraków

Director	RADOSŁAW STĘPIEŃ
Dramaturgy KONRAD HETEL
Set design ELIZA GAŁKA
Music BOGUMIŁ MISALA
Lights DARIUSZ PAWELEC
Video NATAN BERKOWICZ, MATEUSZ WOŹNIAK
Assistant director MAJA PANKIEWICZ
Stage manager MANUELA NOWICKA

Cast

MAJA PANKIEWICZ
KRYSTIAN PESTA
ROKSANA LEWAK/ GOŚCINNIE

Tribal [ Miss Julie ]

All sounds from recordings of my tongue drum. I had big groaning, creaking sounds in mind. Created in hotel room on day three of a power outage caused by falling trees after a windstorm. Took a walk and found this big pile of fallen trees by the river. So here's some droniness, some crunchy textures and a little melody because there's always some of that around. 
Experimenting with Ableton Live's warping modes for most of the sounds. Some delays and verbs. Rolled off a little low and high end. I hope its not too full and dense for someone to add more to it!
Panned left as requested for the project. Stereo version (and abstract video of trees) here: https://youtu.be/BRw_IARdFhY

BPM: 100
KEY: D minor (?) The notes on the tongue drum are in D "celtic" minor scale: D3 A3 C4 D4 E4 F4 G4 A4 C5 I have pitched some notes up and down. 
Arrangement: 
Intro: 8 Bars
A section: 9 bars
B section: 8 bars
A section: 12 bars
B section: 8 bars
Outro: 4 bars

More on this 472nd weekly Disquiet Junto project — Jam Time (1 of 3) / The Assignment: Record the first third of a trio that others will complete — at:

disquiet.com/0472/

More on the Disquiet Junto at:

disquiet.com/junto/

Subscribe to project announcements here:

tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

llllllll.co/t/disquiet-junto-pr…ject-0472-jam-time/

Shared Tongues - [Disquiet0472]

Slowmosnow

i like http://soundcloud.com/groups/word-music and http://soundcloud.com/groups/ill-field recordings
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headphone music alert!
a financial failure to date, i rarely listen to my tracks via normal loudspeakers. Please enjoy them via headphones. (Accounts of pleasant extra-headphone affairs graciously received.)
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all is explained:
<a href="http://disquiet.com/2011/04/12/chopped-off-the-think-all-n4tural">The Self-Cutting (Up) MP3</a>
<a href="http://disquiet.com/2011/07/01/all-n4tural-beyond-the-ken">SPLENDIDLY ANEMIC FUNK</a>
<a href="http://disquiet.com/2011/12/15/all-n4tural-helpless">REVEALING THE GLITCH IN VOICE</a>
<a href="http://disquiet.com/2012/06/20/rawore-all-cousmatic">UNDER THE BRIDGE, REVISITED</a>
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51 anonymous downloads &minus; no plays &minus; from Senegal today. Is there a black market for all n4tural tapes?
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newer! 
<a href="http://flamingpines.com/releases.htm">Rivers Home: the final five</a>
a <a href="http://soundcloud.com/flaming-pines">Flaming Pines</a> series

with smashing artwork
worth the price alone.
Support hyper-independent labels!

a taste: 
http://soundcloud.com/flaming-pines/sets/rivers-home-final-five 
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new! <a href="http://flamingpines.com/releases.htm">Burning Palms</a>. a <a href="http://soundcloud.com/flaming-pines">Flaming Pines</a> compilation [confusing, huh!]
Now here, too: <a href="http://flamingpines.bandcamp.com/album/burning-palms">Burning Palms</a>
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&equiv; <a href=https://donate.greenpeace.org/hpp/pay.shtml>https://donate.greenpeace.org</a>
&equiv; http://www.amnesty.org/en/donate 
&equiv; https://supporters.eff.org 
__________________________________

thanks for the kind comments, kemosabes!
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