Our debut album THE WITCH - out now
https://pumarosauk.lnk.to/TWSC

Independent record label owned by Adam Beyer.

Moshi Moshi Records started off as a hobby in 1998. Set up by three friends who had jobs working for major record labels. It was intended as a way of working with the bands that they loved but which didn’t fit in with the agenda of the day-job taskmasters. Early single releases from Zan Lyons, Kathryn Williams & Pedro and J Xaverre earned the label some plaudits. And sold a few records. Over the next five years Moshi Moshi slowly started to build a reputation for interesting, slightly leftfield, low-key releases. Then in 2004 things changed. For a start Moshi stopped being a hobby and became a fulltime job. Very soon after, Hot Chip and Bloc Party arrived and Moshi Moshi quickly became a name known to more than a few. Chart success followed with Yeti and The Rakes and higher-profile album releases from Architecture In Helsinki and Au Revoir Simone helped lift the label onto a new level. Then from 2006 onwards came artists such as Hot Club De Paris, Tilly And The Wall, The Wave Pictures, Slow Club, James Yuill, The Drums, Summer Camp, the list goes on.

In late 2006 the two remaining Moshi Moshi founders decided they wanted to get back to their one-off 7” release roots and the Moshi Moshi Singles Club was born. The intention was to try and release one 7” each month by a new up-and-coming artist. It would be limited to 1000 and only be available in a select group of indie stores. The artwork would be restricted to one colour and be designed by the bands themselves. Now some 40+ releases later the singles club’s roster makes an impressive list – (including) Kate Nash, Late of The Pier, Friendly Fires, Lykke Li, Florence and The Machine, Kindness, Dananananayckroyd. Disclosure. In 2011 Moshi Moshi expanded its remit by partnering up with some very talented young A&R folk to set up the imprints Tender Age, Not Even, Apricot and Dream Beach. Working under the Moshi Moshi umbrella these new labels have already yielded a clutch of exciting releases by artists from as far afield as Kenya and Seattle.

At the same time as running the record label Moshi Moshi Management has been quietly guiding the career of Metronomy and Slow Club as well as producers Ash Workman and Ollie Bayston. From 2012 this side of the business started to expand dramatically and now features a sizeable roster of emerging artists.

Looking back on the Moshi Moshi roster (particularly since the label ‘went fulltime’ in 2004) it’s a collection that bears comparison with any of its peers. For a label run by two people with no financial backing, it’s nothing short of an inspiration.

Musician / Producer / DJ / Record collector / Tigersushi / Crowdspacer
Bookings 
- World : alberto@orchid-am.com 
- France : pascal@julietippex.com
- N/S America : clarisse@recgrief.com

@boogieangst

http://linktr.ee/kraaksmaak

mgmt | worldwide bookings (live / dj): jordi@electrichustlemgmt.com

Eskimo Recordings is a label based in Ghent, Belgium, and was founded in 2000. Eskimo has always approached the divide between electronic and indie music with a reckless abandon that suggests that there is no divide at all. A mix of Indie Dance / Cosmic & Balearic Disco / Italo / EBM / House and more. Welcome!

Music Producer, Performer & Sound Designer.

Enrico Sangiuliano is a name you will have no doubt noted if you’ve dipped your toe in Techno waters. Standing as one of contemporary dance music’s most influential talents, the Emilia native’s impeccable back catalogue represents nothing but timeless No.1 records, and now only grows to hold more future classics. Aside from his chart-topping studio endeavours, the melodic pioneer’s lengthy resume of iconic performances have thrilled and inspired in equal measure, making him one of the most discernibly authentic and balanced artists on the circuit. 

Embarking on his newest exploration in the world of sound design, the production maestro recently announced the launch of his 10-chapter, transient record label NINETOZERO, along with its correlative SOLO all-night-long event series. A sonic storyteller with deep and meaningful narratives at the core of his many opuses, Enrico’s time-limited imprint serves as an intervention to the notion of perpetual music, opting for an ephemeral concept that challenges audiences to redefine their listening habits. His corresponding SOLO series gives new perspective and insight into his sound palette as a DJ, as he extends the NINETOZERO ethos into an immersive live experience that highlights the evanescent beauty of contemporary club culture.

Alliswell is following