Name: Brushstrokes by Alan Hamilton
Duration: 8 min 34 s
Description: 'Brushstrokes' is a Jazz Fusion track of two basic parts. One melodic, the other free soloing.

such articulation and energy - Great music Alan !

Génial, rythme, groove, percussions. Du "Miles"...

Fine haunting melodies and flowing improvisation...as always! Amazing performance and production....great art!

Drift away from rumbling thunder and rain in the distance into the safety of your comfort zone accompanied by gentle piano, guitar, synths, and hip hop beats.

Rainfall audio recorded live 2023.

Thunderbolt Island

Art Expressed in Music – Dali's Eccentricity, Feat. Belial Pelegrim
March 2024
Duration: 3:30
Listen to the Playlist: soundcloud.com/bruce-klepper-1/sets/art-expressed-in-music-i
Painting:  The Persistence of Memory
Bruce Klepper: music composition with melting clocks (“soft watches”) and sound effects
Belial Pelegrim: sound design
Listen to Belial's brilliant electronic music: https://soundcloud.com/belial-pelegrim
John-Marc Ventimiglia: tool to create the melting clocks (“soft watches”), gliss and panning tools, Dali sound clips Visit: https://soundcloud.com/john-marc-ventimiglia
Salvador Dalí (May 11, 1904 - January 23, 1989) was a Spanish surrealist artist renowned for his technical skill, precise draftsmanship, and the striking and bizarre images in his work. Born in Figueres, Catalonia, Spain, Dalí received his formal education in fine arts in Madrid. Influenced by Impressionism and the Renaissance masters from a young age he became increasingly attracted to Cubism and avant-garde movements. He moved closer to Surrealism in the late 1920s and joined the Surrealist group in 1929, soon becoming one of its leading exponents. His best-known work, “The Persistence of Memory” was completed in August 1931, and is one of the most famous Surrealist paintings.  “The Persistence of Memory” epitomizes Dalí's theory of "softness" and "hardness", which was central to his thinking at the time. As one art historian wrote: "The soft watches are an unconscious symbol of the relativity of space and time, a Surrealist meditation on the collapse of our notions of a fixed cosmic order". This interpretation suggests that Dalí was incorporating an understanding of the world introduced by Albert Einstein's theory of relativity.  In August 1929, Dalí met his lifelong muse and future wife Gala, who was a Russian immigrant ten years his senior.  Dalí and Gala lived in France throughout the Spanish Civil War (1936 to 1939) before leaving for the United States in 1940 where he achieved commercial success. He returned to Spain in 1948 where he developed his "nuclear mysticism" style, based on his interest in classicism, mysticism, and recent scientific developments. Dalí's artistic repertoire included painting, graphic arts, film, sculpture, design and photography, at times in collaboration with other artists. He also wrote fiction, poetry, autobiography, essays and criticism. Major themes in his work include dreams, the subconscious, sexuality, religion, science and his closest personal relationships. His eccentric and ostentatious public behavior often drew more attention than his artwork. In 1968, Dalí bought a castle in Púbol for Gala, and from 1971 she would retreat there for weeks at a time, Dalí having agreed not to visit without her written permission. His fears of abandonment and estrangement from his longtime artistic muse, Gala, contributed to depression and failing health. In 1980, at the age of 76, Dalí's health deteriorated sharply and he was treated for depression, drug addiction, and Parkinson-like symptoms, including a severe tremor in his right arm. Dali was obsessed with death. Feeling that any every moment he needed to be alive. At the end of his life, he is quoted as saying he was eccentric because he needed to show that he was alive as versus his brother who died very young and his family always referred to him as his brother. On the morning of January 23, 1989, Dalí died of cardiac arrest at the age of 84. He is buried in the crypt below the stage of his Theatre- Museum in Figueres. 
For strings, flute, trumpet, trombone, virtual instruments, sound effects and percussion.

Art Expressed In Music - Dali's Eccentricity, Feat. Belial Pelegrim

An Unfilled Void

Unlike our previous two collabs, Dan does lyrics, vocals and lead guitars on an instrumental by me.
I made a 7/4 track for him, knowing he can sail odd waves, and here you are the fantastic result !!

https://soundcloud.com/user-276716031: lyrics, vocals, guitar solos and fills, percussion, artwork on logo by WouWou
https://soundcloud.com/ruizzoidman21centurions: instrumental idea, rhythm guitars, bass, drums

Verse 1:
A promise was made
And It shouldn’t fade
The words were spoken
Then they was broken

We were in the bright sunshine
I thought she was mine
It’s not something you can pawn
And asa now she is gone

I was here forever beau
It was years ago

Verse 2:
But I thought it still held
Like a solid weld

A promise is a promise
Even for a doubting Thomas
It should carry some weight
It doesn’t have an expiration date

But a last I find
That things can unwind
And we are not together
In this Summer weather

Verse 3:
She made her assurance
But I had no insurance
From the broken promise she made
Yes our romance began to fade

Now I am in the dark
What was there was just a spark
Now I Don’t know
Which way to go

No direction in my life
Yes I’m living in such strife
Wondering if life means anything
My joy has no more spring

I am that sad guy you passed by
Not noticing the tears in his eyes

B E T R A Y A L (with Daniel Lockhart)

Here is a little chilled number from my new album "Sugar Rush" 

Many thanks for all of your generous plays reposts and playlsts!!

(c) Vocalatti 2023
ASCAP

Paradise Highway

Piano arrangement and piano: Debra Buesking https://soundcloud.com/debra_buesking
Trumpet and Studio Work: Arne Hiorth
Vocal arrangement and vocals: Oddrun Eikli 
Thank you dear Debbie and Arne for the great JOY!

Spring turns into summer, no matter what the world looks like, no matter how dark it looks. With summer comes more light. 
This version of Summertime reflects many emotions, including the joy of what nature gives us in terms of light and new life.
"Summertime" is an aria composed in 1934 by George Gershwin for the 1935 opera Porgy and Bess. The lyrics are by DuBose Heyward, the author of the novel Porgy on which the opera was based, and Ira Gershwin. 
The song is sung several times throughout Porgy and Bess, and in act 3 by Bess, singing to Clara's now-orphaned baby after both parents died in the storm.
Composer and lyricist Stephen Sondheim characterized Heyward's lyrics for "Summertime" as "the best lyrics in the musical theater".

Summertime. Debra Buesking.  Arne Hiorth. Oddrun Eikli.

'Brushstrokes' is a Jazz Fusion track of two basic parts. One melodic, the other free soloing.

A Cupboardful Of Hats

Brushstrokes

Why this title? A media hype in February 1991, unbearable videos, like in a game, of an immense massacre perpetrated in 35 minutes! by the forces of the coalition:
🇺🇸United States
🇨🇦Canada
🇫🇷France
🇬🇧United Kingdom
around 2,500 vehicles destroyed and thousands of military and civilian corpses grilled like sausages by missiles and depleted uranium shells... and all this to crush a country which was supposed to have weapons of mass destruction!!! ...and we were even applauding this massacre 🙄
NO WAR  -  ❤️🕊️🙏
How will this happen with the Russians who truly possess weapons of mass destruction?
NO WAR  -  ❤️🕊️🙏
________________________________________________________________________
Pourquoi ce titre ? Un battage médiatique en février 1991, des vidéos insupportables, comme dans un jeu, d'un immense massacre perpétré en 35 minutes ! par les forces de la coalition :
🇺🇸États-Unis
🇨🇦Canada
🇫🇷France
🇬🇧Royaume-Uni
environ 2 500 véhicules détruits et des milliers de cadavres militaires et civils grillés comme des saucisses par des missiles et des obus à l'uranium appauvri... et tout cela pour écraser un pays qui était supposé détenir des armes de destruction massive !!! ...et nous étions même à applaudir ce massacre 🙄
PAS DE GUERRE - ❤️🕊️🙏
Comment cela se passera-t-il avec les Russes qui possèdent réellement des armes de destruction massive ?
PAS DE GUERRE - ❤️🕊️🙏
________________________________________________________________________
Recording sessions from 05/04/2024 - 12/06/2024.
−··· −−− −· ·−−− −−− ··− ·−· ·−−·− − −−− ··− ···
−··· −−− −· −· ·  ··−·· −·−· −−− ··− − ·
···− ·· ···− ·  ·−·· ·−  −− ··− ··· ·· −−·− ··− ·  ☺️
________________________________________________________________________
🛠 - Made with MOOG & Modular / Multi-tracks
🎹 - Composed, arranged, performed, produced by Pier WILL & Studio 4H09
🔲 - Artwork - Pier WILL
🙏 - Acknowledgements - Ableton, AKG, Arturia, Audacity, Cantabile, Focusrite, Hewlett Packard, Korg, Logitech, M-Audio, Sony, SoundCloud, Teac, Techniks, Yamaha.
⚙️ - #Ambient #Movies #Experimental
________________________________________________________________________
*🌸*❤️*🕊️*🙏*🌸*

Depleted Uranium

Depleted Uranium - NO WAR  -  ❤️🕊️🙏

Composition and Sampling collage by Synline.
Artwork by Joe

Today is Tanabata in Japan. Tanabata is a traditional Japanese festival celebrated every year on July 7th. This festival originates from the Chinese 'Tanabata legend,' in which Orihime and Hikoboshi (known as Vega and Altair in Japanese) cross the Milky Way to reunite once a year.

Visions

Original music, arrangement, piano, organ; J.J. Terrell https://on.soundcloud.com/ErEWw3bHuvBBFXuw7
All guitars and final mix by Neno J.

Lazy afternoon (Collab J.J. Terrell & Neno J.)

Warwick TPS Corvette 4
.strandberg* Boden Fusion NX 6
Les Paul Custom (P90s)
Sugar Drive and Carbon Copy
2i2, Logic Pro X
Studio B

Bummer And Lazarus - 10 16 24, 23.37

Now retired from a life 'on the road' as a freelance keyboard player, I compose and record in my home studio, situated in the Carrick Hills in Southern Scotland. My music is mainly instrumental in nature and is a reflection of my life experience, sometimes real and sometimes imagined.
My influences are many and I have quite probably been shaped by listening to the very many "giants" of music, both players and composers. From classical to contemporary jazz and everything in between. My main instrument is the keyboard, whether that be piano, organ or synth. But I also play banjo, flute and percussion. I have a special relationship'with bass, whether upright or electric and use virtual and synth basses from numerous sources, but mainly Trilian by Spectrasonics.


https://music.apple.com/us/artist/alan-hamilton/119498445/see-all?section=full-albums
https://open.spotify.com/artist/2j38dJ8YVPX2nVQcUjaAYx
https://music.apple.com/us/album/time-travel-and-other-journeys/1651782098

Brushstrokes

Alan Hamilton

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SANDERS

SANDERS

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