A true gem of musical expression. Excellent musicianship, production, mixing, and an overall audio delight!   Very creative exquisite song that has an infectious & captivating sound experience..magnificent orchestration..fantastic mix & recording production!

Fantastic jazz-Fusion piece, exceptional instrumental, great collaboration, bravo to you both!

I love that pingpong kind of sound. Stones?

Magical! What a brilliant collaboration! Wonderful musicianship from you both!

Your description follows a lot of the way I think.  The internet, (and I love SC because it allows us to communicate on each piece, some don't). I to can't  gig anymore android musicians were put out to pasture with no way for new music to be heard - when older musicians often. create the best music because of experience. It is the one thing that is growing, not dying away into nothing or is only a memory. So much new music is AI or loops and vocals put through autotune. Some people know nothing about music!

Chilled jazzfusion song with a duet of sax and guitar and a base of organ and acoustic bass.

blue moon

Cloudy today

'Electromonk Walks A  Long Road' Is a Fusion track and which I am very happy to say is my 500th upload to Soundcloud. Thank you to everyone who has supported me on this 'Long Road' and to all the players who have shared their immense talents with me on this journey. A journey which I am also very happy to say that is far from incomplete.
This version is now a remix and features Georg Boehme on Winds. Georg contacted me and asked if I would like him to add some wind parts to the track. Of course I was instantly in agreement and here now is the amazing outcome of Georg's addional work on the piece. You can find Georg's incredible catalogue here:https://soundcloud.com/georg-boehme

Georg - All winds.
Alan - Composition and arrangement.All Keys and Synths, Drum and Percussion Programming, Bass, Brass and Strings

The Three Ps

Electromonk Walks A  Long Road

Electromonk Walks A  Long Road (Feat. Georg Boehme)

Fake Paradise Redux feat. Emily Coy
Vocals Emily Coy
https://soundcloud.com/stemstore/emily-coy-fake-paradise-redux-gg-vocals
Paploviante: Music, E Bass, Synth, Mix and Mastering


Fake Paradise Redux feat. Emily Coy

Amber Galactic

Pewien czas mnie nie było, więc się nie gniewajcie że nie odpowiadam ... nadrobię to wkrótce ...

Użyte pluginy (w większości biblioteki Kontakt)
Goquin - World colors
Violin - Bowled colors
Bawu   - World colors
Clar - Duduk - world colors
Cinematique instrument - Oud 1,5 
The orchestra complete 3
FL Keys
Bo - bass
Stylus RMX 
gitar nie wymieniam, bo są zagrane przeze mnie i newiele ich w tym miksie (celowo zaznaczam) 
nie wymieniam również filtrów i innych narzędzi, których użyłem ...

Eyes without color

68_ Lebenssequenzen (Cosmic Baby Tribute) - released on 05 November 2024

Inspired by "Sequenz des Lebens" I pay homage to Cosmic Baby, pioneer of trance! With a hard ending! ;-) #electronic #trance #liverecording

(produced with BlocsWave & LaunchPad)

Lebenssequenzen (Cosmic Baby Tribute)

Original by The Beatles 1965
Bass, drums, vocals & mix : Little Man
All other onstruments : PdB Orchestra

Day Tripper

JE REGARDE LE MONDE

Cast of Characters:

David Marconi — @david-marconi-917184705 — electric guitar, bass, foundation synth plus midi percussion and assorted traditional voices, production, mix, and composition
Elpiverse — @elpiverse — Elpi -- vocals, vocal composition and production
Ron Lewis — @ron-lewis-779503933 — synth 
TexMex Shaman --  @texmex-shaman –Stephen– sitar and mastering
Mistermark – @user-432503709 – Mark – talking drum
Llanpsych-- @llanpsych -- Tez – electric guitar
J.J. Terrell-- @j-j-terrell—JJ-- synth flute and ambient synth
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and percussion
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – 5-string fretless bass
AliasZen (Elpi's husband) — artwork (created with the help of AI)


This song began with David, who wrote it on the guitar, synth, and bass over a programmed beat he created. He and Josh met more than two months ago and decided to do a collaboration, based on mutual enjoyment of and respect for each other's music. Dave had this song pretty much fleshed out, although it was still a skeleton when he offered it to Josh, who, of course, got the rest of the Eclectic Collective involved. 

  Dave asked us all to compose our own parts for the song, so we all got to work right away doing that. We all realized that the first order of business would be to get a real beat on this, so Ken accomplished that task with some dynamic, Eastern inspired drums and percussion, which he plays throughout the song. JJ then stepped in and added his best eastern flute magic. Stephen was next with the perfect-vibe sitar you hear in the first two sections. 

  Josh came next to add his five-string fretless bass to the mix, augmenting David's high, staccato bass with his deep, low tone bass. Then, for the third section, where David's Gilmore-esque guitar solo resides, Josh drops out, allowing for Dave's awesome bass playing in that section. However, Josh does come in again towards the end, in the final section, too. Also, in that section, Tez dropped an augmented, harmonic, electric fire, complementary guitar part. Then, David's frequent collaborator and friend Ron added some well blended, ethereal synth to the first section, too.

  Once we had the instrumental parts pretty much laid down, we began to discuss getting a woman to sing on this, as David was inspired by The Great Gig in the Sky, by Pink Floyd, and we all agreed. Who we found to do it actually blew all of our minds. JJ, being familiar with her music, contacted Elpi first, and we were all lucky enough that she agreed to do it. Having heard Mediterranean music all her life in Greece, she tapped into what her husband said were her "ancient Greek roots," for her spectacular vocal performance. She finds all the modal notes and places them perfectly throughout her sections. 

  But before we were done, Mark came through with some really striking talking drum parts in the first two sections, too. Once we had everything in the can, David took over, both with some masterful editing and production, and with the balanced, dynamic mix. The mix was a formidable task, but he did it with considerable skill, also taking everyone's opinions into account, which is a talent in and of itself. When he was done with the mix, he turned it over to Stephen for the mastering, which the latter did to everyone's satisfaction, as always.

  This is the first song the Eclectic Collective has done with David, Elpi, and Ron, and we all hope it's the first of many, as we welcome them into the EC family. They all have some wonderful music on their pages, too, so do yourself a favor and check out all of them, as well. We hope you enjoy listening to this song as much as we enjoyed creating it.

The Siege

The Siege : by David Marconi featuring Elpiverse, Ron Lewis & The Eclectic Collective

Concrete pulses. Humidity thick as a bass line, city breathing electric—this is Bangkok when day bleeds into night's wild promise. Street sounds fracture into jazz: tuk-tuk rhythms, market whispers, neon cutting through tropical darkness like razor-sharp improvisation.

Watch how sound becomes landscape: skyscrapers dripping with heat, street vendors' calls transforming into brass riffs, the complex choreography of motion and stillness.
 
After 6 PM, Bangkok doesn't just exist—it performs. Layers of sound stacked like street food, complexity rising from simple ingredients. Heat. Motion. Hunger. Desire. The composition tears through cultural membranes, bleeds rhythm across concrete and memory...
Sunset here is not an ending. It's the moment everything begins.

Syn(thesis) of Siam

6PM.bangkok

Now retired from a life 'on the road' as a freelance keyboard player, I compose and record in my home studio, situated in the Carrick Hills in Southern Scotland. My music is mainly instrumental in nature and is a reflection of my life experience, sometimes real and sometimes imagined.
My influences are many and I have quite probably been shaped by listening to the very many "giants" of music, both players and composers. From classical to contemporary jazz and everything in between. My main instrument is the keyboard, whether that be piano, organ or synth. But I also play banjo, flute and percussion. I have a special relationship'with bass, whether upright or electric and use virtual and synth basses from numerous sources, but mainly Trilian by Spectrasonics.


https://music.apple.com/us/artist/alan-hamilton/119498445/see-all?section=full-albums
https://open.spotify.com/artist/2j38dJ8YVPX2nVQcUjaAYx
https://music.apple.com/us/album/time-travel-and-other-journeys/1651782098

Electromonk Walks A Long Road (Feat. Georg Boehme)

Alan Hamilton

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