Hey Alan man, this is a magical composition the whole way through, including that heavy coda at the end. Love that ascending bass line the whole way through, too. Phenomenal melodic/solo work in here, too. Hey my friend, this is a very impressive and enjoyable piece. Way to go with it!

Merveilleuse pérégrination musicale!! 👍🏻 👏 🎶

wow! when the saw came in that was pretty amazing!

Totally Excellent track Alan great production

a smorgsaborg of style, each handled with style for a seamless result  : )

I'm in awe of the quality and volume of your work!!!  I almost don't know where to begin, guess I need to start collating some playlists! 😅

This composition is so utterly beautiful and highly expressive... A magnificent work which is a truly musical gem, Alan!

Your Mix 4

'Dont Smudge The Ink' is an easy listening laid back track and soundscape.

Dont Smudge The Ink

Apotropaic

Bandcamp

Melting Point

This track is my very personal take at the Koan "Hear the Clap of your Hand". My lyrics version (https://soundcloud.com/konrad-spittelberg/the-clap-of-one-hand-pp) might make things clearer. (yes, this is my sneaky strategy to guide you from one song to another :-))

Compositionwise, the track is roughly split into two equal parts. The first part introduces its cinematic theme in the very beginning, taking it thereafter up several times with slightly different accentuations and rhythms which gives it a fresh feel with different highlighted nuances in each repetition. Several interludes contribute to the cinematic feeling. 

The second part, starting @1.53 starts by a more Jazzy version of the main theme. However, from 2.20 onwards, it is very restricted in its harmonies - only two harmonies are used from thereon until the end, C major and C# major. The tension arises purely from the rhythmic changes (such as the shift from 4/4 to 3/4 @3.17 and back), climaxing at the end.

The Clap of One Hand (Piano Miniature)

Bid me to live, and I will live
Thy protestant to be;
Or bid me love, and I will give
A loving heart to thee.

A heart as soft, a heart as kind,
A heart as sound and free,
As in the whole world thou canst find,
That heart I'll give to thee.

Bid that heart stay, and it will stay,
To honour thy decree;
Or bid it languish quite away,
And 't shall do so for thee.

Bid me to weep, and I will weep,
While I have eyes to see;
And having none, yet I will keep
A heart to weep for thee.

Bid me despair, and I'll despair,
Under that cypress tree;
Or bid me die, and I will dare
E'en death, to die for thee.

Thou art my life, my love, my heart,
The very eyes of me;
And hast command of every part,
To live and die for thee.



To Anthea , who may Command him Anything (A poem by Robert Herrick)

words and music K Gennery
image courtesy of Joel Durkee Unsplash
Thank you so much @monnodb for the voice at the end.


on the other side of nowhere in between the nothing she cries
a flicker of a memory drifts into longing and dispair why?

gone is the laughter from feeling to just being
existing in complete isolation
eyes open wide all but dead deep inside
just a shell of the woman

she sits in the darkness alongside delusions and agitation
time shift is a constant through the window to the garden
she stares avidly

gone is the laughter from feeling to just being
existing in complete isolation
eyes open wide all but dead deep inside
just a shell of the woman


gone is the laughter from feeling to just being
existing in complete isolation
eyes open wide all but dead deep inside
just a shell of the woman

shell

I had posted a year ago the row version of this track recorded back in 2015 (https://soundcloud.com/michele-ansani/bosque-redondo)
I thought that, after all these years, it was time to remake it, without altering the melody or the atmosphere.
Regarding the context evoked, see for example here: https://americanindian.si.edu/nk360/navajo/long-walk/long-walk.cshtml

Composed by Michele Ansani (2015-2025).
Bansuri is courtesy by Aahro.
Cover photo: Navajo girls at Fort Sumner, Bosque Redondo era, New Mexico, 1864-1868(?). Palace of the Governors Photo Archives, negative number 038208.

RePosted on SoundCloud: 2025, June 16

Bosque Redondo (final version)*

Uncanny Valley

'Three Nibs. ....an "alternative" fusion track and mixed genre. Inspired by my time spent in London as a music copier/transcriber. transcribing the individual parts from a score to the relevant parts for individual musicians. tHis was all done by hand and pen and ink. I used three indivdual pens with different nib sizes. hence the name of the piece, (Three Nibs). Scores could be anything from big bands  to smaller bands and genres varied from score to score. I've attempted to emulate the varied contents of the scores in this piece. Hopefully it makes sense to you when listening.
Alan

Three Nibs

Guitar, vocals, arrangement - Lizzie Taypen
Photo - Dunavon Woods - Lizzie Pentland
Recorded early this morning on my phone, a simple take when it was quiet.
I am finding it quite difficult to play my guitar now because of my arthritis, so  good to play a little. 
Happy Solstice to all of you!!

She moved through the fair ( Trad Cover)

This is my current favorite Alt band, and I had to take a stab at a cover. Obviously I can't duplicate the original, but I worked within my limitations and played this.

Clearest Blue (Chvrches cover)

Surfers like Us ….. composition, all guitar parts, arrangement, mix and cover picture 

Hi Everyone!
This is a simple and cheerful song for our dog named Waldek who is a fan of music and especially country music! 🍀

Of course, I also love country vibe (especially Johnny Cash !!!) and use this musical heritage, but here I certainly don’t play in this style. 
Fortunately, Waldek liked this song! 🔆

Hope you enjoy the vibe! 
Thanks a lot for listening and support!
Artur

Walking with my Dog

A glowing synth-driven journey through nocturnal echoes, Luminetic Bloom blends analog textures, shimmering leads and smooth harmonics in a cinematic space of emotion.

LUMINETIC BLOOM

“Reverglass” is a cinematic ambient dreamwave piece built around translucent synth textures, glassy echoes, and a nostalgic tone in F♯ minor.  
It captures the feeling of looking through memory  like watching your past reflected in a fogged window at night.

Best enjoyed with headphones  
Inspired by the quiet hours between midnight and dawn.

#Reverglass #NeonDreams #AmbientMusic #GlassEchoes #Dreamwave
#Ambient #Synth #Neo-noir #Electronica #Lo-fi #Chill #Electronica #Cinematic #Ambient #etrowave #Minimal #Vapor-tinted #Soundscape #dreamwave #ambient #lo-fi #electronic #neon  #cinematic #ntrospective #vibe #emotional #synthwave

REVERGLASS

In the desert

В котором радость В котором радость без конца

"Ships in the Night" drifts across the waves of smooth jazz with effortless grace. This instrumental blends soulful melodies, flowing piano lines, and a warm late-night groove, evoking the mystery of two vessels passing each other under starlight. Both intimate and expansive, it’s ideal for night drives, candlelit evenings, or quiet reflections. Like ships gliding in the darkness, the music lingers—fleeting yet unforgettable.

Ships in the Night

SHIPS IN THE NIGHT

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

PLEASE STOP SENDING ME OFFERS OF MUSIC PROMOTION.
 
AI is not an option I use or intend to in the future. All of my music is composed, played and produced using the following equipment:
Cubase 14 Pro on Windows PC
Arturia instruments (full suite) some FX
Native Instruments - Instruments and FX
Toontracks -Superior Drummer 3 and Percussion
Korg Triton Synyh
Roland RD800 Piano
Native Instruments - Komplete Control S49 and S61 keyborads
Icon Mixing desk
Yamaha & KRK active monitors
Congas and various  LA percussion instruments.
Various String libraries including: Spitfire/ IK Multimedia/labs/Orchestral Tools-Berlin Free Orchestra
Orange Tree Samples - Guitars and Flute
Musiclabs Guitars
Spectrasonics Trilian Basses
Soundpaint: Strings/Brass/Wind/Guitars/Percussion/ and a multitude of other things.
Various FX from a multitude of companies.
Various Programs from the Spitfire Original range
My trusted "Drum Stool"
Fridge (for Guinness)!!!!



Now retired from a life 'on the road' as a freelance keyboard player, I compose and record in my home studio, situated in the Carrick Hills in Southern Scotland. My music is mainly instrumental in nature and is a reflection of my life experience, sometimes real and sometimes imagined.
My influences are many and I have quite probably been shaped by listening to the very many "giants" of music, both players and composers. From classical to contemporary jazz and everything in between. My main instrument is the keyboard, whether that be piano, organ or synth. But I also play banjo, flute and percussion. I have a special relationship'with bass, whether upright or electric and use virtual and synth basses from numerous sources, but mainly Trilian by Spectrasonics.


https://music.apple.com/us/artist/alan-hamilton/119498445/see-all?section=full-albums
https://open.spotify.com/artist/2j38dJ8YVPX2nVQcUjaAYx
https://music.apple.com/us/album/time-travel-and-other-journeys/1651782098

Three Nibs

Alan Hamilton

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