j'aime beaucoup le contraste entre couplets et refrains, très rock

Very smooth - excellent chanson ☀️☀️☀️🍀

Encore une très belle chanson, j'adore ! Très beau texte et belle interprétation, moi aussi j'aime beaucoup les harmonies de la fin et je pense qu'elles ont du potentiel :)

Beautiful vocals Altodream
bloody marvellous..👏👏
Bravo my friend 
👏👏👏👏👏👏

Mixed for Lillithe

Depthcruiser & I are excited to share the second release in our "The Ruins We Create" project.   Hope you enjoy!  :)

The Lost Dream {Depthcruiser & Minimal_Drone*GRL / The Ruins We Create Project}

This is a STONERJAZZ and Tea R Sea trip.   I was happy to play on this, big fan of the Smoking Trout material.  

The second installment of Smoking Trout's EPIC tale of adventure, love, heartache, and a bunch of other stuff, in the travels of the "Hobo Cyberpunks" and the "BUS"

Tea R Sea(Terry) Producer, Synth, percussion, artwork
Uziel - vocals,keyboards(clarinet)
TexMex Shamen (Stephen) guitar
Sonic Structures and Silent Stretches (Jo Richter) percussion, lyrics
StonerJazz(jeff) Lyrics, vocals, percussion

lyrics

you may have heard the creaking noise and tiny footsteps n the darkened corridors
that stretch to the southern boundaries of the unpolluted parts
where souls are living with total disregard for the nature of the Holy Dumpling
floating on the cosmic stew that simmers horizontally to your soul ln your heart

Traveling with the HOBO CYBERPUNKS, l learned a thing or two from the leader of the band Cosmic Stu who ln a wild tangent and a Rant, described a different spot
a filthy plot, invaded by tribe of bots, who stank of superficiality
an opportunity that he lost

The teachers teach ln empty auditoriums to pupils lost ln 4 inch screens
sequestered ln squalid scenes, that go unnoticed as useless information ls gobbled up and gobbled down ln every home and every town
Put the monster down and walk away He sald,
lron John ls not afraid of the queen
and even though the prince ls doomed
the purpose doesn't change

let me introduce you to some members of the band
there's Sally and Roberta who play the clarinet with beauty and with Grace
who plays the violin and Viola who makes the Djembe
bounce around the brain
with subliminal referrals to her pleasure and her paln
The horns are played by the twins
Maurece and Nostradamus, their trumpeting sublime

the accordlan of course ls played by Johnny who you might remember from the land of Zed, He did eventually get out of bed and sald
This reminds me of a time when things were real, and l could feel the rope of
hope wrapped firmly around and round my throat
before l knew the truth about the Lle
before l knew the meaning of goodbye

Now Stu he claimed to know or knew the whereabouts of the holy condiment that grew only
just outside his windowsill (and was essential to the Dumpling's flavor)
where he lived ln another life with Mary-Ann his ex-wife
who left hm for a guy named Sid who was a maestro on guitar
and had a band that traveled wide and far
including Mary Ann, and Larry too

Looking for that very thing
Hoping for just one bite
of that heavenly delight
before the turning of the light

The Holy Dumpling "the Smoking Trout" (featuring STONERJAZZ, Tea R Sea, Uziel, Jo Richter)

Credit goes to Klankbeeld of Freesound.org for the recordings of Fort Kijkduin...

Beyond the Netherworld (2023 Remix)

Virtual Romance

Chass bliss reproduction with ipad Gauss apematrix . I play bass or kalimba live record and manipulation like chass bliss pedale

Only Textures Tapes - Kalimba Bass and Fun

Video,  we never thought you'd go away
And even CD's gone forever now

We digitised it, can't say it's not a lot of fun
But we will remember all those days

-----------------------------------------------------

We don't know, why humans are all so sick?
It's PFAS in the water, man
Leeching into the food chain, 
Taking our humanity
Will fighting fires cost more lives now?

The answer is yes
The answer is yes
The answer is yes
The answer is yes
The answer is yes  yes  yes  yes

The Answer Is Yes - Eleyan Di Palma

A minimal mix of See - Wildsilences - for open collaborations.
https://soundcloud.com/herronsound/wildsilences-see Posted as an intro or outro for Wildsilences See Indi Wild Moon, separated so it can be both, but also for it's potential to be expanded.
mix edit 05/27/23

See - Intro - Open Collab

Transient

Composed, arranged, performed, and produced by:
Carlos Vivanco

When related to the scale degrees of the major scale, it reads:  1 – ♭2 – 3 – 4 – 5 – ♭6 – ♭7 – 1 The sequence of steps forming the Phrygian dominant scale is:  half – augmented second – half – whole – half – whole – whole Traditional use This scale occurs in Indian, Middle Eastern, Eastern European, Central Asian, and flamenco music. It is common in Arabic and Egyptian music, in which it is called Hijaz-Nahawand or Hijaz maqam, and used in Hebrew prayers and Klezmer music, where it is known as Ahava Rabbah, Freygish or just the "Jewish scale", and is called Dastgāh-e Homāyoun in Iran.[citation needed] It is the most common scale in North Indian classical raga Hijaz Bhairav (Basant Mukhari) and South Indian raga Vakulabharanam.  It is sometimes called the Spanish Phrygian scale, Spanish Gypsy scale (see: gypsy scale) or Phrygian major scale (see: phrygian mode and major scale) and is common in flamenco music. It can also be found in traditional Spanish songs outside flamenco, everywhere in Spain to varying amounts, but especially in southern and central areas of the country, often being also known as escala andaluza (Andalusian scale) in Spanish.

Summer Dreams

Hijaz

Quand tu passes et tu trépasses, où vas-tu mon ange,
Quand tu passes et tu trépasses, où vas-tu mon ange,
Des coups de fil, tous hémophiles,
Des tweet haineux, tous nauséeux,

Faut faire la une sur Instagramm,
Et sur Facebook, vendre son âme.

Si tu ressens l’outrance,
Ne leur donne pas ta dernière danse.

Quand le jour, doucement s’efface, où vas-tu mon ange,
Et quand la brume recouvre tes traces, où vas-tu mon ange,

Ces mots lâchés comme des coups de poignard,
Qui embrume ma vue et me laisse hagard,
Dans mes draps  trempés de sueur où le sommeil s’échappe,
Et l’angoisse du matin qui va refaire surface,
La meute des chiens est déjà dans la place,
La rue s’est écroulée, la maison a brulé, le quartier est maudit,
Avec un rasoir je me coupe jusqu’au sang pour ne plus avoir mal
Pour ne plus respirer, pour ne plus écouter, pour ne plus exister

Des coups de fil, tous hémophiles,
Des tweet haineux, tous nauséeux,
Les insultes, de ces incultes, 
Sous des pseudo, genre héro,

Faut faire la une sur Instagramm,
Et sur Facebook, vendre son âme.
Faut se déchainer, sur Tweeter,
Avec la meute, des voyeurs

Si tu ressens l’outrance,
Ne leur donne pas ta dernière danse.

Mon ange

Mon Ange

A pulsing layered rock dirge about being stuck in the eating utensils of giants or unnoticed between the typeset of discarded newspapers. Bat! Bi! Hiru! Lau! We've all been there!

From the album LATITUDE BERA available at https://brittapejic.bandcamp.com/music

Latitude Bera

Between the Tines

Trying to remember - Sul filo aggrovigliato della memoria

This is a song in a style similar to some old Jerry Reed songs.  I grew up with a lot of that music around and I still have an affinity for it.   
Now, having  Jeff sing it and write the lyrics is where the genius comes in haha.  When we were working on the last Smoking Trout New Mexico song I showed the gang some art and it had the Toad in the desert.  Jeff asked me if all the people on the bus licked the toad.  Haha, I said of course what do you think.  
So this is a continuation of sorts of a theme.  Like when you have a character on a show from another show as that same character.   Think Joanie & Chachi or Saul Goodman. The Toad now has a spin off.
I thought he did a great job with the narration style that these songs typically are written with.   And the lyrics speak for themselves. Enjoy! 

Music: TMS
Lyrics/Vocals : Stonerjazz



l was flying down state 95
just ten miles East of Blyth
Hot Rod Lincoln blaring on the radio
My ole pickup truck lt overheated
l had to stop and find some shade
underneath a Palo Verde tree
a blg ole Toad There he spoke to me
He sald "Why don't you give me just a little lick Right here, Right behind my ear

Now you may think lt's a little funny, but l can guarantee
You will thank me ln the end my Friend--

Not wanting to disappoint my new found friend
l took a little tiny lick
and washed lt down with a Beer
After Frothin at the mouth for a little blt
my Consciousness lt took a hit
and headed south ln a flood of light

There are no word that can describe what happened next-
but l can say for sure without a doubt, unequivocally
My brand new Paradigm got tangled up with my Epiphany!!

Shit Kickin and Toad Lickin

Shit Kickin and Toad Lickin - w/ Stonerjazz

Written @ 19 years… I’m now 53.., still seems relevant!Hope you enjoy!! If you “ know”… you will know the lyrics I lifted from various places!!😎

Long ago, it was long ago
I promised you in a letter
I would always be your comforter and friend 
Now the times they’re changing 
And it’s time that I made a change 
Cause you know that the end it’s coming soon 

Chorus 
￼ If it wasn’t so I would’ve told you
Things will happen. All just the way they’re planned. 
If you yourself, find yourself
Found that you’ve hit the bottom 
There’s always more room at the top 

Before the Son has risen 
When the sky burns a fiery red
You’ll see, many will see,see and fear

I had a conversation 
And it was all accounted for 
All of this, this will pass away 
And what’s more?
What’s knocking at your door? 

Such a common sight to see
What we’ve all been waiting for
Another rhyme without a reason
Another scheme…￼
But don’t let this elude you 
Don’t ever let it slip away 
I promise you I am coming back again 

Long ago, it was long ago in a room at the top 

Take this message to my love 
My love, love of my life 
All I have it’s all I have and it’s yours for free

Room At The Top

Cast of characters:
Stoner Jazz--@user-911083679—Jeff—vocals, lyrics, and original stem

TexMex Shaman–@texmex-shaman–Stephen–overdriven guitar, production, and mix

K2 and the Three [and the Four]--@k2andthe3, @k2-kara–Ken–drums and percussion

Llanpsych–@llanpsych–Tez–electric clean/effects guitar 

Entheogenic Psychonaught (Josh Clary)–@josh-clary-1–four string fretless bass and synth           

This song orignated with Jeff, who wrote a poem, which he set to a beat and a key with some very cool vocal processing. He sent it to me, and I added the bass and the synth lines. I had to, of course, got the rest of the Eclectic Collective involved. Ken came up with a solid, distinct beat, based loosely on my first take. I then redid my bass line to match up with Ken's drums, which is the way they seem to work best, sometimes going back and forth like that several times until they're locked in. Then, Tez and Stephen each added very distinct, supportive guitar tracks to fill it in. Tez comes through with the very Strat sounding bells ringing throughout. Stephen really shines with his textural tremolo playing throughout, as well as the rocking end. He also produced and mixed it expertly, as always. 

  This is the first time the Eclectic Collective has collaborated with Jeff, although both Josh and especially Stephen (as part of the band, The Smoking Trout) have made music with him before. We really enjoyed making a song based on his vocals, and Jeff is a welcome addition to our sound anytime. We all really enjoyed making this one. We hope you enjoy listening to it.

Lyrics:


Naked Shoulders
l like the way the sun lights up
the naked shoulders of the Early morning
ln the Desert where we met-
ln the shack down by the muddy
where you said you waited
while l rambled on about the time
Youth and Sex and Beauty-
When the Real Revolution was the Music-

Slitting quietly and thinking
while the melancholy has lt's moment
letting longing linger longer than lt should
Took a little tumble ln the Bumble
when l got older
always just a little lucky
ln the middle of disaster
no longer sure lf l'm the spell or l'm the caster
only knowing that my feet are made of plaster-

Even though lt's getting late, even though lt's getting late
l'm still standing at the gate
hoping for a bit hoping for a little bite hoping for a little slice of Nlrvana Nlrvana-

Verse 2
You know lt's harder than lt looks
even though l read some books
l'm ln love with my Delusion, Naked and inviting
lt whispers sweetly ln my head and says
You're gonna live Forever, even though l'm almost dead-

Everything that came before
comes knocking at the back-stage door
demanding parts ln the production of the play-

What makes you think you have a choice?
The Director Said
you don't have to memorize the dialogue
the script ls ln your Head--

Naked Shoulders (Stonerjazz with Eclectic Collective)

DOWN IN DARKNESS

Words: CW Mullins
Music: Fogey

Light approaches and I see your face appear
But I step back as I watch your hand come near
Any hand that takes another takes a life
Where you take it is the cutting edge of the knife

Down in darkness with a new world to explore
Down in darkness and I can't look any more

I've been waiting
I've been waiting

When the wind howls overhead I crouch down low
When the sun beats down I hide in a shadow
I do not remember coming to this place
I cannot even remember my own face

Down in darkness with a new world to explore
Down in darkness and I can't look any more

I've been waiting
I've been waiting
Waiting for the light

Down in darkness with a new world to explore
Down in darkness and I can't look any more

I've been waiting
I've been waiting

Down In Darkness

Late in life, Thomas fulfills his passion for creating and performing songs. Alice, one of his two daughters, adds her touch and her voice. The songs are for some in French and for others in English, and interpreted either by Al(Alice), or by To(Thomas), or in duet or by guests. We hope you will like it and encourage us to continue!

Pour ceux qui galèrent!! tuto mixage home studio sur ma chaîne Youtube

Mon Ange

Altodream

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