Name: Epiphany (Theophania) - Boat Horns in Piraeus Port, Greece- January 2017 by Alyssa Moxley
Duration: 6 min 14 s
Description: Boat horns in the port of Piraeus on 6 january celebrations.

so funny to have these two incredible recordings !

Great to hear this again. I first heard Felix Blume's recording and it was amazing. I reposted it on my Scplanner Experimental/field recording network. Would love to have you be a part of it. PM me.

https://soundcloud.com/felixblume/ships-horns-concert

Art work by DSKO https://soundcloud.com/distco

Future Expansion

Recorded live at Iklectik on 8th July 2021 by Isa Ferri

Thanks to Lucia for inviting me

Frame Drum and Computer (Live at Iklectik)

Combined DIY hydrophone recordings from the workshop sessions "Something to Say" organised by Lakeland Arts at Windermere Jetty Museum, August 2022. Many thanks to Amy, Ian and the team!

Something To Hear Underwater

From the album Heave To on Sedimental records, released in 2006

Make The Land (Sedimental) Excerpt

The music of Naarm/Melbourne composer Lisa Lerkenfeldt channels a unique wavelength of foreboding, interstitial electronics, incorporating strategies of musique concréte threaded with veiled currents of melody and hypnosis. Recent recordings for Vienna Press, Longform Editions and Aught Void have demonstrated different depths of process and finesse but her latest, Collagen, captures perhaps the most complete and complex manifestation of her craft to date.

Drawing on a disciplined palette of peach wood combs, contact microphones, piano, strings, and feedback, the album moves in low, looming arcs, ascending to strange purgatories of opaque atmosphere. Lerkenfeldt cites a core aspiration to “elevate the everyday,” transforming common objects into otherworldly sound sources, which colors Collagen with a beguiling tactility, like vibrations traced in sand. The tracks shift in frequency and feeling, alternately heady and bodily, acoustic and synthetic, isolated states of static, light, and undertow skirting the outer rings of ambient, noise, and modern composition.

Although each piece exists in its own rare air the composite panorama they present is striking in its sweep...  more

Credits:
Released August 21, 2020

All music by Lisa Lerkenfeldt
Mastering by Kassian Troyer at D&M
Design by Bartolome Sanson
Scores by Lisa Lerkenfeldt

Collagen

Gates Of Desire

Boat horns in the port of Piraeus on 6 january celebrations.

Epiphany (Theophania) - Boat Horns in Piraeus Port, Greece- January 2017

The B side of Dissolution. LP/digital release on Glistening Examples, November 11th, 2016.  25 LPs were special edition, with 35 mm slides embedded in the clear vinyl. Copies of the regular LPs are still available on Forced Exposure
https://www.forcedexposure.com/SearchResult.html?SearchType=Basic&Type=artist&Key=olivia%20block

DISSOLUTION B

This CD features recordings of a now lost sculptural work that was originally commissioned in 2016 for Colour Out of Space festival. The work consists of over 100 empty computer cases, fitted with 16 customised and automated DVD drives. Between 2016 and 2018 it was exhibited in Brighton, Athens, Croydon, Oxford and Rennes, on each occasion being reconfigured into a new form. The most ambitious of these being at Detritus Festival in 2018, where a new and larger version of the work was constructed at the Onassis Cultural Centre from used computer sourced in the city. The work was sadly lost in transit between France and the UK, returning to the global trade in e-waste which its production initially sought to intervene in, so all that remains are these recordings. 

The CD is released in an edition of 150 in an oversized 7" sleeve accompanied by a 16 page risographed booklet featuring photographs and scans of the sculpture, essays by Danae Stefano and Stephen Cornford, and a letterpressed backpanel.

Stephen Cornford - Constant Linear Velocity [excerpt]

Quitratue

Yarn sewn fabric played on prepared turntable and stylus.

Tistre is the first outcome of an experimentation with textile supports, made by Andrea Borghi in 2018, during a residency at Lottozero textile laboratories in Prato. Fabrics and yarns are the materials with which he creates discs the shape and size of a Lp. He plays them with a prepared turntable, in order to exploit the reliefs of the weft and the warp as a surface from which to produce the sound with the use of special self-built styli and electronic treatments.

Tistre follows the path taken by the artist with Discomateria, focused on experimentation with different materials such as glass, resin, metal or marble, which become the source for the production of sounds.

https://www.dinzuartefacts.com/

https://andreaborghi.com/project/tistre/

Tistre_(Dinzu Artefacts /DNZ43/2019)excerpt

Snow melting in a pine forest by the Dore river, Auvergne.

Snow Melting

Sound Artist & Designer, Composer, Field Recordist, Producer

www.alyssa-moxley.com
previous soundcloud @dromomaniac
Recordings from Unbound Atlas: @kinisifestival

Cover photos by @stephanecharpentier

Epiphany (Theophania) - Boat Horns in Piraeus Port, Greece- January 2017

Alyssa Moxley

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