Endless Time: Fantastic song capable of embracing eternity. Solid vocals shaken by this incredible melody. Work of notable quality.

Fantastic track…great vocals and performance!!!🎵🔥🎵🔥

great and powerful tone captured here. loving that pure rock attitude

awesome voice and guitars 🎸🎸🎸👍

amazing solo, great track fantastic 👍👍🎸

Wonderful heavy rock. I especially liked the vocal lines. The guitar sound is deep and superb!

Always enjoys your music. Another solid composition,  rock on AB  :)

LITTLE LIES WHILE SUMMER IS COMING

Spotify https://open.spotify.com/album/56YFdlBiGJOCweAYKcxbEU?si=lXy9c_AWTey3dfpEVAXtZg
iTunes / AppleMusic https://music.apple.com/us/album/space-crue-single/1746850068

Aerolite_13 - Space Crue

Rien de Bien

ENDLESS TIME
Written, Performed & Produced
by Andrew Borderick Copyright 2024 AB Music
YouTube Link
https://youtu.be/oR0dpoMQafI?si=DvNXSIOR5O_b81q0

V1
THIS IS YOUR LIFE, IT'S IN YOUR HAND
DON'T JUMP THE START, IT ALL ENDS FAST
V2
TO LOOK YOUR AGE, IS OUT OF STYLE
TO GO BACK IN TIME, THERE MUST BE DENIAL
(Ref)
WE'RE LIVING IN ENDLESS TIME
(Chorus)
YOU'VE NEVER HAD A LONLY DAY
WITH THAT FACE, IT'S ALWAYS THE SAME
YOU CAN CALL IT ALL YOU LIKE
BUT NOBODY LIVES, UNTILL THE END OF TIME
V3
YOU CAN CHANGE YOUR LIFE, BUT NOT YOUR HANDS
THE END OF THE WORLD HAS ALREADY PAST
(Ref)
WE'RE LIVING IN ENDLESS TIME
(Chorus)
YOU'VE NEVER HAD A LONLY DAY
WITH THAT FACE, IT'S ALWAYS THE SAME
YOU CAN CALL IT ALL YOU LIKE
BUT NOBODY LIVES, UNTILL THE END OF TIME
(Break)
(Ref)
WE'RE LIVING IN ENDLESS TIME
(Chorus)
YOU'VE NEVER HAD A LONLY DAY
WITH THAT FACE, IT'S ALWAYS THE SAME
YOU CAN CALL IT ALL YOU LIKE
BUT NOBODY LIVES, UNTILL THE END OF TIME
(End)

2024

ENDLESS TIME

Y me parece mentira

Caligo Paean is a 1 hour long sound piece installed on river front property in the town of Franklin, Tasmania as part of the exhibition "When The Fog Clears". It formed part of the Ten Days on The Island Festival March 2025. The intro features the Nocefresca Choir - an impromptu group formed of artist residents I met in Sardinia in 2024. The group (none of us singers) were asked to vocalise in an ancient roman antechamber on a field trip by Sardinian Composer Gaia Aloisi. I recorded it on my zoom for hopeful future use - and here it is making up the intro to this 'song of praise' to the goddess of fog, mystery and chaos. 
The work was installed in several locations across the property including a stack of subs under an old bus, in the main exhibition space and in an abandoned shed some 40 metres from the main area (pictured). The speakers were tuned quite differently depending on their location and the sound was not delay corrected with the result of each mini-installation merging with each other in odd sonic ways  - kind of calling the listener from one spot to another. The the work features field recordings, percussion, piano, bass guitar and Intonarumori as well as this special one off choir : ) 
Big thanks to everyone involved!!
Official press release below. 
Every day, the mists of the Huon Valley perform a seductive dance, gently obscuring and revealing contours of the fertile land and waters. Situated in The Watershed Franklin, When The Fog Clears features six artists from lutruwita / Tasmania exploring the region’s iconic mists through a variety of mediums including installation, sculpture, illustration, sound, and video. 

Developed exclusively for Franklin, this exhibit extends from the waterfront itself into the chambers, kilns, and rafters of the shed, inviting visitors to consider fog as an atmosphere that can cloak us in unexpected ways.

Featuring:
Amber Koroluk-Stephenson
Nadège Phillipe Janon
Joshua Santospirito
Rosie Hastie
Mat Ward
Ursula Woods

When The Fog Clears is curated by Loren Kronemyer and Produced by Constance ARI

This project is supported by Arts Tasmania and presented in partnership with Ten Days on the Island.

Caligo Paean (Intro)

Original composition by Neno J. (song for my little grandson)
Nylon electro-acoustic guitar Cordoba Studio GK, recorded directly using multi effect Hotone Ampero 100.

Bossa for little Noah

Enjoy the summer!
Spotify Playlist Curator Shania Wagema:
„The beats give off strong vibrant and summer vibes…The production is amazing and quite admirable.“

Sommerhit

„Towards the Dawn" from the album Tides of Melancholy is an emotional journey between darkness and light. The track captures the essence of sorrow and hope, unfolding in delicate yet powerful melodies. With a tender piano performance accompanied by a soft violin, the song takes the listener into a world of reflection and inner transformation.

In an atmosphere that is both contemplative and uplifting, the track symbolizes the transition from difficult moments to new possibilities. Melancholy blends with a hint of hope, as if the darkness is being pierced by the first rays of morning.

Perfect for fans of cinematic, ambient, and instrumental music, looking for a sound that is both profound and uplifting.

„Towards the Dawn“ aus dem Album Tides of Melancholy ist eine emotionale Reise zwischen Dunkelheit und Licht. Der Song fängt die Essenz von Trauer und Hoffnung ein und entfaltet sich in sanften, aber kraftvollen Melodien. Mit einem zarten Klavierspiel, das von einer weichen Violine begleitet wird, entführt der Track den Hörer in eine Welt der Reflexion und des inneren Wandels.

In einer Atmosphäre, die gleichermaßen nachdenklich und erhebend ist, symbolisiert der Song den Übergang von schwierigen Momenten hin zu neuen Möglichkeiten. Die Melancholie vermischt sich mit einem Hauch von Hoffnung, als würde die Dunkelheit von den ersten Strahlen des Morgens durchbrochen.

🎶 Album: Tides of Melancholy
🔗 Folge mir für mehr Musik.

Note: This track was entirely composed, performed, arranged, and produced by myself – without the use of artificial intelligence.
Creating authentic music with real emotion and personality is important to me. Thank you for listening and for your support.

Hinweis: Dieser Track wurde vollständig von mir komponiert, aufgeführt, arrangiert und produziert – ohne den Einsatz künstlicher Intelligenz.
Echte Musik mit authentischen Emotionen und Persönlichkeit zu erschaffen, ist mir wichtig. Vielen Dank, dass du zugehört hast und für deine Unterstützung.

℗ 2025 DestKorn | © 2025 DestKorn. All rights reserved.
Unauthorized use, reproduction, modification or distribution of this track is strictly prohibited and will be prosecuted under applicable law.
℗ 2025 DestKorn | © 2025 DestKorn. Alle Rechte vorbehalten.
Jegliche unautorisierte Nutzung, Vervielfältigung, Bearbeitung oder Verbreitung dieses Tracks ist untersagt und wird rechtlich verfolgt.
Artist & Publisher: Matthias K. / DestKorn
SenneRecord – established 2012

Tide Of Melancholy

Towards the Dawn

Cast of Characters:
Joe Stroffolino-- @joseph-stroffolino -- Taylor 114ce acoustic guitar, main vocals, harmony vocals, lyrics, composition
Llanpsych -- @llanpsych -- Tez – Epiphone Les Paul electric guitar
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums and percussion
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –- four string Fender Precision Bass, and Roland organ
TexMex Shaman–@texmex-shaman –Stephen– Tom Anderson Custom T electric guitar, mix, mastering, and production

This song began when Joe, feeling a bit nostalgic, wrote the lyrics and composed it on his acoustic guitar. He recorded it and sang it with expert harmonies, then decided to share it with Eclectic Collective. We were all very excited to get work on our second song with Joe, as we all admire his songwriting.
First up was Tez this time, oddly enough. He was able to identify all the fill spots and light up the solo without the rest of us even adding anything yet. Next came Ken, who usually goes first, adding his steady grooving drums and tasty percussion. Once the drums were down, Josh completed the rhythm section by adding his fretted bass. He also worked out an organ part to give the whole sound a bit of thickness. Also adding some thickness and texture, Stephen added a clean electric rhythm part, as well.
Once we had it in can we asked Stephen to mix and produce it for us, which he did in his always expert fashion.
This, as mentioned, is Eclectic Collective's second song with Joe, and we all enjoyed bringing it to life with him. He's a wonderful collaborator and an all around good dude. Do yourself a favor and go check out his page, which is rich in great songs. We hope you enjoy listening to this as much as we enjoyed making it.

Original lyrics by Joe Stroffolino:

If you find yourself in trouble and you think you've lost your way.
Here's hoping that you find a path to a better day.
I sure hope that you're happy. I'm wishing you the best.
I hope you find what you're looking for as you continue on your quest.
I hope you find all the answers to all those questions vexing you.
I hope you can find a way not to bite off more than you can chew.
I sure hope that you're happy. I'm wishing you the best.
I hope you find what you're looking for as you continue on your quest.
You spread your wings and you flew so far away from me.
I hope that you're enjoying your new reality
All those places that you said that you wanted to see.
I hope they're as good as you expected them to be.
I want you to know that you hold a special place in my heart.
I think about you often even though we are apart.
They say that when you love somebody sometimes you gotta be willing to let them go.
You gotta let them spread their wings and fly wherever the wind decides to blow.
I sure hope that you're happy. I'm wishing you the best.
I hope you find what you're looking for as you continue on your quest.
I hope that you're happy. I hope that you're doing well. I sure hope that you're doing swell.You spread your wings and you flew so far away from me.
I hope that you're enjoying your new reality

Hope That You Are Happy (Eclectic Collective with Joe Stroffolino)

IF YOU REALLY WANT TO UNDERSTAND ME
YOU MUST EAT MY PAIN
YOU MUST GET INSIDE MY HEAD
YOU MUST KNOW WHAT IT FEELS LIKE
TO WRESTLE WITH ETERNAL SHAME
>
I WILL EXPOSE YOU TO A LIFE UNKIND
WHERE YOU WILL GET TO DIE ONE THOUSAND TIMES
MY SUFFERING WAS MEANT FOR YOU
COME SHARE THE PAIN I’M GOING THROUGH
>
EAT MY PAIN
>
THIS WAS NEVER OF MY CHOOSIN’
YOU BROUGHT THIS ON YOURSELF
ACCUSING ME OF LOVING YOU
SEEMS I NEVER MET YOUR CRAVING FOR ABUSE
>
BUT NOW YOU’VE OPENED MY EYES
DEVELOPED THE SKILL TO FULFILL YOUR NEEDSSO NOW 
SO NOW I OFFER PAIN
THE PAIN YOU’VE ALWAYS CRAVED
>
DON’T BE AFRAID, 
TAKE ANOTHER BITE
ACCEPT THIS LOADED INVITE
SATE YOUR APPETITE
STEP INSIDE MY TORTURED MIND
ENJOY THE FEAR  IN WHAT YOU FIND
THIS IS THE LAST TIME THAT I LET YOU CLIMB INSIDE
YOU’LL DISAPPEAR WHEN I LEAVE YOU FAR BEHIND

EAT MY PAIN

"I Just Can't Live Without You" (Instrumental)

First of all, I would like to wish a happy springtime to all of my fantastic friends here on SoundCloud!  

Without further ado, here is the full instrumental version of a short demo song I made on September 5, 2024. Originally this tune came to me when thinking about the chords and progressions in my earlier song "Peace".

This song was made, played and recorded by me as MIDI and with e.g. the following instruments and sounds: Yamaha Montage 8 (TX816 Electric Piano), Spectrasonics Keyscape (Roland MKS-20 EP sound), Arturia Jup-8 V (Horns), Arturia Synthx V, UVI Ultramini & Arturia Mini-V (Minimoog bass sound), Arturia JUN-6V (the "55 Pop Corn" sound, cf. Juno-6 Synthesizer), Native Instruments Session Guitarist - Electric Mint; and other sounds from the UVI SonicPass VST library including UVI PX Memories (cf. Memorymoog mod), UV-XXX (from the UVI "OB Legacy", horns & the brass sound), UVX-10P (cf. Roland JX-10, the flute sound) and Marcato Strings (from UVI Emulation II). The drums come from Native Instruments Abbey Roads 1980s Drummer, layered with the fantastic Simmons SDS 5 style kick & snare drums from UVI Beatbox Anthology 2.  

Recorded, edited and mixed in Cubase Pro 14, with some significant help from iZotope Neutron. Mastered in Cubase Pro with Ozone 11.


I'm certainly not a lyricist but I got some help with the lyrics! And the idea was that the lyrics would go something like this:


VERSE 

My life is good 
having you by my side
We face the future together
The years roll by
... 
It wouldn’t be the same without you
... 


CHORUS 

I just thought that you should know
I never wanna let you go...
... love you so
I just thought that you should know 
I never wanna let you go
... I just can’t live without you


I Just Can't Live Without You

Screenshot your mind, life was designed, watch what you do, there's nowhere to hide.

Screenshot Your Mind (life was designed)

Music, lyrics, ac. guitar & vocal : Grave
Ac. guitars, bass & mix : PJ Project

Political Correctness

This track is the lead track from my 8th Ep CHEMICAL. 123 BPM. 3m40s. The genres are Big beat / Electronic rock / Breakbeat. The most relevant genre is Big beat. The moods are Energetic / Intense / Aggressive. The style is Beat music. Everything by myself. Heavily influenced by 90s UK Dance music. The similar artists are The Chemical Brothers and The Prodigy. The intense and aggressive chorus part is a highlight (The impressive sound effects in the chorus part are made from my voice). The beat and Lo-fi Hip hop piano are also unique features of this track. This is energetic and aggressive, so this is for rock audiences, suitable for outdoor and loud. CHEMICAL Link in Bio!

DEAD SYMPHONY

didnt know the guitars a lil off beat sorry 😭


now i know theres nothing left
i know ill just have to end up dead
crying over all your texts
because i am all alone again

i wish i was perfect 
just so that u could stay with me
im just another boy
but ur my whole life to me

without you in my arms
what am i supposed to be?
and now my bodys all over the ground deceased

im crying in my room
i dont know what to do
ive lost interest
in everything i did with you

ive lost control and now
lifes crashing down
where am i supposed to be?
im such a pity

i wish i was perfect 
just so that u could stay with me
im just another boy
but ur my whole life to me

without you in my arms
what am i supposed to be?
and now my bodys all over the ground deceased

i wish i was perfect

Songster version was a little ‘copla’ about not being able to be with, nor without, a loved person.  As usual, I’ve ‘upgraded’ it, process from which you only get the final result, normally. 

But, following lyrics’ contradictions, I not only serve parts with different levels of (dis)order in heavy rock - flamenco sauce, but raw vs very cooked parts as well, starting with the improvised phone recording of the very first idea I had to develop the song, so please excuse my failures and noises.

Letra  /  Translated lyrics:

Te veo venir (No te vuelvas a ir)  /  I know where you're coming from (Don’t you leave again)

Te veo venir,                                                 /  I know where you're coming from,
cuando vienes con esa carita de pena,        /  when you come with that sweet sad face,
te veo venir,                                                  /  I know where you're coming from,
cuando vienes llorando sin que te duela,     /  when you come crying without any pain,

te veo venir (x3)                                            /  I know where you're coming from, (x3)

Te veo venir,                                                 /  I know where you're coming from,
cuando dices que quieres hablar conmigo,  /  when you say that you want to talk to me,
te veo venir,                                                  /  I know where you're coming from,
cuando quieres estar al lado mío,                /  when you want to be by my side,

te veo venir (x3)                                           /  I know where you're coming from, (x3)

Te veo venir,                                                 /  I know where you're coming from,
cuando vienes con esa carita de pilla,          /  when you come with that sweet sly face,
te veo venir,                                                  /  I know where you're coming from,
cuando vienes con esa sonrisa, chiquilla,    /  when you come with that smile, little girl,

te veo venir (x3)                                            /  I know where you're coming from, (x3)

ER33FI03 RUIZZO©1996 – FRANCÉS RECORDS®2016


Factor Integrante

Te veo venir (No te vuelvas a ir)

Hello Soundcloud, thanks for the Listens, Likes and Support. Im from Melbourne Australia, I have been playing guitar for many years now and played in two bands during the 80's & 90's (STOLEN CAR original) & (STORM cover),both bands never released any material. Since 2010 i have been writing songs and tunes and recording them in my music room (3rd Bedroom), i play Guitar, Bass, Keys, BFD2 Drums(programmed)and Vocals on all of my songs which i class as Demo's, I love all types of music but Hard Rock, Rock to Alternative appeals to me most.
ALL SONGS POSTED ARE SUBJECT TO COPYRIGHT.
ALL RIGHTS RESERVED BY THE OWNER.
Thanks again to everyone listening out there in the world, always looking forward to new material on Soundcloud,
Character Picture By, Rianna Borderick 2017
All artwork by Andrew Borderick
CONTACT : andrew@netec.com.au
Regards 
Andrew Borderick. (March 2017)

(Don't follow me here, best on my main page ;)

ENDLESS TIME - (see info for video link)

Andrew Borderick

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