J. S. Bach - Suite No. 4 In E Flat Major - Prélude

Giacomo Puccini: "Tosca"
Roma, Teatro Costanzi, 14  gennaio 1900
Floria Tosca: Renata Tebaldi
Mario Cavaradossi: Giuseppe di Stefano
Il barone Scarpia: Tito Gobbi
Il Sagrestano: Virgilio Carbonari
Cesare Angelotti:Nicola Zaccaria
Spoletta: Piero De Palma
Sciarrone: Giuseppe Morresi
Un pastore: Antonio Negri
Un carceriere: Franco Piva 
Orchestra e  Coro del Teatro alla Scala di Milano
dir.Gianandrea Gavazzeni
reg. 12.12.1959

G.Puccini: "Tosca" (Milano,1959)

Soaring mountains, lush landscapes, and roguish adventures –  Richard Strauss’s the tone poems capture it all, an uses an enormous orchestra to depict them. Listen for changes in scene and weather in An Alpine Symphony as well as for the transformation of the mischievous motifs that accompany the pranks of the clever peasant Till Eulenspiegel. Alec Baldwin is your host.

R. STRAUSS:               An Alpine Symphony  

R. STRAUSS:               Till Eulenspiegel’s Merry Pranks  

Lorin Maazel, Conductor

Lorin Maazel Conducts an All-Strauss Program

from 'Synecdoche' [CD|LP|DIGITAL]
Denovali Records · den240
available on all formats at [http://denovali.com/saffronkeira]

In the beginning the universe was full of light. Shining bright and incredibly energetic no solid matter could exist. As the universe expanded, the light became less energetic until the very first hydrogen atom could form. More followed forming molecules which in turn merged into gargantuan molecular clouds until they collapsed under their own weight, giving birth to the first stars, illuminating the universe once again. Being monstrous fusion factories, these stars burned hydrogen to complex chemical elements and eventually exploded leaving even more complex elements behind. After two such stellar cycles, there was enough material in the universe to form all solid matter that we know to exist today. Yet, everything began with the very first atom ...

Synecdoche - the whole consists of parts, and each and every part embodies the whole. This motif is at the heart of Saffronkeiras so named fourth album. Saffronkeira is a project established in 2008 by Eugenio Caria from the island of Sardinia, Italy. With Saffronkeira, Eugenio Caria lives out his passion of being a researcher of the possibility of expression offered by currently available technology. Indeed, in his tracks he experiments a lot with electronics and unconventional elements, which sometimes seem meaningless at first sight, but uncover their significance only on a closer examination. Combining subtle and sometimes even almost invisible rhythms with textures of sound he confidently moves between minimalistic pieces and classic ambient tracks which should please both the analytic ears and the listeners who just want to dive into the music.

Saffronkeira's previous album "Cause and Effect" constituted the first ever collaboration work of Caria and resulted from a close and unique joint work with trumpeter Mario Massa. Synecdoche picks up this collaboration idea, but this time features collaboration with various different artists, namely Mia Zabelka and Siavash Amini & Idlefon, as well as the Denovali artists Field Rotation, Sebastian Plano, Subheim and Witxes. Mixed and mastered by Alex Gámez at Störung Studio, Synecdoche brings Saffronkeira's distinct electronic sound to a next level which is further perfected by the individual and fascinatingly diverse collaborations.

Synecdoche

Saffronkeira - Paragdimatic (with Subheim)

Giddyhead - A conversation with my piano (Original Mix)


A conversation with my piano

https://ftmots.bandcamp.com/album/sleep-stations

From the Mouth of the Sun (aka Aaron Martin & Dag Rosenqvist) return with ‘Sleep Stations,’ an EP of six new songs, out May 18th, 2018 on Lost Tribe Sound. ’Sleep Stations’ rests comfortably alongside 2017’s ‘Hymn Binding’ their third full-length album and their original score for Joshua Z. Weinstein’s feature film, ‘Menashe.’ With ‘Sleep Stations’ the duo assures us that their exquisite palette of classical leaning, electro-acoustics reaped from their previous albums still leaves much to be explored.

In fact, the pieces of ‘Sleep Stations’ were composed during many of the same sessions as ‘Hymn Binding’ and ‘Menashe,’ yet they feel like a natural continuation of From the Mouth of the Sun’s sound, a stepping stone towards the next chapter, if you will. The core sound will be instantly recognizable for those who’ve followed their previous endeavors, comprised of cello, piano, acoustic guitars, lap steel, banjo, ukulele, pump organ, soft humming electronics and warm layer of static.

The title track ‘Sleep Stations’ was originally meant to be included on the album ‘Hymn Binding.’ It acted as a centerpiece and starting point for the music that From the Mouth of the Sun recorded later during the process of scoring the ‘Menashe’ film. The film ended up requiring an extremely spare palette, thus the ‘Sleep Stations’ EP represents a longing for a fuller and more controlled sound that exhibits the dynamic range that From the Mouth of the Sun strive for with their work.

There is a softness and detachment to ‘Sleep Stations’ more so, that seems to give the album an of aerial view of the landscape below. Where ‘Hymn Binding’ felt more grounded in the earth and soil, ‘Sleep Stations’ floats high above, feeling weightless, suspended in slow motion flight.

Arranging ‘Sleep Stations’ as an EP, has allowed Aaron and Dag to tell a shorter story, one that doesn’t have to be such a grand gesture, which is something they’ve wanted to explore for a while now. It’s a beautiful reminder, that a collection of music can still be simple yet deeply affecting, without being overwrought and excessive.
___________________________________________

CASSETTE DETAILS
‘Sleep Stations,’ our 3rd installment in the Dead West Tape Series, arrives on a limited pro-dubbed hi-bias tape cassette, housed in a reverse printed 300gsm heavy stock outer case. The edition (limited to 100) also comes with a download card offering a choice of formats including FLAC, 320K MP3, etc. Mastering was performed by Matthew Collings (aka one half of the duo Graveyard Tapes).
___________________________________________

DEAD WEST TAPE SERIES
Dead West is a series of limited cassette tape releases from the Lost Tribe Sound record label, inspired by the relocation of the LTS headquarters from the dry desert of Arizona to the lowland plains of Wisconsin’s farm country. The Dead West focuses on music built for exploring and soundtracking your environment, whether you're deep in the middle of lush woodlands, or just laying back at home with rested eyes. ‘Sleep Stations’ is the third release in the series. The first two releases in the series come from the composer William Ryan Fritch (Ill Tides) and experimental guitarist Seabuckthorn (I Could See The Smoke).
___________________________________________ 
credits
releases May 18, 2018

Music & Arrangements by Dag Rosenqvist & Aaron Martin
Mastering by Matthew Collings
Cover Image: NASA/JPL/U of Arizona
Layout & Design by Ryan Keane
© Dag Rosenqvist / Aaron Martin / Lost Tribe Sound LLC
Published by Settled Scores LLC (ASCAP) 2018

About the Birth of Stars

“Sallaw” is a Kurdish word that expresses the passing of time, and on this new album the three sound artists have found a way of expressing that notion in music. Four tracks of slowly unfolding ambience make up this collection, each piece named after different months, again in Kurdish. The four sections represent the different seasons and their movement through time.

J. S. Bach - Suite No. 4 In E Flat Major - Prélude

andrzej.bauer

Recent comments

Jawarius VonStankyleg XVII

Related tracks