A fairly large live set by @okegmusic at Meredith Music Festival 2022

The Sizeable Mix Vol. 3: OK EG (Live)

sybil (@syberkid) at the @harmony-rec x night vibes party at a 1900s gymnasium in prague, 17.02.23 3-5am

<3 <3 <3

Harmony x Nite Vibes Sokol 

ani/live Twenty Five: Sybil @ Harmony x Nite Vibes

For this edition of The Bunker Podcast we're releasing @otodojo's live set from their album release party at The Bunker in April.

artist video explanation accompaniment:
https://youtu.be/h-xMUetPiTg?si=9qj-4DNHj2dHUBtT

artist statement:

In February 2023 I focused on developing a new live set for my debut with @thebunkerny for an album release, named one of the best releases of 2023 by @mixmag-1. I trained the set with performances at Bossa Nova Civic Club with Perfect Party Look Book and at Forest City Lodge with Microtones in Ithaca.

Maybe describing this can help you process some live set ideas.

My previous approach to delivering this material live (originally at The Long Count Cycle, then at Technically Yeah) was using stems as a bedrock and improvisation on top. Even though this worked fine, it got a bit stale for me and I wanted to be as satisfied as a listener when a groove sets in. So I decided to go fully based on MIDI information and instruments, with an added challenge that my CPU can’t take too much of a load, so I needed to make sure I disabled certain instruments before bringing others in. A disclaimer is that I am not fully endorsing all of the equipment in this list, there are some caveats that I’m happy to discuss.

In Ableton I created custom instruments through stock plugins like operator, collision, wavetable - these instruments are divided into ones I cycle through and ones that are constant throughout the set.

The constant ones exist in instrument racks and are freely interchangeable through chains - all of the parameters are mapped to the same knobs on my Novation Launch Control XL enabling me to wash through several instruments running varying sounds. I also have stored macro variations for those instruments in case I need some sound immediately without menu diving (like 1/16 note hi hats).

The cycled instruments instruments are mostly from my tracks in Amphibious / Aural Spirits that are all controlled by four channels on my Xone K1. Initially I tried using Tip by K-Devices and Map-8 to disable a swath of devices (thanks One Child Policy for the tip!). Yet I found that the CPU load was comparable with just leaving the devices on and simply stopping clips. This made for a much better workflow.

I slowly progress through the cycled instruments while improvising with the constant instruments and the main drums / accenting discussed below.

My iPad is running Werkbench by Karl Scholz @karlalamusic, a sequencer sampler app that can easily form interesting polyrhythms and is great for anything sample-related, like live accenting, bass lines, drums, etc.

For the main drums I didn’t want to be too focused on sequencing as it takes up a lot of time, so I just wanted to scroll through patterns that I generate beforehand. I opted to use a modified version of Instant Haus by @alexkid which stores drum patterns for four-five instruments. Modifying this was a bit challenging as it is difficult to determine what kind of patterns I think can stay interesting over an hour time period. This is playing Smackos 808 Simulator by @legowelt-official as well as other custom drum instruments.

For acid lines I am using a Roland TB03 on lend from Indy Nyles and sequencing the 303 with Sting by Iftah Gabbai  as well as his Microtuner device coupled with note echos (I believe this is the most CPU intensive part of the set).I am using Ableton Push as a means to do miscellaneous control and Jaw Harp / Mic for some added organic-ness.

I am running all of this through an Apollo Twin Duo and Allen & Heath Xone 96 at the club.

The Bunker Podcast 227

The Bunker Podcast 227: Otodojo

Here's a groovy piece of memory from the last gig of my Asia-pacific tour, from earlier this year.
I had the immense pleasure to play for https://soundcloud.com/dstreet_eora, joining the lineup of afterglow, a 10+hr party at super beautiful venue, with an incredible sound system!
You will excuse the slightly compressed quality of the recording :) hope you can catch a bit of the vibe from that special afternoon!

RA Pick
https://ra.co/events/1711846

Severja at dstreet - Afterglow in Eora/Sydney 10.06.23

Very excited to welcome our next guest…

Timnah is one of our favourite artists, and a true master of her craft. Not a week goes by without listening to one of her immersive sonic creations. They hold a special place in our heart <3

Over the years, she has crafted a very unique sonic language that transcends the dance floor, into subliminal rhythmic, ambient, and experimental territories. She has a gift for conjuring dynamic narratives that evoke powerful emotions and otherworldly visualisations.

Timnah has a unique way of drawing the listener into her world, rather than guiding them through their own….. and it’s a beautiful place to be.

https://soundcloud.com/timnah-sommerfeldt

Artwork by Clayton Ciolac

The Observatory - Timnah

a dear friend bringing something magical to these early-morning dances, from the valleys of southern France to western Portugal around a certain lake.

"Did you ever hear of solfeggio frequencies? They use specific sound patterns to help stimulate, exposing your brainwaves to a range of beneficial frequencies. From there, these vibrations travel through the body, promoting circulation, energy flow, and rejuvenation. Even though those frequencies are not necessarily primary in those 3 hours the destiny is. 

Having worked those outstanding productions in many different combinations over the years, it took a long time to finally share them together in an open air setting. 

I'm still getting excited from the shared memories of vibrating in a beautiful valley of the Provence on the power of klape nunsen's soundsystem, all formed by a beautiful connection of life. Waking up in misty clouds riding to a rising sun, subculture is strong and alive!"

@reasphere
@for_m

nunsen·live - rea at La Vallée Electrique

Zara is a rising Australian DJ, producer and label head, with a sound that traverses the polyrhythmic and psychedelic. Zara has releases on labels such as Animalia, Salt Mines, Pure Space and more. Her sets have been turning heads within the international scene, playing at institutions like De School, Tresor, and Spazio Disponsible’s label showcase.

For MNMT 429 Zara presents a two-hour swirling vortex, effortlessly weaving together eclectic selections into a seamless deep trip for the mind and body. 

A few word from Zara about the mix:
"Inspired by early morning, sun-drenched dance floor moments at Waking Life last month: warm, transcendent, and euphoric.”

Follow:
https://soundcloud.com/zaraolsen
https://soundcloud.com/kinesis-recordings
https://www.instagram.com/zara.eso/
https://zara-olsen.bandcamp.com/

MNMT 429 : Zara

deep dive, the Brussels-based collective devoted to deep and hypnotic tunes, invites Konduku to the wooden shack in the park. He is a master of polyrhythms, curious time signatures and rhythmic pulse. Dive deep into Konduku's ability to blend & layer sounds. 

https://soundcloud.com/deepdivebrussels

deep dive w/ Konduku @ Kiosk Radio 05.04.2025

Basel’s Timnah joins our series with a long-anticipated recording from last year’s inaugural pe:rsona, an intimate gathering from the minds at Positive Education. Over the years Timnah has established a reputation for expansive and visionary selections without equal, lending her voice to the beloved Amentia and A Walking Contradiction collectives and leading audiences into captivating unknowns worldwide. Recorded live in the French countryside at the peak of summer, Timnah’s set smolders with delicate tension, lacing outward like tendrils upon shattering glass. An intense, inward-folding moment graciously shared. Thanks Timnah!

@timnah-sommerfeldt

Artwork by Mei Oele - Boser Tritt.

Sure Thing Mix 142: Timnah

Hopeful emotions

Too Young For War [House]

sounds from australia & beyond
record label/ mix series/ events by @kia-sydney
sublabel / @cirruslabel 


-- not currently accepting demos or mix submissions

* operating on the stolen land of the wurundjeri people. sovereignty was never ceded.

distributed by @clone-distribution

artists
@brickel
@dashiell
@pascalsone
@menagerecords
@okegmusic
@dollllly
@undergroundcityloop
@billusmoon
@loiflan
@priori-ties
@secondcousins
@commandd
@zaraolsen
@gnatenko
@reptant_the_lizard
@al-den-te
@o-utlier