Delicate Records delves into the swamp laden depths of heartbreak; inexplicable depth, darkness and twisted beauty with a 9 track full length debut from Saffron Bloom. The Iranian-American producer and performer; already prolific as Sepehr and known for his expertly raw and freaky sound, develops this alias to indulge the silver linings of agony. An illbient force of nature drawing on industrial atmospherics, trip hop flow and unbothered breakbeat influx. The record serves as an ode to the ever changing phases of lost love and grief, seasons of emotion weathering the passage of time each with their own ferocity and relation to the evolving cycle; one so personal yet universally understood.

Intro, the infrastructure of aura laced throughout the record, builds around an ominous and evocative piano soundscape bleeding with delay, intruding barely human vocal cries and percussive injections. Dripping into the DNA of Dirge of the Lonely and Jealous Desire, there comes a yearning, cries from beyond the grave; mourning relationships lost with an eerie familiarity. This sinister sanctuary bred through low slung stripped
back breaks, those that echo within the soul and tie themselves to an anchor of inconspicuous growling sub bass; a signature idiosyncrasy perfectly elevated with Saffron Bloom timbre.

Quelling the urge to disintegrate, with power through distortion and commanding drumwork, corners of the B side like Curtain Call and Apathetic Rose reiterate a primal and hypnotic sonic discourse. At the heart of the LP and the artist’s ethos, it resonates through the mind and body in a psychedelic manner while remaining powerfully minimal. Time’s Up (It’s Over) featuring. Sam Weinberg feels like a fever dream, saxophone drenched and echoing throughout your brain, while album closer Ultimate Acceptance is named perfectly. A melancholic realization, soft in nature yet rich in complexity and beauty, a bittersweet conclusion. 

releases February 28, 2025

Produced by Sepehr Alimagham
Design by Mauro Ventura
Copy by Katie Campbell
Mastered by Marco Pellegrino @ Analogcut Mastering
Distributed by One Eye Witness

Vinyl 12” 33RPM
Digital Bandcamp & Streaming

Saffron Bloom [DR007]

Legendary Irish producer @o-utlier puts forth a mind-bending array of leftfield techno in its purest state for his Animalia EP, Biome. Known for otherworldly soundscaping that threads through his productions, live-act and DJ sets, o.utlier’s expansive style draws on motifs like atmospheric drone, atypical percussion and mesmerising field recordings. He continues hypnotising with Biome - from the glimmers of acid and kicks in ‘Ionic’ to the winding brood of ‘Crop Rotation’. Deep and evocative, this release epitomises what I’ve long admired about o.utlier’s work - a level of craft guaranteed to blow and broaden the sonic imagination.
credits

Artist: o.utlier (Rory Donohue, Galway IE/UK) https://soundcloud.com/o-utlier
Title: Biome
Format: 12” / Digi
Distributed by: Clone (Rotterdam, NL) 
Artwork & Design by Marutonkun (Lisbon, PT)
Mastered by Noel Summerville (UK)

o.utlier - Biome (ANIMA15)

upsammy - Open Catalyst - Dekmantel - DKMNTL106

buy vinyl: https://dekmantel.com/shop/records/upsammy-open-catalyst
buy digital: https://upsammy.bandcamp.com/album/open-catalyst

a1. Relict
a2. Telluric
b1. Open Catalyst
b2. Background Impact

Four years since her last dancefloor 12", @upsammy returns to Dekmantel with a four-track exploration of gleaming, sprightly drum and bass with a restorative centre. Thessa Torsing's moves in upper tempo zones have been defined by her light touch, finding power and presence in finely chiseled sounds and sculpting space between intricate, interwoven rhythms.

The dynamic movement of her pristinely moulded percussion is absolutely geared up for the club, but it's also matched with an uplifting, meditative sound palette which tempers the busy energy of the drums. Pushing and pulling on her arrangements with ever-increasing expressiveness and revelling in the subtlest of modulations to her kinetic beat systems, upsammy proves once again that moving in time to fast music can be an incredibly restorative experience.

DKMNTL106 // upsammy - Open Catalyst

An incredibly special recording from Hewan Aman @hewanaman live from pe:rsona festival last year. 

From Hewan:
"The set is all playful, dubby, tecky, with some psy vibes and also a bit of deep and introspective bits. I played on a hot, sweaty afternoon during day 2—just as the sun was starting to cool down and the music heads that made up this special crowd were starting to get in all their feels. LOIF took over after me with his live set, carrying us into the darker hours of the night with his sexy psy vibes. It was such a magical moment, and I’m so glad to have it captured in this recording!"

Beautiful photograph by Romain Guede.

subglow/Live 3: Hewan Aman @ pe:rsona '24

artist: @beatricemasters & @troisquartstaxisystem
recorded on the 22th of february 2025 (Polar Vortex)
length: 03h00min25s

[Polar Vortex] Beatrice M. & Trois-Quarts Taxi System (full recording) @ essaim, Paris / 22feb2025

Naff and Animalia once again join forces to present a collaboration between OK EG and Priori. The project began with a session at the Melbourne Electronic Sound Studio, where initial sonic experiments took shape. These were later developed into four interconnected movements—each crafted to feel both weightless and propulsive. The result is four high-speed, hypnotic dance pieces, best described as ‘feather-tech.
credits

releases April 3, 2025

Written and recorded by Lauren Squire, Matthew Wilson and Francis Latreille
Recorded at Melbourne Electronic Sound Studio and Jump Source Studios
Mastered and cut at Scape Mastering
Artwork by Ezra Miller

OK EG & Priori - Serpentine (ANINAFF02)

CHEAHDX lets loose in this rowdy live recording from Pure Space x Step Count at Solace Bar. Traversing across genre and time with with steeze and precision. Listen close for a sneaky peaky into his upcoming PS EP too...

https://soundcloud.com/cheahdx

Pure Space :: CHEAHDX

Rare Progressive Trance produced by Chris Organic and originally released as a B Side on his Organic Records label in 2001.

The 2025 version has been remastered and cut loud at 45 RPM with a chugging downtempo remix from Konsudd (Konduku & Aa Sudd) and a minimal acid techno version from Eternal Injection (Sunju Hargun)

@sunjuhargun
@kondukukonduku
@aasudd


System Beat - Vicious Rumours (Konsudd Remix)

Hell Yeah have been busy making musical connections and reaching out to like-minded beatmakers once again. This time, it is Pier Paolo Polcari aka Polcari, a founding member of cult Italian band Almamegretta, who steps up with the magnificent new album I Will Try To Imitate The Birds. The eight-track record also features Adriano Viterbini, another Italian music icon and guitarist with the revered Bud Spence Blues Explosion and I Hate My Village as well as Ubjk, San Ignacio and Sergio Dileo.
Label head Marco first got in touch with Polcari after he remixed Italian cultural hero Sergio Messina's cover of 'Fly Away' back in 2021. The pair began sharing music, discussing their favourite reords and, eventually, the natural next step was to work towards the album now served up here.

Polcari is a master of downtempo sounds and, as well as several solo projects that fuse trip hop, folk, dub and world music, he has made a global mark as part of Almamegretta. The revered Naples band formed in the late 80s and has worked with greats like Massive Attack and Adrian Sherwood across more than 15 albums and are currently on a special 30th anniversary tour.

Opener 'Jardino' (Feat. San Ignacio) sets a laidback vibe from the off with gently breaking drums topped with whimsical melodies. 'Vita Nova' is cavernous dub with more lush instrumentals, xylophones and wispy synth motifs making for a world escape and 'Mundo' (Feat. Ubjk) has an air of Eastern melody with delicate pads and glowing keys floating above the pillowy drums. 'The Birds' (Feat. Adriano Viterbini) has fluttering harp strings that bring real beauty to a downtempo groove packed with vocoder vocals, synth smears and organic percussion.

'Orcos Ou Fadas' carries on with a rich blend of strings and percussion, shuffling rhythms and curious moods, 'Raifuki' lurches on moody drums and introverted melodies and 'Ligea' (Feat. Sergio Dileo) brings some romantic Latin rhythms and seductive clarinet while 'Superluna' completes the odyssey with more wavy dub and magnificent collages of melody and percussion.

I Will Try To Imitate The Birds will lift you off your feet and carry you away to a lush world of cathartic, sun-kissed musical pleasure.

"really special. Cut above typical balearic biz" - Ruf Dug

"Wonderfull!!" - Sean Johnston

"A beautifully atmospheric experience from start to finish." - Max Essa

"Fabulous release...All tracks" - Trevor Fung

"When experimental meets Balearic!" - Ilya Santana

"dreamy, hypnotic and lovely" - Chris Todd/Hot Toddy/Crazy P

"excellent album" - Andy Wilson (Cafe del Mar) 

Shop

Polcari - Superluna

On my mind - Journaux

Modular Icon
Sccene : Lotus
Kit Maschine : Solar breeze
Sessiion percusiionist
Bazzazian tape
Dark Interval : Artefact
Ignition key
Rise & hit

Night Alarm

kaleidoscopic sounds from australia & beyond
record label/ mix series/ events by @kia-sydney

-- not currently accepting demos or mix submissions

* operating on the stolen land of the wurundjeri people. sovereignty was never ceded.

sublabel / @cirruslabel 

distributed by @clone-distribution

artists
@brickel
@dashiell
@pascalsone
@menagerecords
@okegmusic
@dollllly
@undergroundcityloop
@billusmoon
@loiflan
@priori-ties
@secondcousins
@commandd
@zaraolsen
@gnatenko
@reptant_the_lizard
@al-den-te
@o-utlier

OK EG & Priori - Serpentine (ANINAFF02)

Animalia

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