'The White Tezcatlipoca' Is an immersive sound healing journey designed to guide participants towards the exploration of their unconscious energy and establish a harmonious relationship with their personal darkness.

Performed at Monopol Berlin and Sunu Festival 
Berlin 2023

This journey serves as a reminder that our shadows are not adversaries but companions in our life's journey. It gradually leads us onto the illuminated path of Quetzalcoatl, where wisdom is cultivated, and the spirit is awakened.
Mitotili Sound Ritual

“Bridging Mexican Ancestral Wisdom and Healing Practices: Mitotili, derived from the Mexican Nahuatl Huichol term meaning sacred ritual and ceremony, is a transformative project by Cristina Bucardo that aims to connect ancient Mexican wisdom with modern healing practices.

It serves as a secure space where individuals can establish meaningful connections while integrating traditional Mexica energetic work with a contemporary expression of Prehispanic music.

The White Tezcatlipoca: The Shadow's Purification- Live Sunu Festival

Welcome to a brand new chapter of Deep Electronics. The serie brings you a diversity into the abyss of deep electronic music. This week  XÂRTE makes his debut here on the channel.  A blend of deep electronic music. Starting with smooth breaks and atmospheres building up in layers of sound into a more hypnotic state of music. So enjoy.

Bio:
In the end of 2020, a new journey began for him. It all started with a love for electronic  music, specifically techno, that he discovered during a summer filled with music. As the days  went by, his passion for techno grew stronger, and he found himself spending more and  more time listening to it.
A friend of his, who was already playing, inspired him to take his interest to the next level. He started practicing and experimenting with mixing, and soon after, he began posting his  sets online. His talent did not go unnoticed, and he was given the opportunity to perform at  a local bar. There, he honed his skills and style, which eventually led him to perform at  venues like BASIS and The Melkweg. He is known for his unique style that blend hypnotic sounds and deep patterns to create a  completely new groove. His recognizable approach involves laying down multiple tracks at  the same time, resulting in a hypnotic and emotive experience that leaves the crowd  wanting more. With the goal of creating unity on the dancefloor, he wants to transport his audience into a  world where they can forget about the daily struggles of life and just be present in the 
moment. His music takes listeners on a journey full of emotions and abstract textures,  inviting them to drift off and get lost in the music.

Links:
www.instagram.com/xarteofficial
www.soundcloud.com/xarte01
www.facebook.com/XARTE01
www.ra.co/dj/xârte

Artwork created by Jeroen

Deep Electronics # 420 -  XÂRTE

Reethaus Flussbad Berlin 9. Homecoming
By OCTUPONE (Tea*Eye Productions) : BERLIN

In corporation with Slowness
🌑🌘🌗🌖🌕🌔🌓🌒🌑

flussbad.com/
slowness.com/places/flussbad/

1 Ganavya - A Love Supreme, Part 1: Ishmael Wadada, Leo Smith
2 JB Dunckel - Sun Stone
3 Madison Willing - Offering
4 Mai Lan Morini - Les merveilles de la mer: No. 4, Etoile de mer, étoile du ciel (For Piano)
5 Julius Asal - Improvisation on Scriabin
6 Max Richter - On the Nature of Daylight (Piano Version)
7 Johannes Motschmann - Préludes I
8 Omar Sosa - Para ella
9 Polina Osetinskaya - 33 Miniatures: No. 1, King Lear
10 Sofiane Pamart - Triste
11 William Alexander - Wdwg
12 Tindersticks - The Secret of Breathing
13 Sarah Neufeld, Richard Reed Parry, Rebecca Foon - First Sound
14 Lemon And Soul - Cristo Redentor (Aluna Remix)
15 Nat Bartsch - My Favourite Person
16 Amanda Whiting - Peace Piece
17 Nakia Bangila - Moonlit Reflection
18 Pieter Savenberg - Bliss
19 Floraleda Sacchi - Minamata Theme
20 Lars Danielsson, Verneri Pohjola, John Parricelli - Gold in Them Hills
21 Lunng Fern & Marta Gynku - Sciath
22 Wolfgang Muthspiel - For Bill Evans
23 Edson Natale Suba - Par de Asas
24 Rodrigo Amarante - At Night
25 Sam Weber - Silent Film
26 Oscar Kowalski - Jouska & Sonder
27 Neil Patton - Trust
28 Silke Aichhorn - Porgy and Bess: Summertime
29 Luca Mauceri - Wintertime
30 Marina Viotti - Intermede
31 Silke Aichhorn - Inis Oirr
32 Pascal Schumacher - The Sculptor R.S.
33 Madison Willing - Patient
34 Nils Erikson - Along the Rails
35 Ólafur Arnalds - Saman
36 Jenny Owen Youngs, John Mark Nelson - ambrosia
37 Quarterly - Illuminati
38 Nicola Piovani - La vita in gioco
39 Tigran Hamasyan - Fides Tua
40 Snorri Hallgrimsson - Móanóra
41 King Crimson - Prelude: Song Of The Gulls
42 Cephas Azariah - Faber
43 Jake Isaac - SELAH
44 Bách Phan - Bàn Trà Thủy Tinh	
45 Henny Herz - We all heal at night (instrumental IV)
46 Max Richter - Andante (Edit)
47 Nijolé Abaryté - Nature
48 Koki Nakano - Sequel
49 Jon Batiste - Dusklight Movement
50 Gabríel Ólafs - Túndra
51 Silkroad Ensemble with Rhiannon Giddens - Swannanoa Strings
52 Shannon Lay - Jhr
53 Volker Bertelmann - Chamber Baliset
54 Laura Cannell - Flying North
55 Richie Harvi - Intro
56 Ned Collette - Sunday
57 Bruce Brubaker - Music for Airports, 1/1
58 Lukas Boysen - Opening
59 Gaute Øvereng - Pianosong 8
60 Alessandro Simonetto - Circles from the Rue Simon-Crubellier
61 Susanne Darre - Isfuglens Dans
62 João Santos & João Pedro Silva & Rita Maria - Berenice
63 Astrid Williamson - Shetlan
64 Lars Danielsson, Verneri Pohjola, John Parricelli - Le Calme au Château
65 Alessandro Bianchi - Butterless
66 Volker Bertelmann - Did I Hurt You
67 Robbie Basho - Land of Our Fathers (Hopi Hymn)
68 Bill Laurance & Michael League - Anthem for a Tiny Nation
69 Roman Vikulov, Narinée Nanayane, Darya Filippenko & Olga Kalinova - Adagio "Prayer for Peace" (String Quartet Version)
70 Jade Ashtangini - Shanti
71 Chad Crouch - Part 5, The Sweep
72 Uranienborg Vokalensemble, Elisabeth Holte, Kjetil Bjerkestrand - Voggesong
73 Francesca Romana Di Nicola - Miniature: No. 1, Meanders of Time. The Wait
74 Lunng Fern & Marta Gynku - "Ich Habe Gehen Gelernt: Seitdem Lasse Ich Mich Laufen"
75 Chad Crouch - Part 8, Wonderland
76 Grup Abdal - Bu Yıl Bu Dağların Karı Erimez (Feyzullah Çınar Eserleri 1)
77 Nicolas Jaar - Cangilón
78 Bibio - PHANTOM BRICKWORKS VI

Reethaus Flussbad Berlin 9. Homecoming

Art by Guaraci 
Instagram: guaraci.guaraci

TRACKLIST GUARACI SELEKTA:

Bits, Beats & Breaks - Slow and Low
Atjazz - Wrong Type of Day
Toma Kami - Gymnase Chaos
Invisible Temple, Bostro Pesopeo, Benjamin Frohlich - Plant Magic
Jazzanova - Coffe Talk
Jiony - El Maldito Bueno
Ice One - Repressive Hypnosis 
Beanfield - Breeze
Marc Collin - Les Kid Nappeurs Main Theme 
Mystic Room - Dj Rodriguez
CONCEPT Flanger - Inner Spacesuit
Paula Tape - Agua Congas (Project Pablo Remix)
Puremath - Objekt 
Catz 'n Dogz - Stay (Jay Shepheard Remix)
Banda Favela - Samba (Alex Phountzi Remix)
Pastaboys - The Chant 
Anatolian Weapons - Chant Nine 
Akotcha - Sound 
Don Tiki - Primitiva 


Guaraci Selekta Set

Un mix dédié à toutes ceux que j'aime (et à vous qui écoutez)
Enregistré le dimanche 2 février 2025
Les deux poèmes lus sont extraits du recueil "Rythmes" de Andrée Chedid
Les impros de @les-antonymes sont extraites d'une session enregistrée le 20 décembre 2024 avec Frederic Aerden (processed field recordings, ASMR and foley, and a soundbox), David Christophe aka https://soundcloud.com/david-lund-music (basse et voix), Jann Dūne aka https://soundcloud.com/nina-sky-w-k-coeur (guitare et voix), Olivier Taskin aka https://soundcloud.com/olitaski (piano) et moi (groovebox)
L'image est de Rozenn Brécard -> https://www.instagram.com/rozenn__brecard/

Playlist:

0 Les Antonymes de décembre - Escapade II (impro)
1 Annelies Monseré - Untied
2 Les Antonymes de décembre - Silence (impro)
3 A Winged Victory For The Sullen - The Haunted Victorian Pencil
4 Clément Nourry - Serpent
5 Joep Beving - Beving: Prelude
6 Les Antonymes de décembre – Escapade I (impro)
7 Niklas Paschburg - Tuur mang Welten
8 Winter Family - Black Sun
9 Sopoorific - Altered Dreams
10 Julius Asal - Debussy: Préludes, Book 1, CD 125: VI. Des pas sur la neige
11 Annelies Monseré - Hold Music I
12 Clément Nourry - AMOR
13 Antonin De Bemels - Jour de brume
14 Colleen - The Bowing Song
15 Hidden Orchestra - to dream is to forget
16 Sophie Hutchings - Whatever You Love You Are
17 OM - Addis
18 Les Antonymes de décembre – Escapade III (impro)
19 Federico Albanese - The Passenger

Mélancolie douce XXVII

THCB #24 - Allein in der Stadt

Boris Rogowski – The Darkness of Future Past
(out on piano and coffee records on November 7, 2025)

Jonas Burgwinkel—drums
Viktorija Kukule—vocals
Roland Muenchow—flute
Boris Rogowski—keyboards, (bass) guitar, percussion, programming, vocals
David Schuette—cello
Isabelle Seemann—vocals

Press info:
Somehow, Boris Rogowski’s The Darkness of Future Past manages to go from Renaissance and Baroque influences and minimalist piano pieces via Ambient all the way to arena-sized pop music. It has no right to work, but it works perfectly. I don’t know how.
If I had only one word to describe its general mood, I would call it haunting. And the album itself is haunted, too, by the ghosts of the past, of classical composers (Orlando DiLasso, Eric Satie and Alfred Schnittke explicitly, many others lurk in the shadows) and more recent musical specters. It’s called The Darkness of Future Past, and yes, that’s a Twin Peaks reference… but let’s not make too much of it, there are no real connections (I think!) except for a general love of mystery, darkness and beauty.

In contrast to Rogowski’s 2023 album The Waste Land that was largely defined by a good amount of classical rigor, consistent chamber instrumentation and a complete lack of vocals, The Darkness of Future Past is almost loose: We have long, winding instrumental pieces that straddle Ambient (The Past, Like a Strange Bird), Minimalism (The Bloom and the Flutter) and Jazz noir (the title piece). They are humming with sounds and melodies that always seem in a state of either synthesis or decay, giving way to one another or sticking around in the form of eerie echo loops that build up a dreamlike musical structure always on the verge
of collapsing into itself.
Those long-form soundscapes, some of which feature ominous spoken Journal Entries, alternate with solo piano pieces that sound like at least three different instruments—but were, in fact, all recorded with an old upright built in 1906 by some regal German manufacture. The audaciously titled Gymnopedie No. 4 wears its influence on its sleeve—and delivers on its promise: Rogowski’s love, respect and understanding of the original works of Eric Satie shine through in every note. Similarly, the other piano pieces, from the tiptoeing Sleeping Dogs to the dreamy, improvisational One Lonely Autoresponder Message, feel a bit like memory palaces—reminiscent of music that has always been around, but at the same time very much their own beasts.
And then, of course, we have the songs: Nothing Wrong is strikingly beautiful, its sparse musical arrangement serving as the perfect bed for Rogowski’s falsetto and the ghostly choir backing it. breatheINbreatheOUT is downright scary, like a field recording of some strange initiation rite: The words ‘breathe in, breathe out, it’s all right/mankind is no longer your kind’ are delivered in a moody croon that seems to channel the later Scott Walker.
And then, just when you think you have finally figured out how this album works, it leaves you with Them!, a monolithic sound colossus that begins as a shoegaze-y electro pop song and develops over 6 minutes into an arena-sized hymn with an otherworldly female voice lamenting ‘What a lonely world’ over and over. Rogowski did much of the work on The Darkness of Future Past in a desert cabin near Joshua Tree—maybe he passed Coachella on his way back; that, at least, would be a good explanation of the sound of Them!

There is a very clear and distinct consciousness of the past, and there are projections into the future that are as nebulous as they are frightening. The Darkness of Future Past has the power to conjure up mysteries, to shed just the right amount of light on them and keep us intrigued—without ever giving them up or serving us easy explanations. The beauty of the music itself remains a secret, one that Boris Rogowski as its composer seems hell-bent on protecting. After all, no-one needs to know who killed Laura Palmer.

A Pane of Glass

je vais t,aimer

Snow Lanterns is a gentle and melancholic winter journey — six cinematic and neoclassical pieces shaped by soft strings, subtle female vocals, and glowing ambient textures. Each track drifts through quiet forests, falling snow, and warm light in the cold, capturing the stillness and emotional depth of the winter season.
A calm and reflective follow-up to Luminous Mist, this EP offers peaceful soundscapes for rest, focus, meditation, and late-night listening.

Support

Footsteps in the Quiet

Spiritual SundayZ Vol.3

Gods without Men

Antonin is an artist from Brussels. He makes masks and music, mistakes and mixtapes. All with love.

Regular partners:
https://soundcloud.com/olitaski
https://soundcloud.com/les-antonymes
https://soundcloud.com/david-lund-music
https://soundcloud.com/thin-consolation