http://disquiet.com/2012/01/27/the-disquiet-junto/

Side by side along the pitched ridge.

More on this 156th Disquiet Junto project — “Create a sonic diary of the past year with a dozen five-second segments” — at:

http://disquiet.com/2014/12/25/disquiet0156-audiojournal2014/

More on the Disquiet Junto at:

http://disquiet.com/junto

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/

Photo associated with this project by Tim Sackton used via Creative Commons license:

https://flic.kr/p/cEkpgG

Disquiet Junto Project 0156: Audio Journal 2014

3 Tracks grabbed live from the Stoch 4 Lunetta instrument. Drum track was run first against a sparse metronome. Two melodic lines dubbed over; once the loop point had been fixed. Chromaticism was determined by the native trilling of the Stoch. Final mix balanced out in PC software; just light filtering and pan/levels.

The Stoch generously delivered structure without prior deliberation - it was challenging for this purpose to achieve interaction with the triggers to form a plausible tight loop from the percussive bursts. The two instrumental tracks are bound together by switch selected scale distributions. Their triggering was manipulated to hook motifs into the phrasing accents of the base percussion loop.

Axial [disquiet0153-groovelock]

Used my own track - Axial - already randomly generated and waiting to come to terms with. Picked up  Steve Moshier's — No Cause for Alarm (disquiet0153-groovelock) - a solid contrast of speed/density and sat well harmonically. Stacked the loops in PC sequencer, with some re-pitching into bass and scattering into higher registers. Braided a long echoing software synth across to hold it all together and mimic Steve's voicing.

Spoiled for choice with so many great samples ... used a couple more as meat for effects/filters and sprinkled them through. Thanks to:
 Dave Dorgan — 0092 
 VG mrmojo — 0153groovelock 
 Peter Tigges — What does 273.15 K taste like?  

----------------------------------------------------------------

The Assignment: Create a track from two locked grooves.

This week’s Disquiet Junto project builds on last week’s. Last week, 67 different musicians uploaded as many locked grooves. This week we’ll make new music atop the locked grooves. Here are the steps. Note that there are some options:

Step 1: Choose two locked grooves from the set at http://goo.gl/0s4WmM. You can accomplish this in several ways. You can choose random numbers between 1 and 67 and use those tracks, or you can just select the tracks you most want to work with. Note that most of the tracks should be set to allow, via Creative Commons, for non-commercial re-use. However, if you aren’t sure, please contact the musician to confirm.

Step 2: Make a new track alternating the two locked grooves for between one and two minutes.

Step 3: Use the track that resulted from step 2 as the foundation for a new piece of music. Transform it as you desire, which might include altering the foundational track and adding new material atop it.

Step 4: Upload the finished track to the Disquiet Junto group on SoundCloud.

Step 5: Listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Length: Your finished work should be between roughly 1 and 2 minutes long.

 


CoAxial [disquiet0154-grooveunlocked]

After a couple of failed experiments, decided to keep it simple and cadge around sampling of the melodic hints from the originals. Nuts and bolts sequencing, but set up the playback as if being run through 'shutters' at mismatched rates, so the coincidence varies. The Salamander version features as a highly fragmented&delayed background drift.

----------------------------------------------------------

Step 1: Download the following two tracks. The first is “Waiting…” by Yellow Salamand’r and the second is a reworking of it, titled “Waiting (A Yellow Salamander Re-hash),” by Colab.

https://soundcloud.com/yellow-salamandr-4-1/yellow-salamandr-4-waiting

https://soundcloud.com/colab/waiting-a-yellow-salamander-re-hash

Step 2: Create a new track that combines the two source tracks. 
Don’t add any new audio, though you can transform the source material as you wish.

Step 3: Upload the finished track to the Disquiet Junto group on SoundCloud.

Step 4: Listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Length: Your finished work should be between roughly 3 to 4 minutes long.

Tachistoson [disquiet0155 - Mixmatch]

1. drifts while walking - "disquiet0105"
2. end - "disquiet0117"
3. 75° - “disquiet0107"
4. the place where he is meant to be lost - "disquiet0106"
5. untitled
6. untitled
7. bacon grease; sputtering (with abandon)
8. architecture {re-viola}
9. June 29th, 2012
10. oscillations of the unadorned lightbulb
11. untitled - (New bassoon work)
12. dandelion 

_____

Disquiet Junto Project 0156: Audio Journal 2014
The Assignment: Create a sonic diary of the past year with a dozen five-second segments.

This week’s project is a sound journal, an audio history of the past year. You will select a different audio element to represent each of the past 12 months of 2014. You will then select one five-second segment from each of these audio elements. Then you will stitch these dozen five-second segments together in chronological order to form one single one-minute track. There should be no overlap or gap between segments; they should simply proceed from one to the next.

These audio elements will most likely be of music that you have yourself composed and recorded, but they might also consist of phone messages, field recordings, or other source material. These items should be somehow personal in nature, suitable to the autobiographical intention of the project; they should be of your own making, and not drawn from third-party sources.

2014 - “disquiet0156-audiojournal2014”

These are from voicemails I've listened to over the past year.  Each 5 second edit is from a different month, starting with January and ending in December.  The first 11 are one voice, and the last one is a different voice.

I really prefer asynchronous conversation in the digital age where smartphones always lack the sidetone of land lines.  You'll rarely catch me talking on my smartphone for more than 30 seconds unless I'm leaving a voicemail.  That's just my thing.

Voicemails have factored into sound collages I've made since the mid 1980s, particularly in a lot of unpublished material I've been involved with.  It's almost always humor or satire, but sometimes things have veered into areas where if I published it I would get sued because of rights issues so those things are kept as private jokes.

This bunch of clips should all be regarded as humor (e.g. "Amy Fisher" rather than "Anal Fissures").

Anyway, I wanted to do something different than play 5 second snippets of music or whatever.  This stuff made me laugh over the past year, and I hope others get a chuckle out of it.

More on this 156th Disquiet Junto project — “Create a sonic diary of the past year with a dozen five-second segments” — at:  http://disquiet.com/2014/12/25/disquiet0156-audiojournal2014/

More on the Disquiet Junto at:  http://disquiet.com/junto

Join the Disquiet Junto at:  http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:  http://disquiet.com/forums/

Voicemails (disquiet0156-audiojournal2014)

An autobiography of 2014 for Tom Anderson

12 FL Studio tracks, one from each month of 2014. Some raw unfinished ideas, others more developed, but only five seconds from each monthly track. Normalised sound levels and pasted them together as a single track, with no pause or mix between.

Note that all monthly tracks start on a downbeat but end abruptly at the end of the five seconds.

More on this 156th Disquiet Junto project — “Create a sonic diary of the past year with a dozen five-second segments” — at:

http://disquiet.com/2014/12/25/disquiet0156-audiojournal2014/

The twelve tracks are previously unreleased but for posterity, the titles are as follows:

1. tomorro
2. liftering
3. conceal
4. colourspray
5. mwamwamwamwamwa
6. outsmokanite
7. nbanansdfgh
8. underflow
9. soundslike
10. yesterd
11. greytwisted
12. sweeping generalisations

More on the Disquiet Junto at:

http://disquiet.com/junto

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/

Photo associated with this project by Tim Sackton used via Creative Commons license:

https://flic.kr/p/cEkpgG

Autobio2014 [disquiet0156-audiojournal2014]

12 little snippets for the year coming to a close:
Jan - Ice in a glass for the first Disquiet Junto of the year, which I never completed.
Feb - Unreleased track I played out heaps in 2013 and tried to finish this month. Failed. Untouched ten months later.
Mar - Everything Time radio show sting voices, created using a text-to-speech reader and a free alternative to Antares Autotune. I quit the show in March, hence the choice.
Apr - 'Tram Lines' from my EP Hoops, which I worked on in this period 
May - 'Shak' from my EP Hoops, as above jetjag.bandcamp.com/album/hoops
Jun - Unreleased beat I thought I'd send to a rapper in Auckland, but didn't.
Jul - Unreleased no-input mixer feedback experiment for an experimental gig in August.
Aug - Unreleased example of what I actually played at the August gig.
Sep - Field recording of a capoeira practice in a little town in Portugal.
Oct - Clare Wieck's 'Here', as remixed by me. https://soundcloud.com/clarewieck/here-jet-jaguar-remix
Nov - Unreleased polyrhythmic feedback loops.
Dec - Another unreleased track I finished late December.

More on this 156th Disquiet Junto project — “Create a sonic diary of the past year with a dozen five-second segments” — at:

http://disquiet.com/2014/12/25/disquiet0156-audiojournal2014/

More on the Disquiet Junto at:

http://disquiet.com/junto

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/

Photo associated with this project by Tim Sackton used via Creative Commons license:

https://flic.kr/p/cEkpgG

2014 In Twelve Slices [disquiet0156-audiojournal2014]

**Production Notes**

2014 has been a pretty productive musical year, esp. when it comes to drones. I made several dozens of them with Ambient V0.3, mostly as a soundtrack for my working day (helps me to keep in focus). Ohers were used as foundation for songs or even got published at the lovely tape labels Phinery and La Cohu (thanks, folks!).

I chose one of each month. It’s interesting to see what happens to a drone when you cut it to 5 seconds (a melody might take a minute to evolve), it simply gets reduced to a pad. 

January: Hicks Blue
February: Salix
March: Mister David
April: Mambo
May: Pink Slip
June: Mischief
July: Carmine
August: Orange Aurora
September: Tuscan Red
October: Light Bronze Green
November: Chocolate Color
December: Lead Grey

* * *

**Disquiet Junto Project 0156: Audio Journal 2014**

The Assignment: Create a sonic diary of the past year with a dozen five-second segments.

This week’s project is a sound journal, an audio history of the past year. You will select a different audio element to represent each of the past 12 months of 2014. You will then select one five-second segment from each of these audio elements. Then you will stitch these dozen five-second segments together in chronological order to form one single one-minute track. There should be no overlap or gap between segments; they should simply proceed from one to the next.

These audio elements will most likely be of music that you have yourself composed and recorded, but they might also consist of phone messages, field recordings, or other source material. These items should be somehow personal in nature, suitable to the autobiographical intention of the project; they should be of your own making, and not drawn from third-party sources.

(...)

More on this 156th Disquiet Junto project — “Create a sonic diary of the past year with a dozen five-second segments” — at:

http://disquiet.com/2014/12/25/disquiet0156-audiojournal2014/

More on the Disquiet Junto at:

http://disquiet.com/junto

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/

Photo associated with this project by Tim Sackton used via Creative Commons license:

https://flic.kr/p/cEkpgG


Padding [disquiet0156-audiojournal2014]

OK, hope it doesn't stretch the rules too far... A year spent jamming tables in a SQL warehouse; did grow some vegetables, but no decent date ordered catalogue of audio projects. Synopsis? = calendar is represented here by 12 months detailed daily weather data from logging station at the end of the road, downloaded, stitched and mangled per DBA's professional manner. Pushed as series into Arduino controller, and spooled back out algorithmically as MIDI for recording. Approx. 5 sec each month.

As a 'journal' it reflects the spirit and experiences of the year, and summarisies the audio techniques I've mucked about with.

--------------------------------------
Thanks to : http://www.bom.gov.au/climate/data/index.shtml
--------------------------------------

Disquiet Junto Project 0156: Audio Journal 2014
The Assignment: Create a sonic diary of the past year with a dozen five-second segments.

This week’s project is a sound journal, an audio history of the past year. You will select a different audio element to represent each of the past 12 months of 2014. You will then select one five-second segment from each of these audio elements. Then you will stitch these dozen five-second segments together in chronological order to form one single one-minute track. There should be no overlap or gap between segments; they should simply proceed from one to the next.

These audio elements will most likely be of music that you have yourself composed and recorded, but they might also consist of phone messages, field recordings, or other source material. These items should be somehow personal in nature, suitable to the autobiographical intention of the project; they should be of your own making, and not drawn from third-party sources.

When done, upload the finished track to the Disquiet Junto group on SoundCloud. Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: 11:59pm wherever you are on Monday, December 29, 2014.

Length: Your finished work should be 60 seconds long.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto.

Information: Please, when posting your track on SoundCloud, list the source of each of the 12 elements.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0156-audiojournal2014” in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 156th Disquiet Junto project — “Create a sonic diary of the past year with a dozen five-second segments” — at:

http://disquiet.com/2014/12/25/disquiet0156-audiojournal2014/

Meteorologic [disquiet0156 - Audiojournal2014]

A very pretty glass with curves made many harmonics as the ice went in. Took around 15 samples. A couple were reserved for waveform synthesis - the rest went straight onto a 'drum' track. From there it came together quickly.
Nothing but ice, glass and water.

-----------------------------------------------------
Disquiet Junto Project 0157: A Little Ice Music
The Assignment: Record the sound of ice in a glass and make something of it.

Happy new year! This week’s project is as follows:

Step 1: Please record the sound of an ice cube rattling in a glass, and make something of it.

Step 2: Upload the finished track to the Disquiet Junto group on SoundCloud.

Step 3: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Background: Longtime participants in, and observers of, the Disquiet Junto series will recognize this single-sentence assignment as the very first Disquiet Junto project, the same one that launched the series on the first Thursday of 2012. Revisiting it a year and two years later, on the first Thursdays of 2013 and 2014, provided a fitting way to begin the new year. Now, at the start of the fourth year of the Disquiet Junto, it is a tradition. A weekly project series can come to overemphasize novelty, and it’s helpful to revisit old projects as much as it is to engage with new ones. Also, by its very nature, the Disquiet Junto suggests itself as a fast pace: a four-day production window, a weekly habit. It’s beneficial to step back and see things from a longer perspective.

Deadline: 11:59pm wherever you are on Monday, January 5, 2015.

Length: The length of your finished work should be between one minute and four minutes.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0157-icemusic2015” in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 157th Disquiet Junto project — “Record the sound of ice in a glass and make something of it.” — at:

http://disquiet.com/2015/01/01/disquiet0157-icemusic2015/

More on the Disquiet Junto at:

http://disquiet.com/junto


Hydra [Disquiet Junto Project 0157: A Little Ice Music]

" Nettles (Urtica species) are shrubby weeds covered in fine stinging hairs. The opposite leaves have toothed margins, and the sprays of tiny flowers are greenish and unattractive. " - Tim Low, Wild herbs of Australia and New Zealand.
It remains to be seen exactly what relation this bears to the composition and interpretation of music.

Meteorologic [disquiet0156 - Audiojournal2014]

aPatchofNettles