Anatole is inspired by  images and sounds of the east. The electronic part is made by the use of electronically eleborated natural sounds of the flute, voice and percussion. the pre-recorded flute materian in the electronic part is selected from individual flute improvisations on musical modes of the easter Mediterranean.

http://myrtokorkokiou.wordpress.com/


Anatole for 4 flutes, alto flute, bass flute and electronics

Behaviours presents a co-existence of flute sounds(live instrument part) with transformed sounds borrowed from the natural environment (tape part). The musical context combines timbres resulting from particular flute techniques with sound-behaviours deriving from the elaboration of environmental recordings. This combination creates the essence of a 'Hybrid' sound-world, in which the flute 'live' playing often reveals natural sound-behaviours and, together with the elaborated sounds, compose a variety of virtual and supernatural soundscapes.

http://myrtokorkokiou.wordpress.com/


Behaviours mp3 for flute and tape

"Adamance" by Yves De Mey from the forthcoming "Drawn With Shadow Pens" 2xLP due out January 2016.

"Adamance" by Yves De Mey

The work is inspired by the myth of Icarus, and metaphorically relates to the effort of human to reach the sky and go beyond the limits of his biological nature. 

A sum of different ‘flying’, evolving behaviours –from bird-like to jet-like sounds- represents this human struggle throughout the work. Most sounds derived from field recordings during a soundscape project in Corfu, Greece. Soundscapes of nature are transformed to represent different behaviours, detached from the original source, creating an acousmatic tale...

Realized as a post-doctoral research composition, under "Pythagoras" research programme, funded by the EU and the Greek Ministry of Education, and co-ordinated by the Ionian University, Department of Music Studies, between 2006-2008. 

Icarus was amongst the finalists of 34th International Competition at Bourges, (France 2007), and was awarded the Audience Prize at the  METAMORPHOSES 2008 International Composition Competition (Belgium).

Published on CD by M&R 2008 http://www.electrocd.com/en/cat/mr_2008/

More info on the composer:
https://apostolosloufopoulos.wordpress.com/

Icarus

...good and evil, light and darkness, tranquility and intensity, joy, harmony, unrest, anger, conflict, death, rebirth, metamorphosis...
These elements co-exist within a musical context of intense sonic antitheses, inspired by myth and magic, and also by the human nature of emotions, thoughts, internal fight, transcendence...
For the creation of the work, sounds borrowed from an old Greek 6-string bouzouki were utilised, in combination, at certain parts, with transformed vocal sounds. 


Demons and Fairies

Enalia

This song is dedicated to Tom Purser IV. Thanks for the music and for the support Tom. Sleep well my friend. 

Guitars - Skyggefigurrer
Vocals - Emily Highfield
Image - Sylfvr

Voices rise from the sea, unalone on the steep 
Walk through ruins to the uncontained abyss
Lay across the starry fields and knowingness
Surrender to the hidden evergreen, as we return as trees 

Wear the colour of the night, haul the ashes to the mire
To the edge of the kingdom we will stand
Lament not ascensions to the light 

Take this flesh and turn it into wood 
Cast these limbs unto the hallowed earth 
And wood to stone, so I can return, as trees

Silver light, shimmer through watch for dawn 
In these woods of twilight hymns 
A silent void.....

Huge thanks to Syggefigurrer  https://soundcloud.com/skyggefigurrer
and Drewdahead for mastering https://soundcloud.com/drewdahead

A massive thanks to my beautiful Soundcloud friends for your support and kindness. I treasure all of your comments and am eternally grateful to you. May the next year bring you all that your heart desires.

Return As Trees (feat. Skyggefigurrer)

aura suggests a “gentle breeze”, indicating a certain type of motion, a smooth sound, throughout this track. Metaphorically, the sound may here represent the ideas of birth and evolution of life, associated with invisible worlds existing behind the materials of nature: what we experience in the natural environment is a result, a “framing” of a whole universe of invisible evolutionary processes, which constitute a hidden microcosmic reality.
Throughout Aura the sound world is unfamiliar, non-relating to certain sources, however it often momentarily reminds of recognizable natural motions of living organisms, or virtual natural images and landscapes. This “familiar”-’unfamiliar’ relationship is symbolizes the complex, microcosmic universe, which evolves behind the “scenery” of nature, in the core of even the simplest form of natural life.

The sounds used in this work mainly derive from non-natural sound-sources. Electronically generated and human-based gestural sounds are utilized in transformations, but also sounds recorded from nature have been employed. The “concrete” sonic events are layered in front of a sustained, “synthesized” harmonic background, with which they interact and create different types of space. The recorded “cricket” sound in the final section is used as a symbol of nature, presenting the simplicity of the perceptible natural world, which contrasts with the complexity of the invisible world behind.

The work was finalist @ the international composition competition "Metamorphoses 2002", Belgium, and discographed by M&R

https://www.electrocd.com/en/oeuvre/15796/Apostolos_Loufopoulos/Aura

AURA

night pulses... and the idea of 'night' is used to represent an abstract sound-world, an 'electronic landscape', which gradually unfolds, often revealing something we might recognise there. 'Pulsations' are dominant: sound events often interwoven with variable pulses, which interact and develop an unsteady, kinetic environment, set in a static harmonic field. 'Pulsations' may also symbolise the continuous cycle of life in relation to time: eternity

Awarded First Prize and Audience Prize @ SCRIME 2003 International Electronic Music Competition, Bordeaux, France

CD release: Scr02SCRIME.768650402 
http://www.worldcat.org/title/prix-scrime-200/oclc/768650402

Night Pulses

Ghost is a continuous and kinetic transition between imaginary sound environments, an intense dialogue between the flute and the surrounding, continuously transforming sound-world of the electronics.

http://myrtokorkokiou.wordpress.com/


Ghost excerpt mp3

Apostolos Loufopoulos works with sound and digital media and is interested in the sound of the natural world and its potential for musical exploration…
and not only...

Night Pulses

apostolos-loufopoulos

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